26 April
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Best Picture
The Father
Judas and the Black Messiah
Mank
Minari
Nomadland
Promising Young Woman
Director
Lee Isaac Chung, “Minari”
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Thomas Vinterberg, “Another Round”
Chloé Zhao, “Nomadland”
Actor in a leading role
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Steven Yeun, “Minari”
Actress in a leading role
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States vs. Billie Holiday”
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”
Actor in a supporting role
Sacha Baron Cohen, “The Trial of the Chicago 7"
Daniel Kaluuya, “Judas and the Black Messiah”
Leslie Odom Jr., “One Night in Miami”
Paul Raci, “Sound of Metal”
LaKeith Stanfield, “Judas and the Black Messiah”
Actress in a supporting role
Maria Bakalova, “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Amanda Seyfried, “Mank”
Yuh-Jung Youn, “Minari”
Animated feature
“Onward”
“Over the Moon”
“A Shaun the Sheep Movie: Farmageddon”
“Soul”
“Wolfwalkers”
Animated short film
“Burrow”
“Genius Loci”
“If Anything Happens I Love You”
“Opera”
“Yes-People”
Cinematography
“Judas and the Black Messiah”
“Mank”
“News of the World”
“Nomadland”
“The Trial of the Chicago 7"
Costume design
“Emma”
“Ma Rainey’s Black Bottom”
“Mank”
“Mulan”
“Pinocchio”
Documentary feature
“Collective”
“Crip Camp”
“The Mole Agent”
“My Octopus Teacher”
“Time”
Documentary short subject
“Colette”
“A Concerto Is a Conversation”
“Do Not Split”
“Hunger Ward”
“A Love Song for Latasha”
Film editing
“The Father”
“Nomadland”
“Promising Young Woman”
“Sound of Metal”
“The Trial of the Chicago 7"
International feature
“Another Round” (Denmark)
“Better Days” (Hong Kong)
“Collective” (Romania)
“The Man Who Sold His Skin” (Tunisia)
“Quo Vadis, Aida?” (Bosnia and Herzegovina)
Live action short film
“Feeling Through”
“The Letter Room”
“The Present”
“Two Distant Strangers”
“White Eye”
Makeup and hairstyling
“Emma”
“Hillbilly Elegy”
“Ma Rainey’s Black Bottom”
“Mank”
“Pinocchio”
Music (original score)
“Da 5 Bloods”
“Mank”
“Minari”
“News of the World”
“Soul”
Music (original song)
“Fight For You” from “Judas and the Black Messiah”
“Hear My Voice” from “The Trial of the Chicago 7”
“Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)”
“Speak Now” from “One Night in Miami...”
Production design
“The Father”
“Ma Rainey’s Black Bottom”
“Mank”
“News of the World”
“Tenet”
Sound
“Greyhound”
“Mank”
“News of the World”
“Soul”
“Sound of Metal”
Visual effects
“Love and Monsters”
“The Midnight Sky”
“Mulan”
“The One and Only Ivan”
“Tenet”
Writing (Adapted screenplay)
“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
“The Father “
“Nomadland”
“One Night in Miami”
“The White Tiger”
Writing (Original screenplay)
“Judas and the Black Messiah”
“Minari”
“Promising Young Woman”
“Sound of Metal”
“The Trial of the Chicago 7"
93rd Academy Awards - The Oscars 2021 nominees and winners:
- Best Picture: 01, 02, 03, 04, 05, 06, 07, 08. | 01 - Nomadland.
- Best Directing: 01, 03, 05, 08, 09. | 01 - Nomadland (Chloé Zhao).
- Best Actor: 02, 03, 04, 08, 10. | 02 - The Father (Anthony Hopkins).
- Best Actress: 01, 05, 10, 11, 12. | 01 - Nomadland (Frances McDormand).
- Best Supporting Actor: 04, 06, 07 (2), 13. | 07 - Judas and the Black Messiah (Daniel Kaluuya).
