The 500 movies in this list have been selected by a combination of 10,000 Empire readers, 50 critics and 150 of Hollywood's finest.
The 1001 Movies You Must See Before You Die list is actually a film reference book compiled by various critics worldwide and edited by Steven Jay Schneider. The list spans movies from as early as 1902 up to recent releases.
Source: https://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die
This is a complete list of every movie that has ever been included in the various editions of 1001 movies. Given that I only own one edition of the physical book, this is a easier way to keep track of what has been (once) considered essential viewing.
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
www.theyshootpictures.com
Diary of everything I saw while social distancing during the COVID-19 pandemic
Includes all the films of the 1001 Movies You Must See Before You Die Book, including films culled to make way for newer releases, up to the 2021 edition.
"Few talk about the ’90s as a filmmaking renaissance on par with the late ’60s and early ’70s, but for many of the film critics at The A.V. Club, it was the decade when we were coming of age as cinephiles and writers, and we remember it with considerable affection. Those ’70s warhorses like Martin Scorsese and Robert Altman posted some of the strongest work of their careers, and an exciting new generation of filmmakers—Quentin Tarantino, Joel and Ethan Coen, Wong Kar-Wai, Olivier Assayas, David Fincher, and Wes Anderson among them—were staking out territory of their own. Presented over three days—with two 20-film lists, then a separate one for the top 10—our Top 50 survey was conducted in an effort to reflect group consensus and individual passion, with the disclaimer that all such lists have a degree of arbitrariness that can’t be avoided. (On Thursday, we’ll run a supplemental list of orphans, also-rans, and personal favorites that will undoubtedly be quirkier.) One more note before digging in: Filmmakers who had a particularly good decade were often divided against themselves in the voting. Which Coen brothers movie is the strongest? Which color from Krzysztof Kieslowski’s Three Colors trilogy shone the brightest? Peel slowly and see…"
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The Top 50:
http://www.avclub.com/articles/the-50-best-films-of-the-90s-1-of-3,86304/
http://www.avclub.com/articles/the-50-best-films-of-the-90s-2-of-3,86361/
http://www.avclub.com/articles/the-50-best-films-of-the-90s-3-of-3,86467/
Goodies:
http://www.avclub.com/articles/the-best-films-of-the-90s-orphans-outliers-and-per,86534/ (added them after rank 50)
http://www.avclub.com/articles/47-do-you-remember-the-90s,86583/
http://www.avclub.com/articles/our-mosthated-movies-of-the-90s,86560/
The best films of the 1990s came from filmmakers who not only had unique visions but who opened new doors to the endless possibilities of cinematic storytelling.
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
http://www.alsolikelife.com/FilmDiary/rosenbaum.html
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
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The list is based on the contents of the Book, sorted by chapters:
Film of the Year: The Hurt Locker
Scoring Cinema: Mulholland Drive
African-American Cinema
The American Nightmare
Chemical World
Crime
Documentary
Exploitation USA
Familial Dysfunction
Narrative Disorder
On the Road
Queer Cinema
Rural Americana
Slackers
The Suburbs
Underground USA
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
TSPDT's The 1,000 Greatest Films
13th Edition (January 2018)
List curated by Bill Georgaris on They Shoot Pictures, Don't They?
Notes: Olympia (#750/751) is a single entry on TSPDT, but as two entries on Trakt.
Source: https://www.theyshootpictures.com/gf1000.htm
All credits go to IMDb user: RDLongoria
From latest edition. 2017th edition will be published in October 2017.
Empire's The 500 Greatest Movies of All Time
by maxwelldeuxVIP 8