Personal Lists featuring...

Leave No Trace 2018

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"The best movies from a decade that changed everything."


I know I listed 101 films. In the original list we can find to see two film in the same place:

#04 - THE LOOK OF SILENCE

“The Act of Killing”/”The Look of Silence” (Joshua Oppenheimer, 2013/2015)

You can see I separeted them.


By David Ehrlich, Eric Kohn, Kate Erbland, Anne Thompson, Zack Sharf, Chris O'Falt, Jude Dry, Tambay Obenson, Christian Blauvelt, Leah Lu, Christian Zilko

Jul 22, 2019 9:00 am


source:
https://www.indiewire.com/gallery/best-movies-of-2010s-decade/

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Source: https://www.theguardian.com/film/2019/sep/13/100-best-films-movies-of-the-21st-century

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Никто этого, в общем, не просил, а The Guardian взял и сделал топ-100 лучших фильмов 21 века. Среди ста фильмов два российских — «Русский ковчег» Сокурова и «Левиафан» Звягинцева.

https://www.theguardian.com/film/2019/sep/13/100-best-films-movies-of-the-21st-century

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Movies from 2010-2019 with 6.5+ IMDB, 6.5+ TMDB, 65%+ RottenTomatoes, at least 10K votes. Sorted by popularity.

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Movies with good reviews on BBC Radio 5 Live’s Kermode & Mayo Film Reviews show

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Using IMDb advanced search, filtering only by English language.

Notable entries missing include:
What Maisie Knew (2012)
Buried (2010)
The Babadook (2014)
Song of the Sea (2014)
Sleeping with Other People (2015)
Coriolanus (2011)
Palo Alto (2013)
The Hunt (2012)
Tamara Drewe (2010)
Machine Gun Preacher (2011)
Bilal: A New Breed of Hero (2015)

Last Updated: 26/06/2019

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Films lacking a big budget or a big studio release that were still enjoyed by many.

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https://www.theguardian.com/film/2018/dec/04/the-50-best-films-of-2018-in-the-uk

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Gotham Awards
National Board of Review
Los Angeles Film Critics Association
New York Film Critics Circle
British Independent Film Awards
European Film Awards
Film Independent Spirit Awards
Satellite Awards
Broadcast Film Critics Association
Golden Globes
Screen Actors Guild

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In a year defined by division, the one thing we could all agree on was movies. Just kidding! If anything, film discourse grew more contentious and fractured than ever in 2018, which began with a battle for the soul of the world’s most popular franchise and moved on from there to debates about the value of Netflix and seeing movies on the big screen, the politics of a biopic about an American icon, the importance of representation in not just cinema but also criticism, and of course picking a side in the big box-office standoff of the year, Lady Gaga versus Tom Hardy as a sexy, slobbering monster. If consensus ever really existed in the thunderdome of movie opinion, the internet has officially slayed it. Hell, even the critical favorite of the year (see our No. 7 below) has its very vocal detractors.

All of which is say that The A.V. Club’s rundown of the best films of 2018 is destined to tick you off. Hell, we could barely agree on it, which is one reason we’ve posted, as we do every year, the individual ballots of contributors. But if the following list is little more than a snapshot of what this particular group of cinephiles loved over the last 12 months, it’s one that acknowledges a spectrum of successes, from intimate documentaries to visionary spins on film noir to one belatedly completed curiosity from a dead master of the medium. (Netflix, it must be admitted, had quite the year, and is accordingly represented.) Because though we might not have been enthusiastic about all the same movies, there were plenty of movies worthy of enthusiasm. On that, hopefully, we all can agree.