- Best Supporting Actress: 02, 03, 08, 14, 15. | 03 - Minari (Yuh-Jung Youn).
- Best Original Screenplay: 03, 04, 05, 06, 07. | 05 - Promising Young Woman (Emerald Fennell).
- Best Adapted Screenplay: 01, 02, 13, 14, 16. | 02 - The Father (Florian Zeller, Christopher Hampton).
- Best Cinematography: 01, 06, 07, 08, 17. | 08 - Mank (Erik Messerschmidt).
- Best Film Editing: 01, 02, 04, 05, 06. | 04 - Sound of Metal (Mikkel E.G. Nielsen).
- Best Foreign Language Film: 09, 18, 19, 20, 21. | 09 - Another Round.
- Best Production Design: 02, 08, 10, 17, 22. | 08 - Mank.
- Best Costume Design: 08, 10, 23, 24, 25. | 10 - Ma Rainey's Black Bottom.
- Best Makeup and Hairstyling: 08, 10, 15, 23, 24. | 10 - Ma Rainey's Black Bottom.
- Best Music, Original Score: 03, 08, 17, 26, 27. | 27 - Soul (Trent Reznor, Atticus Ross, Jon Batiste).
- Best Music, Original Song: 06, 07, 13, 28, 29. | 07 - Judas and the Black Messiah ("Fight for You").
- Best Sound: 04, 08, 17, 27, 30. | 04 - Sound of Metal.
- Best Visual Effects: 22, 25, 31, 32, 33. | 22 - Tenet.
- Best Animated Film: 27, 34, 35, 36, 37. | 27 - Soul.
- Best Documentary, Feature: 21, 38, 39, 40, 41. | 41 - My Octopus Teacher.
- Best Documentary, Short Subject: 42, 43, 44, 45, 46. | 44 - Colette.
- Best Short Film, Live Action: 47, 48, 49, 50, 51. | 51 - Two Distant Strangers.
- Best Short Film, Animated: 52, 53, 54, 55, 56. | 52 - If Anything Happens I Love You.
Best Picture: Nomadland
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Years: Between 1910 and 2021
78th Golden Globe Awards - Golden Globes 2021 motion picture nominees and winners:
- Best Motion Picture - Drama: 01, 02, 03, 04, 05. | 01 - Nomadland.
- Best Motion Picture - Musical or Comedy: 06, 07, 08, 09, 10. | 06 - Borat Subsequent Moviefilm.
- Best Director: 01, 03, 04, 05, 11. | 01 - Nomadland (Chloé Zhao).
- Best Actor - Drama: 02, 05, 12, 13, 14. | 12 - Ma Rainey's Black Bottom (Chadwick Boseman).
- Best Actor - Musical or Comedy: 06, 07, 08, 09, 15. | 06 - Borat Subsequent Moviefilm (Sacha Baron Cohen).
- Best Actress - Drama: 01, 04, 12, 16, 17. | 16 - The United States vs. Billie Holiday (Andra Day).
- Best Actress - Musical or Comedy: 06, 10, 18, 19, 20. | 18 - I Care a Lot (Rosamund Pike).
- Best Actor in a Supporting Role: 03, 11, 21, 22, 23. | 21 - Judas and the Black Messiah (Daniel Kaluuya).
- Best Actress in a Supporting Role: 02, 05, 14, 24, 25. | 14 - The Mauritanian (Jodie Foster).
- Best Screenplay: 01, 02, 03, 04, 05. | 03 - The Trial of the Chicago 7 (Aaron Sorkin).
- Best Motion Picture - Foreign Language: 26, 27, 28, 29, 30. | 26 - Minari.
- Best Original Score: 05, 25, 31, 32, 33. | 31 - Soul (Trent Reznor, Atticus Ross, Jon Batiste).
- Best Original Song: 03, 11, 16, 21, 29. | 29 - The Life Ahead ("Io Sì").
- Best Motion Picture - Animated: 31, 34, 35, 36, 37. | 31 - Soul.
