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I'm Still Here 2010

7

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Updated at 2024-06-24 15:45:33

9

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Updated at 2024-06-24 10:24:48

4

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Content Type: Filters
Trakt ratings: Between 0 and 100 with at least 10
Rumtime: Between 0 and 2000 minutes
Years: Between 1910 and 2200

5

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Languages: en
Trakt ratings: Between 0 and 100 with at least 1
Rumtime: Between 0 and 2500 minutes
Years: Between 1980 and 2050

7

From 1960 to today
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Updated at 2021-10-01 23:32:51

19

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Languages: en
Trakt ratings: Between 10 and 100 with at least 1
IMDb ratings: Between 10 and 100 with at least 10
Rumtime: Between 30 and 800 minutes
Years: Between 1910 and 2021

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Genres: short

3

HollyWood Movies based on Popularity

12

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Updated at 2024-06-24 14:02:00

13

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Trakt ratings: Between 20 and 100 with at least 1
IMDb ratings: Between 50 and 100 with at least 10
Rumtime: Between 60 and 800 minutes
Years: Between 1910 and 2021

4

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Min runtime: 1
Max runtime: 500
Min year: 1850
Max year: 2020

4

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Trakt ratings: Between 0 and 100 with at least 10
Rumtime: Between 15 and 250 minutes
Years: Between 1900 and 2020

8

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Countries: us
Languages: en
Trakt ratings: Between 50 and 100 with at least 10
IMDb ratings: Between 50 and 100 with at least 10
Rumtime: Between 30 and 250 minutes
Years: Between 1910 and 2022

13

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Countries: gb, us, gb
Languages: en
Trakt ratings: Between 0 and 100 with at least 50
IMDb ratings: Between 0 and 100 with at least 1
Rumtime: Between 30 and 250 minutes
Years: Between 2010 and 2019

4

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Genres: action, adventure, animation, comedy, crime, drama, family, fantasy, holiday, horror, mystery, romance, science-fiction, short, superhero, suspense, thriller, war, western
Languages: en
Min rating: 50
Max rating: 100
Min votes: 10
Min runtime: 30
Max runtime: 250
Min year: 1971
Max year: 2020

3

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Trakt ratings: Between 50 and 100 with at least 10
Rumtime: Between 30 and 250 minutes
Years: Between 1910 and 2022

4

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Genres: action, adventure, animation, comedy, crime, drama, family, fantasy, history, horror, mystery, romance, science-fiction, superhero, thriller, war, western
Languages: en
Trakt ratings: Between 40 and 100 with at least 10
Rumtime: Between 60 and 250 minutes
Years: Between 1980 and 2030

5

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Countries: au, ca, ie, nz, gb, us, gb
Languages: en
Trakt ratings: Between 0 and 100 with at least 0
Rumtime: Between 0 and 350 minutes
Years: Between 1910 and 2022

2

2010 turned out to be a remarkable year for cinema, owing in no small part to the fact that, in a decade that boasted some of the most awe-inspiring technological advances in movie-making history, several films with little-to-no production value stood out as some of the year’s most amazing pieces of work. With his groundbreaking Trash Humpers, Harmony Korine helped to illustrate a point that Zachary Oberzan succinctly drove home in Flooding With Love for the Kid, namely, that technical excellence and budget size don’t necessarily have anything to do with how good a movie turned out to be.

This year heralded the return of enshrined auteurs like Todd Solondz, Gaspar Noé, and Darren Aronofsky, the latter’s Black Swan a nearly flawless exegesis on the nature of artistic endeavor. Social commentary figured heavily into some of the most interesting films of 2010, timely meditations on the idea of privacy (The Social Network) and public image (I’m Still Here) serving as of-the-moment reminders that, in the wake of WikiLeaks and Facebook’s privacy-settings fiasco, pretty much all of us live in public now.

However, our very favorite movies of 2010 held in common a very basic preoccupation with character. The most daring filmmakers of this year were more interested in offering us an honest-to-goodness experience of the actions and emotions of their characters than in moralizing to us about all the horrible shit those characters were doing. With the year reaching its end, we’re left with the feeling that we very well might be entering a new period of exploration in studio-backed cinema, with more and more huge entertainment companies cautiously giving filmmakers the wherewithal to carry out their visions. Let’s all hope this keeps up. —Paul Bower

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