My Night at Maud's 1969

1. I watch therefore I am - 10 of the Best Philosophical Films: http://bit.ly/2gSBdfP
2. 10 of The Best Philosophical films: http://bit.ly/2vWSDm0
3. I watch therefore I am - seven movies that teach us key philosophy lessons: http://bit.ly/2falc4P
4. The 18 Best Philosophical Movies of All Time: http://bit.ly/2vUKCxX
5. What are the best philosophical movies?: http://bit.ly/2wh3dQ5
6. Essential Movies for a Student of Philosophy: http://bit.ly/2vWBFUD
7. The Top 10 Existential Movies of All Time: http://bit.ly/2eVgPOj
8. Fourteen Philosophical Films (That The Lists Missed): http://bit.ly/2faWSQh
9. The 15 best philosophical movies of the 21st century: http://bit.ly/2SzwmGd
10. The 10 Best Philosophical Movies of The 21st Century: http://bit.ly/2WWB4fH
11. 20 Best Philosophical Movies of All Time: http://bit.ly/2IeaFXg
12. Best Movies That Will Conquer Your Mind With Their Philosophical Depth: http://bit.ly/2Goc3om
13. Philosophical Movies List: http://bit.ly/2GLXI4P
14. A List of Philosophical Films: http://bit.ly/2EbQtBe

Last Updated: 2015-08-17
These Greatest Movies of the 1960s chosen for their quality direction, script, cinematography, acting, storyline, originality, and success.

The 100 best French Films as chosen by The Times(UK), chosen in groups of ten films: Modern Classics, Modern Cults, Dramas, Romances, Thrillers, Comedies, Nouvelle Vague, Landmarks, Shorts, and Icons.

Source: http://web.archive.org/web/20051029151003/http://e-paper.timesonline.co.uk:80/frenchfilm/1/articles/artikel_TMXA_1XA_20050409_1_39.html

The 100 best French films according to a diversified professional jury, published in Timeout France.

Source: https://www.timeout.fr/paris/films/100-meilleurs-films-francais-home

The Arts & Faith's Top 100 Films (previously known as the 100 most spiritually significant films) list has been selected by the Arts & Faith members, which is dedicated to the combination of art and faith.

2020 update added a new restriction of one film per director, but other films that would have made the list without that restriction can be seen in the subtitle for each main entry in the source.

Source: http://artsandfaith.com/index.php?/films/year/8-2020-top-100/

The top 100 most essential films of 78 French film directors, critics and industry executives. The list was compiled for and published in the French Cahiers du cinéma film magazine.

Source: https://www.cahiersducinema.com/produit/100-films/

"These films our the final 100 films in a poll that was run by PolarisDiB on the Mubi film forum. The poll was a hurt and heal style game which continued until just 20 films were left. The final top 20 take up the top 20 slots in this list, whilst the next 80 films are the last 80 films to be eliminated with film 21 being the last film to be eliminated, film 22 being the penultimate film to be eliminated and so on. The game started with over 1200 titles, so getting in to the final 100 is a real achievement."

[copied from www.imdb.com/list/ls006223079/]

The A.V. Club has singled out 90 important, terrific, even canonical movies that weren’t nominated—one for every Best Picture lineup going back to the beginning. Hindsight is, of course, 20/20, but you’d have to be legally blind to ignore most of these films, especially given what often made the cut instead.

https://www.avclub.com/do-the-wrong-thing-90-years-90-movies-that-should-hav-1823328066

Classic movies of the 40s, 50s and 60s

Curious Finds of Movies

European art cinema is a branch of cinema that was popular in the latter half of the 20th century. It is based on a rejection of the tenets and techniques of classical Hollywood cinema.

"There’s no need to fear subtitles when so much of what Hollywood has come to love (pop-cultural patter, epic swordplay, urban ennui, etc.) has its original source in a distant land. But where to begin? Let us be your (extremely opinionated) guides. Our only ground rules for this foreign-language list: no silent films (sorry, Metropolis), and no movies from Britain, Australia or other English-speaking countries. We’re bound to have forgotten a raft of classics—how could we not, with a whole globe to choose from?"