https://film.avclub.com/the-best-films-of-2018-1831159568

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2019 Critics Choice Awards nominees and winners:
- Best Picture: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10. | 05 - Roma.
- Best Director: 01, 02, 03, 05, 06, 07, 08. | 05 - Roma (Alfonso Cuarón).
- Best Actor: 03, 06, 07, 08, 11, 12, 13. | 07 - Vice (Christian Bale).
- Best Actress: 02, 03, 05, 10, 14, 15, 16. | 16 - The Wife (Glenn Close).
- Best Supporting Actor: 01, 03, 06, 09, 15, 17. | 06 - Green Book (Mahershala Ali).
- Best Supporting Actress: 02, 03, 04, 07, 08, 18. | 04 - If Beale Street Could Talk (Regina King).
- Best Original Screenplay: 02, 05, 06, 07, 12, 19, 20. | 12 - First Reformed (Paul Schrader).
- Best Adapted Screenplay: 01, 03, 04, 08, 09, 15. | 04 - If Beale Street Could Talk (Barry Jenkins).
- Best Cinematography: 02, 03, 04, 05, 08, 09. | 05 - Roma (Alfonso Cuarón).
- Best Editing: 02, 03, 05, 07, 08, 21. | 08 - First Man (Tom Cross).
- Best Foreign Language Film: 05, 22, 23, 24, 25. | 05 - Roma.
- Best Comedy: 02, 26, 27, 28, 29, 30. | 30 - Crazy Rich Asians.
- Best Actor In A Comedy: 06, 07, 26, 28, 29, 31. | 07 - Vice (Christian Bale).
- Best Actress In A Comedy: 02, 10, 19, 28, 30, 32. | 02 - The Favourite (Olivia Colman).
- Best Action Movie: 09, 21, 26, 33, 34, 35. | 33 - Mission: Impossible - Fallout.
- Best Sci-Fi/Horror Movie: 14, 20, 36, 37, 38. | 20 - A Quiet Place.
- Best Production Design: 02, 05, 08, 09, 10, 30. | 09 - Black Panther.
- Best Costume Design: 02, 09, 10, 11, 39. | 09 - Black Panther.
- Best Hair & Makeup: 02, 07, 09, 11, 36, 39. | 07 - Vice.
- Best Score: 04, 06, 08, 10, 40. | 08 - First Man (Justin Hurwitz).
- Best Song: 03, 09, 10, 41, 42. | 03 - A Star Is Born ("Shallow").
- Best Visual Effects: 08, 09, 10, 33, 34, 35. | 09 - Black Panther.
- Best Animated Feature: 40, 43, 44, 45, 46, 47. | 43 - Spider-Man: Into the Spider-Verse.
- Best Young Actor/Actress: 19, 20, 48, 49, 50, 51. | 19 - Eighth Grade (Elsie Fisher).
- Best Acting Ensemble: 02, 07, 09, 21, 30. | 02 - The Favourite.

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2019 Film Independent Spirit Awards nominees and winners:
- Best Feature: 01, 02, 03, 04, 05. | 05 - If Beale Street Could Talk.
- Best First Feature: 06, 07, 08, 09, 10. | 09 - Sorry to Bother You.
- Best Director: 01, 02, 04, 05, 11. | 05 - If Beale Street Could Talk (Barry Jenkins).
- Best Male Lead: 01, 04, 12, 13, 14. | 04 - First Reformed (Ethan Hawke).
- Best Female Lead: 03, 06, 07, 15, 16, 17. | 15 - The Wife (Glenn Close).
- Best Supporting Male: 03, 10, 18, 19, 20. | 20 - Can You Ever Forgive Me? (Richard E. Grant).
- Best Supporting Female: 02, 05, 11, 21, 22. | 05 - If Beale Street Could Talk (Regina King).
- Best Screenplay: 04, 09, 11, 20, 23. | 20 - Can You Ever Forgive Me? (Jeff Whitty, Nicole Holofcener).
- Best First Screenplay: 03, 08, 21, 24, 25. | 03 - Eighth Grade (Bo Burnham).
- Best Cinematography: 06, 10, 16, 26, 27. | 26 - Suspiria (Sayombhu Mukdeeprom).
- Best Editing: 01, 08, 10, 28, 29. | 01 - You Were Never Really Here (Joe Bini).
- Best International Film: 30, 31, 32, 33, 34. | 30 - Roma.
- Best Documentary: 35, 36, 37, 38, 39, 40. | 35 - Won't You Be My Neighbor?.
- Robert Altman Award (ensemble cast, dir. and casting dir.): 26. | 26 - Suspiria.
- John Cassavetes Award (Best Feature Under $500,000): 14, 22, 41, 42, 43. | 42 - En el séptimo día.
- Truer Than Fiction Award: 36, 39, 40. | 36 - Minding the Gap.
- Someone to Watch Award: 10, 14, 44. | 14 - Alexandre Moratto (Socrates).

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Can you remember a time without Rotten Tomatoes? Those sightless days of people reaching out and bumping into movies at random, like wandering through a Blockbuster with all the lights off. Those were dark and undirected times. Since the launch of RT in August of 1998, though – the site went live on August 18 of that year – movie fans have had immediate access to the largest accumulation of film reviews ever, distilled for one purpose: to get you watching the best kind of movies you want to see. (Or if you only want to watch bad movies, the site can help you find those more quickly, too.)