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Updated at 2021-10-01 09:34:45
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This list is managed by couchmoney -- to edit or delete it, go to couchmoney.tv
Source: https://editorial.rottentomatoes.com/guide/the-best-movies-of-2020/
Last updated 2022-03-10
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Updated at 2021-04-23 20:55:36
List based on the following recently watched/rated movies:
Doctor Strange in the Multiverse of Madness
Nope
Prey
The Black Phone
Morbius
The Adam Project
Annihilation
Long Shot
I Want You Back
Don't Look Up
This list is managed by couchmoney -- to edit or delete it, go to couchmoney.tv
https://en.wikipedia.org/wiki/List_of_films_based_on_actual_events
Best Picture
The Father
Judas and the Black Messiah
Mank
Minari
Nomadland
Promising Young Woman
Director
Lee Isaac Chung, “Minari”
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Thomas Vinterberg, “Another Round”
Chloé Zhao, “Nomadland”
Actor in a leading role
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Steven Yeun, “Minari”
Actress in a leading role
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States vs. Billie Holiday”
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”
Actor in a supporting role
Sacha Baron Cohen, “The Trial of the Chicago 7"
Daniel Kaluuya, “Judas and the Black Messiah”
Leslie Odom Jr., “One Night in Miami”
Paul Raci, “Sound of Metal”
LaKeith Stanfield, “Judas and the Black Messiah”
Actress in a supporting role
Maria Bakalova, “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Amanda Seyfried, “Mank”
Yuh-Jung Youn, “Minari”
Animated feature
“Onward”
“Over the Moon”
“A Shaun the Sheep Movie: Farmageddon”
“Soul”
“Wolfwalkers”
Animated short film
“Burrow”
“Genius Loci”
“If Anything Happens I Love You”
“Opera”
“Yes-People”
Cinematography
“Judas and the Black Messiah”
“Mank”
“News of the World”
“Nomadland”
“The Trial of the Chicago 7"
Costume design
“Emma”
“Ma Rainey’s Black Bottom”
“Mank”
“Mulan”
“Pinocchio”
Documentary feature
“Collective”
“Crip Camp”
“The Mole Agent”
“My Octopus Teacher”
“Time”
Documentary short subject
“Colette”
“A Concerto Is a Conversation”
“Do Not Split”
“Hunger Ward”
“A Love Song for Latasha”
Film editing
“The Father”
“Nomadland”
“Promising Young Woman”
“Sound of Metal”
“The Trial of the Chicago 7"
International feature
“Another Round” (Denmark)
“Better Days” (Hong Kong)
“Collective” (Romania)
“The Man Who Sold His Skin” (Tunisia)
“Quo Vadis, Aida?” (Bosnia and Herzegovina)
Live action short film
“Feeling Through”
“The Letter Room”
“The Present”
“Two Distant Strangers”
“White Eye”
Makeup and hairstyling
“Emma”
“Hillbilly Elegy”
“Ma Rainey’s Black Bottom”
“Mank”
“Pinocchio”
Music (original score)
“Da 5 Bloods”
“Mank”
“Minari”
“News of the World”
“Soul”
Music (original song)
“Fight For You” from “Judas and the Black Messiah”
“Hear My Voice” from “The Trial of the Chicago 7”
“Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)”
“Speak Now” from “One Night in Miami...”
