Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.
Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.
Last Update: Releases up to July 2024 (Spine #1228)
Source: https://www.criterion.com/shop/browse/list?sort=spine_number
Well over a century has passed since the Lumière brothers frightened the life out of Parisians with The Arrival of a Train at a Station, and well over a million titles have since been recorded - if the Internet Movie Database is anything to go by.
Out of these million-plus movies, our team of experts has picked what we believe is the essential 1,000 - those that best sum up the dazzling achievement and variety of the movies.
Source: https://www.theguardian.com/film/series/1000-films-to-see-before-you-die
Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.
Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm
Films prominently mentioned in the podcast Films to Be Buried With
Rotten Tomatoes - Best of year
Venice Film Festival Golden Lion Winners
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
From a critic poll published in November 2019.
Olympia is one entry.
Source: http://www.bbc.com/culture/story/20191125-the-100-greatest-films-directed-by-women-poll
The Film Fatales, a collective of women indie directors, put together a list of must-see movies made by women.
Source: https://bitchmedia.org/post/female-film-directors-put-together-a-list-of-must-see-movies-made-by-women
http://www.bbc.com/culture/story/20191125-the-100-greatest-films-directed-by-women-poll
The Golden Lion (Italian: Leone d'Oro) is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry's most prestigious and distinguished prizes. In 1970, a second Golden Lion was introduced; this is an honorary award for people who have made an important contribution to cinema.
The prize was introduced in 1949 as the Golden Lion of Saint Mark (the winged lion which had appeared on the flag of the Republic of Venice).[1] Previously, the equivalent prize was the Gran Premio Internazionale di Venezia (Grand International Prize of Venice), awarded in 1947 and 1948. Before that, from 1934 until 1942, the highest awards were the Coppa Mussolini (Mussolini Cup) for Best Italian Film and Best Foreign Film.
The Venice Film Festival is the oldest film festival in the world. Founded 1932, the festival has since taken place every year in Venice, Italy. It is part of the Venice Biennale, a major biennial exhibition and festival for contemporary art. The festival's Leone d'Oro (Golden Lion) prize is awarded to the best film screened at the festival.
Asian Cinema: A Field Guide (2007) by Tom Vick is a book about the history of cinema in various regions throughout Asia. This is a list of films mentioned in the book.
Part One: The Old Guard
China: Tradition and Resistance (#1-76)
Japan: Cinema of Extremes (77-266)
India: All That and then Some (267-355)
Part Two: Postwar Booms
Hong Kong: The Fine Art of Popular Cinema (356-459)
Korea: Rising from the Ashes of History (460-573)
Part Three: Recent Arrivals
Iran: A Continuing Conversation (574-632)
Taiwan: The Little Island that Could (633-675)
Part Four: New Players
South and Southeast Asia: Coming Into Focus
Bangladesh (676 & 677), Bhutan (678 & 679), Cambodia (680-682), Indonesia (683-689), Malaysia and Singapore (690-704), Nepal (705 & 706), Pakistan (707), The Philippines (708-732), Sri Lanka (733-737), Thailand (738-766), Tibet (767-772), Vietnam (773-784)
Central Asia and the Middle East: Global Intersections
The Former Soviet Republics, Afghanistan, and Mongolia (785-800), The Middle East (801–832), Turkey (833-843)
Part Five: Where to Go from Here
(List of websites and books)
Source: https://www.amazon.com/Asian-Cinema-A-Field-Guide/dp/0061145858/
Todo el mejor cine de la historia
All credits go to IMDb user: RDLongoria
All credits go to IMDb user: RDLongoria
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