A list of movies which famous movie critic Roger Ebert considers to be the best movies of all-time. Ebert has written extensive reviews for each and every one of these movies.
All the reviews are available online as well thanks to rogerebert.com
Imported frome external source. 19 movies missing.
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
-
The list is based on the contents of the Book, sorted by chapters:
Film of the Year: The Hurt Locker
Scoring Cinema: Mulholland Drive
African-American Cinema
The American Nightmare
Chemical World
Crime
Documentary
Exploitation USA
Familial Dysfunction
Narrative Disorder
On the Road
Queer Cinema
Rural Americana
Slackers
The Suburbs
Underground USA
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Imported with Trakt.tv List Importer.
Sorted by year descending.
Empire Magazine published in September 2008 their 500 Greatest Movies of All Time List, selected in a poll by over 10,000 Empire readers, 150 film makers and 50 film critics.
http://www.empireonline.com/500/
The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.
Source: http://www.theyshootpictures.com/gf1000.htm
The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012
Films watched over the course of my ENGLISH 2263 class, "Introduction to Film"
This is a complete list of every movie that has ever been included in the various editions of 1001 movies. Given that I only own one edition of the physical book, this is a easier way to keep track of what has been (once) considered essential viewing.
Taken from Metacritic.com's top movie release by all time metascore. Updated May 2020.
"1001 Movies You Must See Before You Die" is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics. This list holds the 1001 movies that are referenced in the only Danish edition from 2007.
My goal is to watch all 1001 before I die :) I have currently watched 367... Still quite a long way.
The list is originated from the work of sp1ti and his list here: http://trakt.tv/user/sp1ti/lists/1001-movies-you-must-see-before-you-die
The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.
Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."
Source: http://www.theyshootpictures.com/gf1000.htm
1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.
Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
http://www.alsolikelife.com/FilmDiary/rosenbaum.html
About The Poll
This poll was conducted in November 2008. The list was compiled using votes from Empire readers, Hollywood actors, actress and key film critics.
Spanning the length of Roger Ebert's career as the leading American movie critic, this book contains all of his four-star reviews written during that time. A great guide for movie watching.
Taken from external source. 64 movies missing from original.
A list of movies which famous movie critic Roger Ebert considers to be the best movies of all-time. Ebert has written extensive reviews for each and every one of these movies.
All the reviews are available online as well thanks to rogerebert.com
Imported frome external source. 19 movies missing.
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
The list is based on the contents of the Book, sorted by chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
Roger Ebert - The Great Movies
by hulkhorgen