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Love Me Tonight 1932

302

The Story of Film: An Odyssey, a 15-part series written and directed by award-winning film-maker Mark Cousins, is the story of international cinema told through the history of cinematic innovation.
The series provides a worldwide guided tour of the greatest movies ever made; an epic tale that starts in nickelodeons and ends as a multi-billion-dollar globalised digital industry."

Note: "Motion Capture Mirrors Emotion (2009) dir. Jorge Ribas," a documentary about the making of Avatar, is missing because it does not appear to have an imdb page.

Source: https://www.amazon.com/Birth-Cinema-Hollywood-Dream/dp/B00AMQ1B1O

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In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

240

Deciding that Londoners should have the opportunity to view a film masterpiece approximately every day during the course of the year, BFI film archivist David Meeker approached the board of directors at the BFI in 1982 with his idea of compiling a list of 360 of the world’s cinema masterpieces, collect brand new, state-of-the-art prints of each film and issue a companion book for each movie. This list of films, referred to as the 360 Classic Feature Films project, was published in Sight and Sound's June 1998 issue.

258

A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

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236

From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating.

100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.

Source: http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU

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19

TSPDT's The 1,000 Greatest Films
13th Edition (January 2018)

List curated by Bill Georgaris on They Shoot Pictures, Don't They?

Notes: Olympia (#750/751) is a single entry on TSPDT, but as two entries on Trakt.

Source: https://www.theyshootpictures.com/gf1000.htm

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From latest edition. 2017th edition will be published in October 2017.

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Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"

546 movies missing. Imported from external source.

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Updated at 2024-06-14 17:25:58

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