List of Nominees and Winners

• ACTOR IN A SUPPORTING ROLE

WINNER - JOHN MILLS "Ryan's Daughter"
CHIEF DAN GEORGE "Little Big Man"
GENE HACKMAN "I Never Sang for My Father"
JOHN MARLEY "Love Story"
RICHARD CASTELLANO "Lovers and Other Strangers"

• ACTRESS IN A SUPPORTING ROLE

WINNER - HELEN HAYES "Airport"
KAREN BLACK "Five Easy Pieces"
LEE GRANT "The Landlord"
SALLY KELLERMAN "M*A*S*H"
MAUREEN STAPLETON "Airport"

• BEST PICTURE

WINNER - "PATTON" Frank McCarthy, Producer
"AIRPORT" Ross Hunter, Producer
"FIVE EASY PIECES" Bob Rafelson and Richard Wechsler, Producers
"LOVE STORY" Howard G. Minsky, Producer
"M*A*S*H" Ingo Preminger, Producer

• CINEMATOGRAPHY

WINNER - "RYAN'S DAUGHTER" Freddie Young
"AIRPORT" Ernest Laszlo
"PATTON" Fred Koenekamp
"TORA! TORA! TORA!" Charles F. Wheeler, Osami Furuya, Sinsaku Himeda, Masamichi Satoh
"WOMEN IN LOVE" Billy Williams

• COSTUME DESIGN

WINNER - "CROMWELL" Nino Novarese
"AIRPORT" Edith Head
"DARLING LILI" Donald Brooks, Jack Bear
"THE HAWAIIANS" Bill Thomas
"SCROOGE" Margaret Furse

• DIRECTING

WINNER - "PATTON" Franklin J. Schaffner
"WOMEN IN LOVE" Ken Russell
"FELLINI SATYRICON" Federico Fellini
"LOVE STORY" Arthur Hiller
"M*A*S*H" Robert Altman

• FILM EDITING

WINNER "PATTON" Hugh S. Fowler
"WOODSTOCK" Thelma Schoonmaker
"AIRPORT" Stuart Gilmore
"M*A*S*H" Danford B. Greene
"TORA! TORA! TORA!" James E. Newcom, Pembroke J. Herring, Inoue Chikaya

• FOREIGN LANGUAGE FILM

WINNER - "INVESTIGATION OF A CITIZEN ABOVE SUSPICION" Italy
"FIRST LOVE" Switzerland
"HOA-BINH" France
"PAIX SUR LES CHAMPS" Belgium
"TRISTANA" Spain

• ACTOR

WINNER - GEORGE C. SCOTT "Patton"
MELVYN DOUGLAS "I Never Sang for My Father"
JAMES EARL JONES "The Great White Hope"
JACK NICHOLSON "Five Easy Pieces"
RYAN O'NEAL "Love Story"

• ACTRESS

WINNER - GLENDA JACKSON "Women in Love"
JANE ALEXANDER "The Great White Hope"
ALI MACGRAW "Love Story"
SARAH MILES "Ryan's Daughter"
CARRIE SNODGRESS "Diary of a Mad Housewife"

• ART DIRECTION

WINNER - "PATTON" Art Direction: Urie McCleary, Gil Parrondo; Set Decoration: Antonio Mateos, Pierre-Louis Thevenet
"SCROOGE" Art Direction: Terry Marsh, Bob Cartwright; Set Decoration: Pamela Cornell
"TORA! TORA! TORA!" Art Direction: Jack Martin Smith, Yoshiro Muraki, Richard Day, Taizoh Kawashima; Set Decoration: Walter M. Scott, Norman Rockett, Carl Biddiscombe
"AIRPORT" Art Direction: Alexander Golitzen, E. Preston Ames; Set Decoration: Jack D. Moore, Mickey S. Michaels
"THE MOLLY MAGUIRES" Art Direction: Tambi Larsen; Set Decoration: Darrell Silvera

• SHORT SUBJECT (CARTOON)

WINNER - "IS IT ALWAYS RIGHT TO BE RIGHT?" Nick Bosustow, Producer
"THE FURTHER ADVENTURES OF UNCLE SAM: PART TWO" Robert Mitchell and Dale Case, Producers
"THE SHEPHERD" Cameron Guess, Producer

• IRVING G. THALBERG MEMORIAL AWARD

WINNER - Ingmar Bergman

• MUSIC (ORIGINAL SCORE)

