Mud 2013

/u/StopReadinMyUsername on reddit combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies and IMDb to reveal the 1001 Greatest Movies of All Time.

source: http://redd.it/3hbiio

The 21st Century’s Most Acclaimed Films (including films from 2000!)
9th edition (March 2016)

List curated by Bill Georgaris on They Shoot Pictures, Don't They?

Source: https://www.theyshootpictures.com/21stcentury.htm

Movies rated 8, 9 or 10.

Films lacking a big budget or a big studio release that were still enjoyed by many.

All credits go to IMDb user: RDLongoria

https://www.imdb.com/user/ur37216974

Using IMDb advanced search, filtering only by English language.

Notable entries missing include:
What Maisie Knew (2012)
Buried (2010)
The Babadook (2014)
Song of the Sea (2014)
Sleeping with Other People (2015)
Coriolanus (2011)
Palo Alto (2013)
The Hunt (2012)
Tamara Drewe (2010)
Machine Gun Preacher (2011)
Bilal: A New Breed of Hero (2015)

Last Updated: 26/06/2019

IMDB Top 1000 - 14/11/05

Sundance selection I have to watch. (Feature competition and World Premieres)

HollyWood Movies based on Popularity

All credits go to IMDb user: gibboanx

https://www.imdb.com/user/ur12600072

Shortlist from 2013 Sundance Film Festival:
- Awarded movies (U.S. and World Cinema Competitions)
- Premieres
- Spotlight
- Next.

Movies

I started off by gathering ratings from IMDB (User/Critic Average), Rotten Tomatoes (Tomatometer, Critic Average, Audience Score, User Average), Metacritic (Critic Average, User Average) and Letterboxd (User Average). I was then able to determine a rating (out of 10) for each individual rating and therefore come up with an average rating for each site. Each site’s average rating was then weighted fairly so that no site’s ratings were favored above the rest.

The next step was to make sure that each film was treated fairly. Other top movie list’s like IMDb’s Top 1000 removes films that have under a certain viewing number (25,000 I think), but rather than ruling out films that may have been overlooked by the general audience (especially older films), I opted to alter these films score by carefully deducting points depending on how many people have seen it, and therefore voted on it. I also thought it was needed to make sure that recent films (released within the past 36 months) were also not favored, as it usually takes 3 years for the average rating to settle down. So I also added a deduction to these films that fell under this rule.

Taken from here: https://www.reddit.com/r/movies/comments/3hbiio/update_1001_greatest_movies_of_all_time_plus/

2013 released movies I probably want to watch.

IMDb movies from 7 to 7.4 rating (min. votes = 10k, min year = 2006)

While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.

More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.

Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).

As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"

The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013

Crime & Drama Movies

Movies from 2010-2019 with 6.5+ IMDB, 6.5+ TMDB, 65%+ RottenTomatoes, at least 10K votes. Sorted by popularity.

All credits go to IMDb user: RDLongoria

https://www.imdb.com/user/ur37216974