All Lists featuring...

Killer of Sheep 1978

113

List of films needed to graduate Yale Film Studies Graduate Program.

302

The Story of Film: An Odyssey, a 15-part series written and directed by award-winning film-maker Mark Cousins, is the story of international cinema told through the history of cinematic innovation.
The series provides a worldwide guided tour of the greatest movies ever made; an epic tale that starts in nickelodeons and ends as a multi-billion-dollar globalised digital industry."

Note: "Motion Capture Mirrors Emotion (2009) dir. Jorge Ribas," a documentary about the making of Avatar, is missing because it does not appear to have an imdb page.

Source: https://www.amazon.com/Birth-Cinema-Hollywood-Dream/dp/B00AMQ1B1O

329

This is the list that Spike Lee distributes to his graduate students at NYU every year.

Spike says: "I've Been A Professor At The NYU Graduate Film For The Past 15 Years.The 1st Day Of Every Class I Hand Out My List Of Films That I Feel You Must See If You Want To Make Films. Please Look At This List And See What You Might Have Missed. As I Tell My Students If You Want Your Film "Game" To Be Tight You Must Have Seen Great Movies, World Cinema, It Just Can't Be Hollywood Films. Educate Yourself. Learn. Grow. Evolve. Make Great Films.

Peace, Onward And Upward,

Spike Lee."

Source: https://www.kickstarter.com/projects/spikelee/the-newest-hottest-spike-lee-joint/posts/574874

296

The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board was established in 1988. Each year, 25 "culturally, historically, or aesthetically significant films" are preserved, to increase awareness for its preservation. To be eligible for inclusion, a film must be at least ten years old but it is not required to be feature-length, nor is it required to have been theatrically released.

Source: https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/

284

This list is "an educational resource that offers guidance and encouragement as students seek to find points of orientation within the vast history of film and video." It is not a list of the best films of all time. Rather, it reflects a variety of criteria.

Source: https://ves.fas.harvard.edu/files/ves/files/fvs_suggested_viewing_2012.pdf

231

The top 100 American independent films as selected by Jason Wood, author of BFI Screen Guides' "100 American Independent Films."

9

Liste des films présents dans le livre et le site Movieland www.movieland.io

24

This is a list of the films featured in The Story of Film: An Odyssey series by Mark Cousins.

The films are in order of appearance in the series.
The following are missing (not in Trakt):

  • American Cinema: Film Noir - Alain Klarer (1995)
  • 71st Academy Awards - Louis J. Horvitz (1999)
  • Andrei Tarkovsky & Sergei Parajanov – Islands - Levon Grigoryan (1988)
  • Sinemaabi: A Dialogue with Djibril Diop Mambéty - Beti Ellerson Poulenc (1997)
  • Motion Capture Mirrors Emotion - Jorge Ribas (2009)

Source:
https://en.wikipedia.org/wiki/The_Story_of_Film:_An_Odyssey

5

They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.

This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.

www.theyshootpictures.com

26

As The Fall Semester Nears At NYU Grad, We Thought We Would Reprint My Revised Essential Film List (With Women Directors). Many Of You Informed Me Of That Omission. Thank You For That Coat Pulling.

1

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed.

The Sight and Sound poll is now a major bellwether of critical opinion on cinema and 2022’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Note: While this list is ranked, several entries are ties, that's the reason why this list has actually 264 entries instead of the 250 entries intended. For a more comprehensibly ranked list as well as more information about it, follow the link below.

https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time

3

BBC Culture polled film critics from around the world to determine the best American movies ever made. The results are surprising – Gone With the Wind appears at 97.

8

1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.

2

http://observador.pt/2015/07/21/serao-estes-os-100-melhores-filmes-americanos/

0

All the movies I have watched from the book 1001 movies

8

One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered. Here are more than 300 reconsiderations and appreciations of movies from the distant past to the recent past, all of movies that I consider worthy of being called “great.” / Roger Ebert

» rogerebert.com/great-movies

24

Original Edition (2003) + additions (2004-2021) in that order. http://1001films.wikia.com/wiki/The_List

2021 Edition Additions:
The Vast of Night (2019)
The Assistant (2019)
Rocks (2019)
Saint Maud (2019)
Tenet (2020)
Ma Rainey's Black Bottom (2020)
Soul (2020)
Never Rarely Sometimes Always (2020)
Lovers Rock (2020)
Nomadland (2020)

62

This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

53

A list of movies which famous movie critic Roger Ebert considers to be the best movies of all-time. Ebert has written extensive reviews for each and every one of these movies.

All the reviews are available online as well thanks to rogerebert.com

Imported frome external source. 19 movies missing.

16

In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

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