WINNER - "LOVE STORY" Francis Lai
"AIRPORT" Alfred Newman
"CROMWELL" Frank Cordell
"PATTON" Jerry Goldsmith
"SUNFLOWER" Henry Mancini

• DOCUMENTARY (SHORT SUBJECT)

WINNER - "INTERVIEWS WITH MY LAI VETERANS" Joseph Strick, Producer
"THE GIFTS" Robert McBride, Producer
"A LONG WAY FROM NOWHERE" Bob Aller, Producer
"OISIN" Vivien Carey and Patrick Carey, Producers
"TIME IS RUNNING OUT" Horst Dallmayr and Robert Menegoz, Producers

• DOCUMENTARY (FEATURE)

WINNER - "WOODSTOCK" Bob Maurice, Producer
"CHARIOTS OF THE GODS" Dr. Harald Reinl, Producer
"JACK JOHNSON" Jim Jacobs, Producer
"KING: A FILMED RECORD...MONTGOMERY TO MEMPHIS" Ely Landau, Producer
"SAY GOODBYE" David H. Vowell, Producer

• JEAN HERSHOLT HUMANITARIAN AWARD

WINNER - Frank Sinatra

• SHORT SUBJECT (LIVE ACTION)

WINNER - "THE RESURRECTION OF BRONCHO BILLY" John Longenecker, Producer
"SHUT UP...I'M CRYING" Robert Siegler, Producer
"STICKY MY FINGERS...FLEET MY FEET" John Hancock, Producer

• WRITING (SCREENPLAY--BASED ON MATERIAL FROM ANOTHER MEDIUM)

WINNER - "M*A*S*H" Ring Lardner, Jr.
"AIRPORT" George Seaton
"I NEVER SANG FOR MY FATHER" Robert Anderson
"LOVERS AND OTHER STRANGERS" Renee Taylor, Joseph Bologna, David Zelag Goodman
"WOMEN IN LOVE" Larry Kramer

• SOUND

WINNER - "PATTON" Douglas Williams, Don Bassman
"AIRPORT" Ronald Pierce, David Moriarty
"RYAN'S DAUGHTER" Gordon K. McCallum, John Bramall
"TORA! TORA! TORA!" Murray Spivack, Herman Lewis
"WOODSTOCK" Dan Wallin, Larry Johnson

• SPECIAL VISUAL EFFECTS

WINNER - "TORA! TORA! TORA!" A. D. Flowers, L. B. Abbott
"PATTON" Alex Weldon

• MUSIC (SONG--ORIGINAL FOR THE PICTURE)

WINNER - "For All We Know" from "LOVERS AND OTHER STRANGERS" Music by Fred Karlin; Lyrics by Robb Royer (aka Robb Wilson) and James Griffin (aka Arthur James)
"Pieces Of Dreams" from "PIECES OF DREAMS" Music by Michel Legrand; Lyrics by Alan Bergman and Marilyn Bergman
"Thank You Very Much" from "SCROOGE" Music and Lyrics by Leslie Bricusse
"Till Love Touches Your Life" from "MADRON" Music by Riz Ortolani; Lyrics by Arthur Hamilton
"Whistling Away The Dark" from "DARLING LILI" Music by Henry Mancini; Lyrics by Johnny Mercer

• MUSIC (ORIGINAL SONG SCORE)

WINNER - "LET IT BE" Music and lyrics by The Beatles
"THE BABY MAKER" Music by Fred Karlin; lyrics by Tylwyth Kymry
"A BOY NAMED CHARLIE BROWN" Music by Rod McKuen and John Scott Trotter; lyrics by Rod McKuen, Bill Melendez and Al Shean; adaptation score by Vince Guaraldi
"DARLING LILI" Music by Henry Mancini; lyrics by Johnny Mercer
"SCROOGE" Music and lyrics by Leslie Bricusse; adaptation score by Ian Fraser and Herbert W. Spencer

• WRITING (STORY AND SCREENPLAY--BASED ON FACTUAL MATERIAL OR MATERIAL NOT PREVIOUSLY PUBLISHED OR PRODUCED)

WINNER - "PATTON" Francis Ford Coppola, Edmund H. North
"FIVE EASY PIECES" Story by Bob Rafelson, Adrien Joyce; Screenplay by Adrien Joyce
"JOE" Norman Wexler
"LOVE STORY" Erich Segal
"MY NIGHT AT MAUD'S" Eric Rohmer