In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
Source: http://www.slantmagazine.com/features/article/100-essential-films
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
The 21st Century’s Most Acclaimed Films (including films from 2000!)
9th edition (March 2016)
List curated by Bill Georgaris on They Shoot Pictures, Don't They?
Source: https://www.theyshootpictures.com/21stcentury.htm
The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.
Source: http://www.theyshootpictures.com/gf1000.htm
The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012
Toronto – Beginning January 21, 2010, TIFF Cinematheque presents The Best of the Decade: An Alternative View, a curated series based on a poll conducted by TIFF Cinematheque’s Senior Programmer James Quandt. An esteemed panel of over sixty film curators, historians, archivists and programmers from festivals, cinematheques and similar organizations around the world participated and were asked to pick the films they thought were the most important of the past decade. The poll’s participants are connected by their leadership in the field of historical film curation, with most having published books, essays and polemics on cinema, bringing perspectives that distinguish this poll from other end-of-the-decade polls.
“Their perspective,” says Quandt, “should give us a longer view of the films made in this decade, the films that should stand the test of time and be acknowledged as historically influential works in the decades to come.” The poll includes works by venerable masters such as Abbas Kiarostami, Agnès Varda, Ingmar Bergman, Jean-Luc Godard and Pedro Almodóvar; directors who broke onto the international scene in the past 10 years, including Apichatpong Weerasethakul, Carlos Reygadas, Cristi Puiu, Jean-Pierre and Luc Dardenne, Jia Zhang-ke and David Cronenberg; and indie renegades like Gus Van Sant, Pedro Costa and Lucrecia Martel. It also features many pleasant surprises, from the inclusion of a largely unknown film, Valeska Grisebach’s Longing (2006), which was highlighted during TIFF Cinematheque’s Berlin School series last Winter, to the strong showings for films that were not necessarily well received on their initial outings, such as Gus Van Sant’s Gerry (2003) and Claire Denis’s L’Intrus (2004).
Source: http://tiff.net/press/pressreleases/2009/tiff-cinematheques-best-of-the-decade-poll-presents-the-classics-of-today
The list here is ranked but given that some of the ranks have multiple films there are no ranking numbers displayed here.
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
www.theyshootpictures.com
Asian Cinema: A Field Guide (2007) by Tom Vick is a book about the history of cinema in various regions throughout Asia. This is a list of films mentioned in the book.
Part One: The Old Guard
China: Tradition and Resistance (#1-76)
Japan: Cinema of Extremes (77-266)
India: All That and then Some (267-355)
Part Two: Postwar Booms
Hong Kong: The Fine Art of Popular Cinema (356-459)
Korea: Rising from the Ashes of History (460-573)
Part Three: Recent Arrivals
Iran: A Continuing Conversation (574-632)
Taiwan: The Little Island that Could (633-675)
Part Four: New Players
South and Southeast Asia: Coming Into Focus
Bangladesh (676 & 677), Bhutan (678 & 679), Cambodia (680-682), Indonesia (683-689), Malaysia and Singapore (690-704), Nepal (705 & 706), Pakistan (707), The Philippines (708-732), Sri Lanka (733-737), Thailand (738-766), Tibet (767-772), Vietnam (773-784)
Central Asia and the Middle East: Global Intersections
The Former Soviet Republics, Afghanistan, and Mongolia (785-800), The Middle East (801–832), Turkey (833-843)
Part Five: Where to Go from Here
(List of websites and books)
Source: https://www.amazon.com/Asian-Cinema-A-Field-Guide/dp/0061145858/
The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.
Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."
Source: http://www.theyshootpictures.com/gf1000.htm
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
#1 - #1012: original list
#1013 - #1073: 2008 additions
#1074 - #1133: 2016 additions
Source: https://www.amazon.com/Essential-Cinema-Necessity-Film-Canons/dp/0801889715
The top films in the 2012 Sight and Sound Poll from the combined votes of 846 critics and 359 directors. Contains films with 3 or more votes. In order by number of votes.
The following is a list of positions and the number of corresponding votes. 21-22 (66 votes), 27-28 (55 votes), 29-30 (54 votes), 36-37 (46 votes), 39-42 (44 votes), 43-46 (43 votes), 47-50 (41 votes), 51-52 (40 votes), 53-55 (39 votes), 56-57 (38 votes), 59-60 (35 votes), 62-74 (33 votes), 75-77 (32 votes), 78-79 (31 votes), 82-88 (28 votes), 89-90 (27 votes), 91-93 (26 votes), 94-99 (25 votes), 100-103 (24 votes), 104-106 (23 votes), 107-110 (22 votes), 111-118 (21 votes), 119-127 (20 votes), 128-139 (19 votes), 140-146 (18 votes), 147-153 (17 votes), 154-166 (16 votes), 167-182 (15 votes), 183-193 (14 votes), 194-206 (13 votes), 207-228 (12 votes), 229-243 (11 votes), 244-271 (10 votes), 272-302 (9 votes), 303-330 (8 votes), 331-375 (7 votes), 376-423 (6 votes), 424-497 (5 votes), 498-624 (4 votes), 625-817 (3 votes)
Source: http://www.bfi.org.uk/films-tv-people/sightandsoundpoll2012
The They Shoot Pictures, Don't They? 1,000 greatest films list is primarily compiled by using over 6000 individual critics' and filmmakers' best-films-of-all-time lists/ballots. The resulting list is very diverse and spans virtually all movie-producing decades and countries.
