Princess Raccoon 2005

Over 1,000 films are listed in this visually arresting, full-color celebration of the silver screen. Film personalities, including actors, directors, cinematographers, and animators, write about their favorite films from a variety of angles. Martin Scorsese, Nicole Kidman, and Nick Hornby are among those who weigh in. Writers are matched to suitable (or sometimes surprising) themes and genres within the wider subject of how films can alter the course of a life. Movie stills and posters, trivia, and top-ten lists make this a book that can be dipped into or read from cover to cover. Great screen moments — endings, beginnings, kisses, death scenes — are given special spreads. The eclectic approach speaks to fans of big Hollywood blockbusters and factoid-reciting film geeks alike.

Source: https://www.amazon.com/Time-1000-Films-Change-Guides/dp/1904978738

Surrealism in cinema refers to the use of dreamlike and irrational elements in films to create a unique visual style that challenges conventional notions of reality. It originated from the artistic movement of surrealism in the 1920s and 30s, which sought to tap into the subconscious mind through the use of irrational imagery and symbolism. In film, surrealism often employs techniques such as discontinuous editing, unexpected imagery, and the use of special effects to create a dream-like atmosphere and to challenge the viewer's perception of reality. The aim of surrealist films is to provoke an emotional and intellectual response from the audience, and to blur the boundaries between the conscious and the unconscious mind.

Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed

Years after 2018 come from NYT website.

work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.

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Asian Cinema: A Field Guide (2007) by Tom Vick is a book about the history of cinema in various regions throughout Asia. This is a list of films mentioned in the book.

Part One: The Old Guard
China: Tradition and Resistance (#1-76)
Japan: Cinema of Extremes (77-266)
India: All That and then Some (267-355)

Part Two: Postwar Booms
Hong Kong: The Fine Art of Popular Cinema (356-459)
Korea: Rising from the Ashes of History (460-573)

Part Three: Recent Arrivals
Iran: A Continuing Conversation (574-632)
Taiwan: The Little Island that Could (633-675)

Part Four: New Players
South and Southeast Asia: Coming Into Focus
Bangladesh (676 & 677), Bhutan (678 & 679), Cambodia (680-682), Indonesia (683-689), Malaysia and Singapore (690-704), Nepal (705 & 706), Pakistan (707), The Philippines (708-732), Sri Lanka (733-737), Thailand (738-766), Tibet (767-772), Vietnam (773-784)
Central Asia and the Middle East: Global Intersections
The Former Soviet Republics, Afghanistan, and Mongolia (785-800), The Middle East (801–832), Turkey (833-843)

Part Five: Where to Go from Here
(List of websites and books)

Source: https://www.amazon.com/Asian-Cinema-A-Field-Guide/dp/0061145858/

The movies that were screened at the New York Asian Film Festival 2005 by SubwayCinema.com

Source: http://www.subwaycinema.com/

Neuchâtel International Fantastic Film Festival lineup for 2017.

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Thanks to all who’ve made this a very popular list, in spite of glitches causing dozens of fans to suddenly disappear :(

A big welcome to the land of cinematic wonders!

I’ve aimed for a rounded overview to include not only personal favourites but popular hits and international award winners, animé landmarks, avant-
garde films, the New Wave, erotic “pink films” and the great classics that are still the glory of world cinema.

Much of silent cinema before the 1930s has been lost, its Benshi narrators displaced but good finally to have the landmark film Souls on the Road on Mubi. In the 20s directors were able to learn their trade through prolific practice, aware of and encorporating developments in both the Soviet Union and the West… and then, what a wealth of wonders! Older masters: the unequalled aesthetic refinement of Mizoguchi, the charm of Shimizu, the quiet observational wisdom of Ozu, the tragically curtailed promise of Yamanaka, the balanced restraint of Naruse, the muscular humanism of Kurosawa… Then, a new generation from the late 50s, in full swing in the sexually freer 60s: the idealism of Kobayashi, the political bite of Oshima, the earthy subversion of Imamura, the cool of Suzuki and Masumura. the avant-garde Terayama.. So many to explore: Yoshida, Ichikawa Kon, Teshigahara, Shinoda, Wakamatsu, Kumai, the documentaries of Ogawa and Hara, the stop motion master Kawamoto, the blood soaked Fukasaku.. the rise of animé, with the international success of Studio Ghibli and Miyazaki’s beautiful flights of fancy, the spiky Tsukamoto, the popular appeal of Kitano, the prolific shocker Miike.. up to the present with Koreeda, Naomi Kawase, Sono, Kurosawa Kiyoshi… oh and i almost went without mentioning Samurai and Godzilla.

Source: http://mubi.com/lists/kenjis-japanese-canon

Missing on TMDB as of now:
ID: tt0242845, Title: Narita: The Peasants of the Second Fortress, Year: -

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por Leonardo D'esposito

Movies, shows, seasons, and episodes I plan to watch.