Winners of the New York Film Critics' Circle (NYFCC) Best Foreign Language Film award since 1938. Updated until 2021.
No awards given from 1941 to 1945, 1962, 1969 to 1977, 1986, 1988, 1992.
:link:https://www.nyfcc.com/awards/
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Movies, shows, seasons, and episodes I plan to watch.
Movies, shows, seasons, and episodes I plan to watch.
The 200 best movies ever created, according to the greek Cinema magazine's list published in 2008.
Movies, shows, seasons, and episodes I plan to watch.
Every ten years the BFI's Sight and Sound magazine does a poll to see what movies critics and directors think are best. This is all the movies that got at least 5 votes in the 1952 poll. Movies with the same number of votes are sorted alphabetically.
These are some essential Italian neorealist movies, that you shoud watch. The movie titles are in chronological order, so it'll be easier for you, to explore the evolution of this movement
There are three movie directors, whom work can be labeled under the Italian modern film, but their early works has signs of neorealism too. These three are: Michelangelo Antonioni, Federico Fellini and Paolo Passolini (who has two movies in this list and the second one: Mamma Roma is dedicated to Roberto Rosselini).
The first two movies Ossesione (1943) and I bambini ci guardano (1944) has usually been categorized as “proto-neorealist" movies. The break-through in this movement came by Rosselini: Roma città aperta (1945)
Maybe Padre Padrone (Vittorio Taviani, Paolo Taviani, 1977) L'albero degli zoccoli (Ermanno Olmi, 1978)and Gomorrah (Matteo Garrone, 2008) are also can be part of this list, but I was trying to focus on that era when Italian neorealism was born, flourished and faded away.
Enjoy the list!
Movies, shows, seasons, and episodes I plan to watch.
Vittorio De Sica was an Italian director and actor, a leading figure in the neorealist movement. Four of the films he directed won Academy Awards: Sciuscià and Bicycle Thieves were awarded honorary Oscars, while Yesterday, Today and Tomorrow and Il giardino dei Finzi Contini won the Best Foreign Language Film Oscar. Indeed, the great critical success of Sciuscià (the first foreign film to be so recognized by the Academy of Motion Picture Arts and Sciences) and Bicycle Thieves helped establish the permanent Best Foreign Film Oscar. These two films generally are considered part of the canon of classic cinema. Bicycle Thieves was cited by Turner Classic Movies as one of the 15 most influential films in cinema history. De Sica was also nominated for the 1957 Oscar for Best Supporting Actor for playing Major Rinaldi in American director Charles Vidor's 1957 adaptation of Ernest Hemingway's A Farewell to Arms, a movie that was panned by critics and proved a box office flop. De Sica's acting was considered the highlight of the film.
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New York Film Critics' Circle (NYFCC) Best Foreign Language Films
by rlphb