2015 released movies I probably want to watch.
https://en.wikipedia.org/wiki/List_of_films_based_on_actual_events
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
The 21st Century’s Most Acclaimed Films (including films from 2000!)
9th edition (March 2016)
List curated by Bill Georgaris on They Shoot Pictures, Don't They?
Source: https://www.theyshootpictures.com/21stcentury.htm
Films lacking a big budget or a big studio release that were still enjoyed by many.
Movies (and some tv series/episodes) that are so insanely packed with things and ideas and visuals they become dense in one way or another.
Ordered alphabetically.
Suggestions welcomed but I'll have to see them to see if they fit my criteria.
Access this list in CineTrak.
Every movie listed here: https://letterboxd.com/2019/#our-annual-winners
NB: The list includes movies such as "MOST DIVISIVE" and Miniseries
These are not supposed to be the "best" films but the ones that entertained me the most or I got something out of.
Starting it early this time so lots of bumping to be expected (since the year hasn't been really great).
There is still plenty I want to watch from http://trakt.tv/user/sp1ti/lists/2015-watchlist.
Essential movies for lonely people out there... if you want to feel something in this big big world.…
Scrapped from Tamil Rockers. List will be updated frequently.
https://tamilrockers.ws/index.php/forum/125-kannada-movies/
Independent Spirit Awards 2016 nominees.
* EXCLUDING: Oscar, Golden Globe and BAFTA 2016 nominees.
In 2014, we basked in the warm, soothing glow of genre films. While a number of them veered toward the dark and macabre, many of our absolute favorites — like The Grand Budapest Hotel and our #1 of the year, Under the Skin — were divorced from reality — fascinating and brilliant, obviously, but in the realm of the fantastic rather than in the now. 2015 was a tough year, and just a glance at its major news headlines was enough to make us shudder. Our favorite films of the year tended to reflect our increasing anxieties and disillusionment, as our knowledge of rigged systems and fraudulent institutions reached its peak, causing us to feel even more powerless at our inability to combat them.
If the cinema of 2015 was anything for us, it was the year of the social outsider. Disenchantment with reality morphed itself into empowerment via cinematic proxy, giving a voice to the voiceless and face to those normally lost in the crowd. From those thrust into society’s margins due to their race or sexual/gender identities (Field Niggas, Carol, Tangerine, Chi-Raq), drug addiction (Heaven Knows What, Stinking Heaven), or inborn disabilities (the deaf kids in The Tribe) to those forcibly cut off from the outside world (Room) or who simply reveled in giving it a giant, perpetual “fuck you” (Buzzard), characters in our favorite films of the year just flat-out struggled to navigate reality.
Even the settings and environments in this batch of films were unrelentingly vicious and challenging. From the brutal blasts of icy winds in The Hateful Eight and The Revenant and the unforgivingly dry desert landscapes of Mad Max: Fury Road and Timbuktu to land soaked in blood (Crimson Peak), mud, and feces (Hard to Be a God), Mother Earth wasn’t taking any more of our shit and felt compelled to inform us. Even the reliability of good, old-fashioned sex to come through with a little unfettered pleasure and joy came at a hefty price, leaving its characters as reticent sadists (The Duke of Burgundy), with a supernatural being or gang of dominatrices hunting them down (It Follows, R100), or defenseless in a dark, damp European corridor (Spring). Forget about it being hard to be a God; in this year’s cinema, it was hard enough to be a fucking person.
Yet despite all this doom and gloom, our favorite films never wallowed in misery and instead met the trials and tribulations of existence head-on in wildly entertaining and innovative ways, transcending struggles and leaving behind inspiring treatises that left us richer and stronger in the process. No, this was not a defeatist year at movies — quite the opposite, despite the dark shadow cast by its films. Cinema ran into the face of adversity and came away with its fair share of victories that empowered the powerless and touched us all deeply on an experiential and intellectual level. The significance of cinema was exemplified, to loosely paraphrase Godard, not only in its uncanny ability to reflect reality, but in that reflections’ reality to change us for the better. 2015 took us into some dark new territories, but the light it shed upon them may just have made the path ahead a bit clearer." –DEREK SMITH
Source: http://www.tinymixtapes.com/features/2015-favorite-30-films
not to popular Horror and thriller i need to watch
Source: https://editorial.rottentomatoes.com/gallery/2015-the-year-in-certified-fresh-movies/
Note: Count is off by one because the last image in the set isn't a movie.
Movies and TV shows related to metal and punk music.
And the legend lives on
Top 10 Films of 2015 + listener extras
Dazed Magazine
The most shocking films based on true stories
http://www.dazeddigital.com/artsandculture/article/25522/1/the-most-shocking-films-based-on-true-stories
2015 Watchlist
by sp1tiVIP OG 13