Trashy cult cinema from the fringes of good taste.
Asian Erotica From Japan
Non-Pinku + Pinku eiga
Pink film (Pinku eiga or Pink eiga or Roman Porno) in its broadest sense includes almost any Japanese theatrical film that includes nudity (hence 'pink') or deals with sex. This encompasses everything from dramas to action thrillers and exploitation film features. (source: wikipedia)
Pinku Eiga (also known as Roman Porno)
These are films that Quentin has mentioned in best-of lists, end of the year top films lists, QT Film Fests, podcasts, off-hand remarks in interviews, etc.
These have been sourced from many lists online, and made available here, in one spot, for your enjoyment.
Sources:
https://screenrant.com/quentin-tarantinos-favorite-movies-time-ranked/
https://mubi.com/lists/quentin-tarantinos-favorite-movies
https://imdb.com/list/ls043093231/
https://faroutmagazine.co.uk/quentin-tarantino-favourite-11-films-handwritten-list/
https://www.indiewire.com/gallery/quentin-tarantino-favorite-movies/
https://wiki.tarantino.info/index.php/Tarantino's_favorite_films
https://www.pulpfiction.com/quentin-tarantinos-top-20-films-1992-to-2009
Please comment on any that I may have missed.
Pinky Violence is a film genre that developed out of the Japanese New Wave in the late sixties and blossomed into it’s own during the early seventies. The term came from the way the films mixed the erotic elements found in Pink Films (a.k.a. Roman Porno) with the action and violence found in Yakuza crime films. They are often grouped in with sexploitation films because of their excessive nudity, over the top gore and low budget production.
Movies about labor movements, civil rights struggles, anti-war efforts, or community organizing. These movies often blend strong narrative storytelling with a deep exploration of social and political themes, providing viewers with not just a compelling story, but also a thought-provoking examination of the human condition and the power of collective action.
films that are elevated or sophisticated in their themes, style, and execution, often blurring the lines between traditional genre conventions and arthouse or experimental cinema. These movies are often considered to be a combination of commercial appeal and artistic merit, combining elements of popular genres such as crime, science fiction, or horror, with more serious and thought-provoking themes, innovative cinematography, and a focus on character development. High art genre movies are often more character-driven and less reliant on conventional plot structures, and they challenge the audience's expectations while providing a unique and engaging viewing experience.
The U.S. film industry term "grindhouse" refers to (now mostly defunct) movie theaters specializing in B-movies, often exploitation films, shown in a multiple-feature format.
This list has been compiled by aggregating the movies in three different lists: The Deuce Top 20 (2007-08), The Deuce Top 20 (2008-09) and Quentin Tarantino's Top 20 Grindhouse Classics. The movies in this list all belong to classic international exploitatation/cult cinema movies.
Sources:
http://www.grindhousedatabase.com/index.php/The_Deuce_Top_20_(2007-08)
http://www.grindhousedatabase.com/index.php/The_Deuce_Top_20_(2008-09)
http://www.grindhousedatabase.com/index.php/Quentin_Tarantino%27s_Top_20_Grindhouse_Classics
Starring the iconic and beautiful Meiko Kaji in a role that came to define her career, the four-film Female Prisoner Scorpion series charts the vengeance of Nami Matsushima, who assumes the mantle of "Scorpion," becoming an avatar of vengeance and survival, and an unlikely symbol of female resistance in a male-dominated world.
PTW Asian movies
From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.
This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
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The list is based on the contents of the Book, sorted by chapters:
Film of the Year
Alternative Japan
Anime / Animation
Chambara / Samurai Cinema
Contemporary Blockbusters
Jidaigeki & Gendaigeki / Period & Contemporary
J-Horror / Japanese Horror
Kaiju Eiga / Monster Movies
Nuberu Bagu / The Japanese New Wave
Pinku Eiga / Pink Films
Yakuza / Gangster
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
List for the 2nd edition: http://trakt.tv/user/sp1ti/lists/directory-of-world-cinema-japan-2
[Missing Virus (1980), has the same year+name as another movie (TMDB:41972)]
From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.
This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
The list is based on the contents of the Book, sorted by chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
List for the 2nd edition: http://trakt.tv/users/sp1ti/lists/directory-of-world-cinema-japan-2
A list of films which were adapted from either Manga, Manhwa or Anime.
Many sourced from deano11's IMDB-List http://www.imdb.com/list/3uFsOeRH6ss but extended by quite a few.
https://letterboxd.com/david_crdza/list/sean-price-williams-legendary-top-1000-films/
List of Japanese films to watch.
This is a loosely ranked list of all the films I've seen that are tagged with the "Action" genre. I'm a huge fan of the genre, enjoying it more than any other, and I wanted a way to document what I like and don't in the genre. Hence this list.
When I rate films, I rate based on my overall enjoyment of them, and not as examples of any particular genre. So the top portion of my list is a ranking of every film I've rated at least 8/10, but ranked specifically as Action movies. So a film like Harakiri (1962), which I find to be a flawless film, doesn't rise to the top, as it's not a great "Action Film" so it gets ranked lower.
After the ranked portion, I've grouped all subsequent ratings alphabetically. So all the films I rated 7/10 are grouped alphabetically, followed by the 6/10 rated films, and so on.
Visually Insane
by majeedpkVIP 3