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High Sierra 1941

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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Film noir encompasses a range of plots: the central figure may be a private investigator (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir.

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IMDB's 75 Most Popular Film Noir Feature Films as of 1/13/18, plus some that were previously in the top 50 (http://www.imdb.com/search/title?genres=film_noir&title_type=feature&sort=moviemeter,asc)

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1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.

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The 250 Quintessential Noir Films listing contains 241 films that all contain three key ingredients.

  1. They were all produced in the United States
  2. They were all shot in black-and-white
  3. They were all produced between 1940 to 1959.

The nine films, that have been included, that exclude at least one of these key ingredients are two Non-American-produced noir (The Third Man and Mr. Arkadin), four colour noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960s (Cape Fear, Underworld, U.S.A. and The Naked Kiss).

List has been curated by Bill Georgaris on They Shoot Pictures, Don't They?

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All the movies I have watched from the book 1001 movies

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Original Edition (2003) + additions (2004-2021) in that order. http://1001films.wikia.com/wiki/The_List

2021 Edition Additions:
The Vast of Night (2019)
The Assistant (2019)
Rocks (2019)
Saint Maud (2019)
Tenet (2020)
Ma Rainey's Black Bottom (2020)
Soul (2020)
Never Rarely Sometimes Always (2020)
Lovers Rock (2020)
Nomadland (2020)

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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This is a complete list of every movie that has ever been included in the various editions of 1001 movies. Given that I only own one edition of the physical book, this is a easier way to keep track of what has been (once) considered essential viewing.

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This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made" (St. Martin's Griffin, $24.95), edited by Peter M. Nichols and published in 2004. For additional information about the list, read Peter M. Nichols's preface, or A. O. Scott's introduction.

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A Personal Journey with Martin Scorsese Through American Movies is a documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
In the film Martin Scorsese examines a selection of his favorite American films grouped according to three different types of directors: the director as an illusionist: D.W. Griffith or F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on, the director as a smuggler - filmmakers such as Douglas Sirk, Samuel Fuller, and Vincente Minnelli, who used to hide subversive messages in their films and the director as an iconoclast, those filmmakers attacking social conventionalism — Charles Chaplin, Erich von Stroheim, Orson Welles, Elia Kazan, Nicholas Ray, Stanley Kubrick, Arthur Penn, and Sam Peckinpah."

The list includes the films mentioned in order of appearance. The documentary can be found here https://trakt.tv/movies/a-personal-journey-with-martin-scorsese-through-american-movies-1995.

Source: http://en.wikipedia.org/wiki/A_Personal_Journey_with_Martin_Scorsese_Through_American_Movies

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This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made", published in 2004. It contains a selection of 1000 reviews that have been printed in The New York Times in a time period of over seven decades. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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