Source: http://www.theyshootpictures.com/gf1000.htm
:popcorn::earth_africa:
Updated Jan 2022
Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.
The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
http://www.alsolikelife.com/FilmDiary/rosenbaum.html
The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.
This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)
Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.
A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.
Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.
1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."
1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.
1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.
Love it or hate it, here it is...
Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
www.theyshootpictures.com
The 21st Century's Most Acclaimed Films serves as an ongoing companion to our listing of the 1,000 Greatest Films of all time.
The 1,000 Greatest Films list, by nature of the sources used and formulas applied - and we believe quite rightly so - leans towards films that have so far stood the so-called ‘test of time'. This listing therefore attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that will, no doubt, eventually find a spot within the 1,000 Greatest Films part of our website.
This is our seventh 21st Century listing, and despite calls from followers to increase it to 300-and-beyond, for now it once again encompasses 250 films. It is primarily based on critics' year-end lists (from 2000 to 2011), plus it also takes into account mentions given to any films from 2000 onwards that show up in critics' all-time-best-of lists (that are also used for the compilation of our 1,000 Greatest Films list). Additionally, it also incorporates many best-of-the-decade lists from 2010.
List source...
http://www.theyshootpictures.com/21stcentury.htm
"Toronto – Beginning January 21, 2010, TIFF Cinematheque presents The Best of the Decade: An Alternative View, a curated series based on a poll conducted by TIFF Cinematheque’s Senior Programmer James Quandt. An esteemed panel of over sixty film curators, historians, archivists and programmers from festivals, cinematheques and similar organizations around the world participated and were asked to pick the films they thought were the most important of the past decade. The poll’s participants are connected by their leadership in the field of historical film curation, with most having published books, essays and polemics on cinema, bringing perspectives that distinguish this poll from other end-of-the-decade polls.
“Their perspective,” says Quandt, “should give us a longer view of the films made in this decade, the films that should stand the test of time and be acknowledged as historically influential works in the decades to come.” The poll includes works by venerable masters such as Abbas Kiarostami, Agnès Varda, Ingmar Bergman, Jean-Luc Godard and Pedro Almodóvar; directors who broke onto the international scene in the past 10 years, including Apichatpong Weerasethakul, Carlos Reygadas, Cristi Puiu, Jean-Pierre and Luc Dardenne, Jia Zhang-ke and David Cronenberg; and indie renegades like Gus Van Sant, Pedro Costa and Lucrecia Martel. It also features many pleasant surprises, from the inclusion of a largely unknown film, Valeska Grisebach’s Longing (2006), which was highlighted during TIFF Cinematheque’s Berlin School series last Winter, to the strong showings for films that were not necessarily well received on their initial outings, such as Gus Van Sant’s Gerry (2003) and Claire Denis’s L’Intrus (2004)."
Full article: http://tiff.net/press/pressreleases/2009/tiff-cinematheques-best-of-the-decade-poll-presents-the-classics-of-today
-
The list here is ranked but given that some of the ranks have multiple films there are no ranking numbers displayed here.
This list is "an educational resource that offers guidance and encouragement as students seek to find points of orientation within the vast history of film and video." It is not a list of the best films of all time. Rather, it reflects a variety of criteria.
Source: https://ves.fas.harvard.edu/files/ves/files/fvs_suggested_viewing_2012.pdf
In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.
In a 2010 survey, the Taipei Golden Horse Film Festival asked 122 film professionals to vote for the 100 greatest Chinese-language films. Most of the voters were from Taiwan, but film professionals from Hong Kong and China and Chinese cinema experts from other countries participated as well. You can see the individual ballots on the Golden Horse website.
Source: http://100.goldenhorse.org.tw/
To celebrate one hundred years of Chinese cinema, Hong Kong Film Awards released a list of The Best 100 Chinese Motion Pictures. Among the 103 films on the list, there are 11 films from China (pre-1949), 13 films from the mainland China (post-1949), 61 films from Hong Kong, 16 films from Taiwan (post-1949), 1 Hong Kong/mainland China co-production and 1 Taiwan/Hong Kong co-production.
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
http://www.alsolikelife.com/FilmDiary/rosenbaum.html
PTW Asian movies
Slant Magazine's 100 Essential Films
by sp1tiVIP OG 13