Leave Her to Heaven 1945

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.

Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.

Last Update: Releases up to July 2024 (Spine #1228)

Source: https://www.criterion.com/shop/browse/list?sort=spine_number

In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.

Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).

Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.

No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.

The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire the first winner.[1] The following year Avatar was the first nominee and winner to be shot entirely on digital video.[2]

In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last Academy Award category to never nominate a woman.[3][4]

https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography#Winners_and_nominees

List of movies that won the Academy Award for Best Cinematography from the Academy of Motion Picture Arts and Sciences.

Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.

Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm

This list contains all movies that have won the Best Cinematography prize in the Academy Awards.

Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography

TSPDT is building a list of 1000 Noir films to expand on its previous 250 Quintessential Noirs. Following the initial collection of 100 noirs, a further 900 noir films (or films with prominent noir elements) will steadily be added (in a fairly random manner). This list will contain the full 1000 films which are the 1,000 most cited noir films (according to TSPDT's research). Please note that this list has not been and will not be ranked.

Source: http://www.theyshootpictures.com/noir1000.htm

List created and maintained by https://listrr.pro

Deciding that Londoners should have the opportunity to view a film masterpiece approximately every day during the course of the year, BFI film archivist David Meeker approached the board of directors at the BFI in 1982 with his idea of compiling a list of 360 of the world’s cinema masterpieces, collect brand new, state-of-the-art prints of each film and issue a companion book for each movie. This list of films, referred to as the 360 Classic Feature Films project, was published in Sight and Sound's June 1998 issue.

The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board was established in 1988. Each year, 25 "culturally, historically, or aesthetically significant films" are preserved, to increase awareness for its preservation. To be eligible for inclusion, a film must be at least ten years old but it is not required to be feature-length, nor is it required to have been theatrically released.

Source: https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/