Production design
“The Father”
“Ma Rainey’s Black Bottom”
“Mank”
“News of the World”
“Tenet”
Sound
“Greyhound”
“Mank”
“News of the World”
“Soul”
“Sound of Metal”
Visual effects
“Love and Monsters”
“The Midnight Sky”
“Mulan”
“The One and Only Ivan”
“Tenet”
Writing (Adapted screenplay)
“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
“The Father “
“Nomadland”
“One Night in Miami”
“The White Tiger”
Writing (Original screenplay)
“Judas and the Black Messiah”
“Minari”
“Promising Young Woman”
“Sound of Metal”
“The Trial of the Chicago 7"
For one blissful month, it seemed like the defining moment of movie culture this year might be the most joyful one, too. Bong Joon Ho’s class warfare crowd-pleaser, Parasite, had beat the odds, shattered precedent, and overcome an American aversion to subtitles to win the Oscar for Best Picture. What a thing it was to experience live—a wonderful glitch in the simulation! Sadly, that night now feels miles away, a distant glimmer in the rearview mirror, a speck of light from the before times of ancient February. Just a few weeks after Parasite made history, James Bond made other plans: He would not be coming soon to a theater near anyone. In retrospect, this was the first sign that a whole industry—along with the rest of normal life as we knew it—would soon screech to a halt. 2020 would be a movie year like none before it.
That’s not hyperbole. For as long as Hollywood has been Hollywood, movies have made their way to theaters at a steady clip; you basically have to rewind to the days before the studio system to find a month on the calendar when nothing new was opening. 2020 gave us five months of that, an unprecedented drought. When theaters began reopening, tentatively and prematurely, back in August, blockbusters went bust; turns out most people weren’t willing to risk their lives just to see a new Christopher Nolan movie. The big pause on the big screen was felt in multiplexes and the arthouse alike, as superheroes flew to later dates and film festivals shrank and migrated online. Movie theaters haven’t disappeared yet, but they’re definitely in deep trouble. (AMC, one of the country’s leading chains, will reportedly go broke come January.)
It’s possible COVID has just accelerated a change that was already in progress. Streaming platforms have been angling to keep moviegoers on their couches for years now. In 2020, they won the fight by default, earning a (hopefully temporary) monopoly on a whole country’s viewing habits. If there were big hits after February, they were streaming fodder (like the Netflix quarantine time-waster Extraction) and movies originally slated for theaters (like My Spy and Mulan). Who knows how far off we were from instant, at-home access to the year’s splashiest titles, but that speculative future is suddenly a reality, as superhero sequels and Pixar adventures abandon their box office dreams to court streamers without subscriptions. Even the Academy has laid down arms: To keep their annual party alive, they’ll waive the usual requirement that a movie go big (screen) or go home; one year after Parasite broke the glass ceiling for foreign language fare, will Best Picture go to a Netflix original?
All of which it to say, it’s a scary and uncertain time for the movie industry, and for anyone invested in the survival of the theatrical experience. But as we noted a few months ago, when we rattled off some highlights at the half, a weird year for movies isn’t the same as a bad one. In fact, you could argue that the implosion of the release calendar—and a general absence of “bigger” projects sucking up all the oxygen in the room—has been a boon to the visibility of films otherwise in danger of being left out of the annual year-end conversation. These include a true bumper crop of exceptional movies by women, though they’d look rich, thoughtful, or daring no matter what year they came out.
Below, we proudly present the 25 best films of 2020, assembled from the ballots of a dozen A.V. Club contributors. In this year without blockbusters (and less middlebrow awards contenders), our critics cited documentaries, intimate independent dramas, adventurous visions from overseas, a bona fide avant-garde project, the kind of mid-budget Hollywood thriller the Oscars usually ignore, and the best installment of Steve McQueen’s Small Axe anthology, whose five individual entries were all deemed eligible, even as the complete series earned a spot on our TV list. (In this purgatorial age of watching only from home, why split hairs about classification—especially when talking about one of the most ambitious dramatic projects of the year, regardless of specific medium?) And if we’ve successfully piqued your interest in any of the films cited, the goods news is that most are available right now to stream or rent. That makes 2020 unprecedented in at least one welcome respect.
https://film.avclub.com/the-best-films-of-2020-1845889675
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Updated at 2022-11-07 18:09:21
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Updated at 2021-01-22 14:30:14
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Updated at 2021-01-13 18:45:11
List of rottentomatoes.com Certified Fresh movies
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Updated at 2024-04-28 03:24:37
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Oscars 2021 Nominees - Best Picture
by Vitor Carneiro