Not for those with heart conditions. You might get dirty looks if you mention these films. Welcome aboard fellow traveller. Remember it's only a movie...
Asian Erotica (from Korean, China, Hong Kong, Philippines, Thai, Taiwan cinema, etc.) not from Japan
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Erotica is another key genre and lots of Asian directors love to experiment with.
Lots of Experiments to watch.
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Let's Continue.
https://de.wikipedia.org/wiki/Prime_Video
films that are elevated or sophisticated in their themes, style, and execution, often blurring the lines between traditional genre conventions and arthouse or experimental cinema. These movies are often considered to be a combination of commercial appeal and artistic merit, combining elements of popular genres such as crime, science fiction, or horror, with more serious and thought-provoking themes, innovative cinematography, and a focus on character development. High art genre movies are often more character-driven and less reliant on conventional plot structures, and they challenge the audience's expectations while providing a unique and engaging viewing experience.
A mix of all genres
The Venice Film Festival is the oldest film festival in the world. Founded 1932, the festival has since taken place every year in Venice, Italy. It is part of the Venice Biennale, a major biennial exhibition and festival for contemporary art. The festival's Leone d'Oro (Golden Lion) prize is awarded to the best film screened at the festival.
While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.
More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.
Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).
As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"
The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013
In 2013, the Korean Film Archive asked 62 film scholars, professors, critics and curators to vote for the top 100 Korean films. The top 12 is ranked and the rest is in chronological order. 3 films tied for 1st place.
Source: https://eng.koreafilm.or.kr/kofa/publication/books/PB_0000000170?page=&year=
2012 released movies I probably want to watch.
158 international film critics from 28 countries and every continent in the world except Antarctica told us their greatest Korean films ever. Their votes formed this top 100. Welcome to your ultimate Korean cinema watch list.
Source: https://www.koreanscreen.com/100-greatest-korean-films-100-51
In 2021, Korean Screen asked 158 critics from 28 countries to vote for the greatest Korean films ever.
Source: https://www.koreanscreen.com/100-greatest-korean-films-100-51
Venice Film Festival Golden Lion Winners
Personal Movie Recommendations
... imprimeuri...
Asia movies recomendadas
The Golden Lion (Italian: Leone d'Oro) is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry's most prestigious and distinguished prizes. In 1970, a second Golden Lion was introduced; this is an honorary award for people who have made an important contribution to cinema.
The prize was introduced in 1949 as the Golden Lion of Saint Mark (the winged lion which had appeared on the flag of the Republic of Venice).[1] Previously, the equivalent prize was the Gran Premio Internazionale di Venezia (Grand International Prize of Venice), awarded in 1947 and 1948. Before that, from 1934 until 1942, the highest awards were the Coppa Mussolini (Mussolini Cup) for Best Italian Film and Best Foreign Film.
Film for the diseased mind
by cage