Shit my kid would like
Trading on its impeccable reputation, Halliwell’s now presents it’s Top 1,000 favorite films. Starting at number 1,000, each entry includes a plot summary, cast and crew, awards, key critical comments, DVD and soundtrack availability, and a wealth of other interesting details. To supplement the countdown, there is commentary from film stars, show business personalities, well-known critics, and the movers and shakers in the film industry, each naming their favorite films or weighing in on Halliwell’s selection. Illustrated throughout with classic and modern film stills and posters, this is a book that every cinema fan will want to own. John Walker is one of Britain’s leading film critics.
The list has 42 extra films, because trilogies, or series, are counted as one entry (The Godfather, The Apu Trilogy, The Lord of the Rings, Antoine Doinel, Laurel and Hardy shorts, etc...)
Source: https://www.amazon.com/Halliwells-Top-1000-Ultimate-Countdown/dp/0007181655
The idea behind The New Cult Canon is to take a fresh look at the new generation of cult movies that have sprung up in the last two decades, although some older movies are also included into the list. The list is authored by Scott Tobias.
Source: https://www.avclub.com/tag/the-new-cult-canon
https://thereveal.substack.com/archive?sort=search&search=new%20cult%20canon
Sundance selection I have to watch. (Feature competition and World Premieres)
This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.
Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X
Movies with at least 75% rating on trakt (and enough votes). No documentaries, reality tv or anime.
(Find the post-2010 list here: https://trakt.tv/users/themlethem/lists/highly-rated-movies-post-2010)
(Find the tv show list here: https://trakt.tv/users/themlethem/lists/highly-rated-shows-pre-2010)
HollyWood Movies based on Popularity
All credits go to IMDb user: gibboanx
2017 Sundance Film Festival:
- 1-19: Premieres
- 20-26: Spotlight
- 27-42: U.S. Dramatic Competition
- 43-54: World Cinema Dramatic Competition
- 55-64: Next
- 65-72: Midnight
- 73-74: New Frontier
- 75-77: Sundance Kids
- 78-93: U.S. Documentary Competition
- 94-105: World Cinema Documentary Competition
- 106-117: Documentary Premieres
- 118-120: Special Events.
This list is compiled from a collection of movie reviews in the 501 Must See Movies book. The movies have been split up into 10 genres, each with 50 movies (except for the last, which has 51): Action/Adventure & Epic, Comedy, Drama, Horror, Musical, Romance, Science Fiction/Fantasy, Mystery/Thriller, War and Western.
Source: https://www.goodreads.com/book/show/659583.501_Must_See_Movies
The Neo Noir/Modern Noir (Post 1964) lists 91 films made after the 'golden age' of film noir. These films have borrowed from the artistic glories of the past, but also have embellished the film noir landscape with their contrasting modern aesthetics (particularly with the use of colour). We have grouped them by decade, and all are American-produced, except where noted.
Movies covered by Scott Tobias for the AV Club's New Cult Canon (2008-2013).
The introduction can be read at http://www.avclub.com/articles/the-new-cult-canon-an-introduction,9808/.
The top 100 American independent films as selected by Jason Wood, author of BFI Screen Guides' "100 American Independent Films."
Imported with Trakt.tv List Importer.
My list of all-time classics, genre-definers, and can't-miss films & TV series. Whenever anybody asks me, "What should I watch next?" this list is my response.
While not everything here rates a 10/10 (though nothing falls below a 7/10 by my reckoning), each entry is at least an important cultural touchstone or an ambitious artistic achievement that is worthy of your valuable time.
I started off by gathering ratings from IMDB (User/Critic Average), Rotten Tomatoes (Tomatometer, Critic Average, Audience Score, User Average), Metacritic (Critic Average, User Average) and Letterboxd (User Average). I was then able to determine a rating (out of 10) for each individual rating and therefore come up with an average rating for each site. Each site’s average rating was then weighted fairly so that no site’s ratings were favored above the rest.
The next step was to make sure that each film was treated fairly. Other top movie list’s like IMDb’s Top 1000 removes films that have under a certain viewing number (25,000 I think), but rather than ruling out films that may have been overlooked by the general audience (especially older films), I opted to alter these films score by carefully deducting points depending on how many people have seen it, and therefore voted on it. I also thought it was needed to make sure that recent films (released within the past 36 months) were also not favored, as it usually takes 3 years for the average rating to settle down. So I also added a deduction to these films that fell under this rule.
Taken from here: https://www.reddit.com/r/movies/comments/3hbiio/update_1001_greatest_movies_of_all_time_plus/
My favorite movies about gangs / mobs
The best films of the 1990s came from filmmakers who not only had unique visions but who opened new doors to the endless possibilities of cinematic storytelling.
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
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The list is based on the contents of the Book, sorted by chapters:
Film of the Year: The Hurt Locker
Scoring Cinema: Mulholland Drive
African-American Cinema
The American Nightmare
Chemical World
Crime
Documentary
Exploitation USA
Familial Dysfunction
Narrative Disorder
On the Road
Queer Cinema
Rural Americana
Slackers
The Suburbs
Underground USA
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
KIDS
by Billy Scott