As we mark our 20th birthday, we’re looking back on the past two decades with this guide to the 200 best-reviewed movies released since that fateful day in August of 1998. To keep the competition tight, we only included movies that had at least 80 reviews, the number at which wide-release movies qualify for Certified Fresh status; applying that rule, and limiting the total list to 200 titles, the lowest Tomatometer score you’ll find is 95%. The criteria also meant that no films from 1998 made the cut (Shakespeare in Love did come awfully close).

The list, which we’ve ordered chronologically, runs the gamut of movies, ranging from popular blockbusters (Harry Potter and the Deathly Hallows – Part II, The Lord of the Rings: The Two Towers) to indies (The Wrestler, Nightcrawler) and the still underseen (Step, Gloria). Some 14 movies come from this very year made the list, among them Mission: Impossible – Fallout and BlacKkKlansman. There are seven Best Picture Oscar winners and 24 animated movies in there – 10 of which are Pixar products, and three of which come from the UK’s Aardman Animations. Documentaries make up a whopping quarter of the movies listed, and include landmark films like Bowling For Columbine and Man On Wire, while 53 of the movies listed are foreign-language, including Crouching Tiger, Hidden Dragon, and the first film on the list, Pedro Almodóvar‘s All About My Mother.

A number of directors show up twice on the list – Ava DuVernay, Taika Waititi, Ryan Coogler, and Sean Baker among them – and a handful show up even more than that: Lee Unkrich, Pete Docter, Brad Bird, and Richard Linklater. Meanwhile, series like the Paddington, Before, and Toy Story films appear more than once, along with both films in The Act of Killing/The Look of Silence documentary pairing feature.

So: 200 movies, 20 years. How many have you seen after all this time? And how many are you adding to your watchlist?
Link: https://editorial.rottentomatoes.com/guide/freshest-movies-past-20-years/

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Conventional wisdom holds that the best movies of any given year tend to arrive sometime between Labor Day and Christmas—those few weeks annually and unofficially designated as “awards season.” But while the major studios and their indie subsidiaries do tend to hold their big prestige titles until at least early autumn, the truly diligent moviegoer knows that every month on the calendar brings quality cinema. (Yes, even January, provided you’re on Liam Neeson’s aging-asskicker wavelength.) Case in point, we’re halfway through 2018, and there are already enough good-to-great movies to stock a respectable year-in-review rundown. In fact, that’s basically what we’ve assembled below: From Black Panther to Zama, these are the best films that have opened in theaters since New Year’s Day. Rather than ranking the highlights (there will be plenty of time for that come December), we’ve divided them into three tiers: the wide releases and studio blockbusters that opened everywhere; the bigger indie films that slowly rolled out into theaters across the country; and the foreign fare and arthouse acquisitions that popped up at only a handful of venues this winter, spring, or early summer. Consider it a halftime guide to everything you need to catch up with, before attentions inevitably drift to this year’s designated Oscar hopefuls and holiday spectacles.

https://film.avclub.com/the-best-films-of-2018-so-far-1827116305

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official selection + directors' fortnight + semaine de la critique

01–21 / competition
22–39 / un certain regard
40–46 / out of competition
47–54 / special screenings
55 / closing film

56–74 / directors' fortnight

75–81 / semaine de la critique: competition
82 / semaine de la critique: opening film
83–84 / semaine de la critique: special screenings
85 / semaine de la critique: closing film

86–103 / cinéfondation
104–111 / short films

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2018 Sundance Film Festival:
- 1-15: Premieres
- 16-23: Spotlight
- 24-39: U.S. Dramatic Competition
- 40-51: World Cinema Dramatic Competition
- 52-61: Next
- 62-69: Midnight
- 70: New Frontier
- 71-73: Sundance Kids
- 74-89: U.S. Documentary Competition
- 90-101: World Cinema Documentary Competition
- 102-115: Documentary Premieres
- 116-117: Special Events.

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Pulled from Rotten Tomatoes Top Movies section:
http://www.rottentomatoes.com/top/bestofrt/?year=2018

UPDATED: 2/22/22

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Movies (and some tv series/episodes) that are so insanely packed with things and ideas and visuals they become dense in one way or another.

  • Obviously subjective but not precisely my favourite movies.
  • Ordered alphabetically.

  • Suggestions welcomed but I'll have to see them to see if they fit my criteria.

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