Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
Roger Joseph Ebert was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013
Last Updated: 2012-09-08
These Greatest Movies of the 1970s chosen for their quality direction, script, cinematography, acting, storyline, originality, and success.
Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
By Shawn Edwards, Co-Founder, African American Film Critics Association
Source: https://bit.ly/AAFCA-110IFatBE-Playlist
Source: https://bit.ly/AAFCA-110IFatBE-Article
Date: 2020-06-05
Tags: #theme #list-order #complete
Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
#Top100SpoilerMastera
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In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
BFI list of 100 Greatest Movies of All Time.
https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time
The Sight and Sound critic's poll began in 1952, and has continued on each decade, growing in scope as time has passed.
This list represents the results of the 2022 critic's poll, which is the eighth poll overall, and the largest ever, with 1,639 participants. This year is notable for Vertigo falling to the number two slot, replaced by Jeanne Dielman at number one.
Taken from Metacritic.com's top movie release by all time metascore. Updated May 2020.
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
The top 100 American independent films as selected by Jason Wood, author of BFI Screen Guides' "100 American Independent Films."
BBC Culture polled film critics from around the world to determine the best American movies ever made. The results are surprising – Gone With the Wind appears at 97.
Pulled from: https://www.rottentomatoes.com/top/bestofrt/?year=2007
In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed.
The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year's edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot. What has risen up the ranks? What has fallen? Has 2012's winner Vertigo held on to its title? Find out below.
(Description taken from BFI website)
Rotten Tomatoes - Best of year
http://observador.pt/2015/07/21/serao-estes-os-100-melhores-filmes-americanos/
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