Personal Lists featuring...

Shoot the Piano Player 1960

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:popcorn::earth_africa:
Updated Jan 2022

Description

Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.

Background

The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.

Sources:

  • https://www.cahiersducinema.com
  • https://en.wikipedia.org/wiki/Cahiers_du_cinéma
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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

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The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.

This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)

Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.

A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.

Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.

1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."

1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.

1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.

Love it or hate it, here it is...

Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma

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The 1001 Movies You Must See Before You Die list is actually a film reference book compiled by various critics worldwide and edited by Steven Jay Schneider. The list spans movies from as early as 1902 up to recent releases.

Source: https://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die

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This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made", published in 2004. It contains a selection of 1000 reviews that have been printed in The New York Times in a time period of over seven decades. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

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This is a complete list of every movie that has ever been included in the various editions of 1001 movies. Given that I only own one edition of the physical book, this is a easier way to keep track of what has been (once) considered essential viewing.

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They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.

This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.

www.theyshootpictures.com

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From https://letterboxd.com/reelstats/list/the-1001-greatest-movies-of-all-time-according/

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Includes all the films of the 1001 Movies You Must See Before You Die Book, including films culled to make way for newer releases, up to the 2021 edition.

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This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X

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HollyWood Movies based on Popularity

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Film noir encompasses a range of plots: the central figure may be a private investigator (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir.

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A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

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Films of the french new wave (la nouvelle vague) and by its directors.

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The Non-American Noir Films (1940-1964) lists 93 Non-American films (mainly British) from 'The Golden Period' that are either fully-fledged noir or have strong noir elements.

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This is a list of movies made in France by release date which I've seen mostly on TV or on theaters when I was growing up. Some are masterpieces, some are mindless entertainment and everything in between, the point being all were enjoyable to me as a kid.

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Martin Scorsese went to film school so people like us don't have to. The history of film permeates through his body of work; the techniques of auteurs like Truffaut, Renoir, and Kurosawa are subtly collected and transformed into something completely unique. Perhaps nowhere is there a better example of how gathering influences can illuminate a filmmaker's imagination.

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TSPDT's The 1,000 Greatest Films
13th Edition (January 2018)

List curated by Bill Georgaris on They Shoot Pictures, Don't They?

Notes: Olympia (#750/751) is a single entry on TSPDT, but as two entries on Trakt.

Source: https://www.theyshootpictures.com/gf1000.htm

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Films I want to watch from Hollywood's golden era.

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