This is one of the funniest movies and is really the epitome of Monroe's career. Despite becoming such an iconic figure, she wasn't considered much an actress during her life. For many, her acting and singing weren't up to par with her counterparts and she often sought for dumb blonde roles or roles as a sex symbol. But this movie broke the mold for her. Even though her character was true to the type cast this was one of the first Monroe movies to receive such reknown at the time of the release rather than after her death. Her role here one her a Golden Globe as best actress and was one of her first roles where she wasn't underpaid. In fact, many people argue that this movie has the best movie ending ever made and it is truly considered a classic in all rights. And it definitely earned its spot as its witty, fun, well-written and overall very well done.
Brilliantly well done in so many ways! Perfectly acted by all. Cant believe it's taken this long to watch.
The words classic and masterpiece are sometimes used excessively. Not in this case. Here it is well earned.
The ending is just... so good Hahaha! Osgood the Third, bisexual Icon, knows what he likes it and never back down. lol
And Marilyn... absolutely STUNNING, no flaws whatsoever.
Very enjoyable movie, had some good laughs, but nothing hysterical (not that I expected it of this movie). 8/10
You know...when you put three of the best comedians of their time in one movie, you get comedic gold, and Some Like It Hot is just that. I can't really properly convey how much I like this movie in writing so I'll just say...
Some Like it Hot is probably one of my absolute favorite comedies, and if you haven't watched this one...you really should.
one word , a masterpiece
I had seen a few films about Marilyn Monroe, such as "Blonde", but I hadn't seen any with her. And until now, it was a bit unclear to me why she was such a big star—after all, all these movies highlight all the problems in her life. But after watching "Some Like It Hot," I finally know why Monroe became such an icon—she really is fantastic from her first scene. Her pin-up look is also extremely different from most other actresses of her time, so there was something unique about her.
The movie itself is also great, and most importantly, the humor is timeless. It's a sort of campy black comedy with slapstick touches, and its simplicity means it's still funny today. And fortunately, there are also not many elements that would make you grit your teeth with a modern look: unlike many other films of the time, "Some Like It Hot" definitely doesn't need a content warning these days. I doubt I'll have seen this movie for the last time, if only because it's an extremely well-rounded viewing experience, from the beginning to the last line of dialogue. You can't go wrong starting with this one if you want to catch up on older films.
[8.3/10] To call Some Like It Hot absurd is an understatement of yacht-like proportions. The movie requires you to believe that Jack Lemmon and Tony Curtis could plausibly pass as women in 1920s society. It insists you accept that Sugar, the dippy singer who becomes fast friends with the duo, would buy Curtis’s character’s dopey faux-millionaire routine without ever catching on. It asks you to take on faith that Osgood Fielding III, a smitten man of money himself, could tango with Lemmon for hours and never get wise to his secret.
If you can accept that absurdity though, what you’ll get in return is one of cinema’s all-time funniest farces. The film has the spirit of one of Shakespeare’s comedies. (As You Like It comes to mind, naturally.) Characters take on hidden identities to escape trouble or find love. Ridiculous scenarios follow when their new personas clash with their old ones. True love abides in silly terms. And it ends with a wedding, more or less.
That approach helps the medicine go down. I don’t want to damn Some Like It Hot by calling it classically-inspired, but you can find that same Bard-like energy in its constant wordplay and escalating goofiness. Writer-director Billy Wilder and his team practically wink at the audience through all of this, acknowledging the outsized irreverence of the setup, but the movie just has too much fun to care about trifles like plausibility.
Nobody, however, is having more fun than Jack Lemmon. As Jerry/Daphne, he’s a wind-up toy who’s always just been wound up. He mugs. He flounces. He laughs like a hyena at his own smart remarks. He squirms. He tangos. He flees like a cat who just heard the vacuum cleaner. He grins. He slaps. And he keeps his comical motor running at all times, as Jerry begins plainly having a blast in his feminine getup, to the point where you wonder if he’s steadily learning something big about himself through this whole escapade. Through all of it, Lemmon is an absolute shining star, threatening to go supernova at all times.
His likable, over-the-top energy helps sustain the film through its loopy set pieces, which is a good thing, since this release is a surprising thing for the 1950s -- a sex comedy. The premise of two chaps posing as dames to avoid a mob hit doesn’t necessarily portend that tack, but Wilder and company find their way there anyway. Lemmon’s “Daphne” and Curtis’s “Josephine” aren’t just angling to avoid being rubbed out like the squealer targeted by Chicago crime boss “Spats” Colombo. They’re trying to evade the advances of wealthy admirers and presumptuous bellhops, not to mention rub elbows (and other body parts) with their breathy, buxom bandmate, Sugar.
Make no mistake, while pretty tame by modern standards, the film wastes no opportunity to get risque with Marilyn Monroe. The costuming team puts her in as many barely-there outfits as possible. She croons about love while offering as many wiggles as shimmies as one can reasonably cram into a given stanza. And she giggles and coos with every jibe and surreptitious come-on. For as much great, outsized comedy is packed into every frame of Some Like It Hot, it’s not hard to divine what Wilder was hoping to sell the movie on.
Despite that mercenary/objectifying bent, Monroe does well in the role. There’s more life and joie de vivre in her performance here than in lesser outings like her turn in How to Marry a Millionaire. As much as the film turns Monroe into an attraction, it also lets her be a character: resigned to her rotten luck in love, a little bit bad, and apt to form a genuine friendship with her drag-wearing counterparts. Maybe this is all just a fig leaf to excuse invoking Monroe for her more superficial attributes, but she makes the most of the persona.
As much as a marketing boon as it is to feature Marylin Monroe in a sex comedy, Some Like It Hot may be more properly categorized as a sexual harassment comedy. While that term didn’t exist in 1959, Josephine and Daphne are on both the giving and receiving ends of questionable “romantic” pursuit. The two of them are pinched, patted, and cornered, despite their less-than-convincing disguises. They use their feminine getups to sneak peaks at their bandmates in their bed-clothes. And Joe even manages to seduce Sugar under the falsest of false pretenses, not long after a failed attempt by Jerry to do the same. The phrase, “This couldn’t get made today” is thrown around a lot lately, but it rings true for Wilder’s less-than-sensitive romp.
And yet, it’s a strangely progressive, or at least open-minded, film, especially judged for its era. As much as it makes Joe and Jerry transgressors themselves, Wilder and co-writer I. A. L. Diamond add in subtle realizations from the twosome that it’s not as fun to be on the receiving end of those unwanted advances. The gender politics of Some Like It Hot aren’t great, as you might imagine, but there’s quiet acknowledgement that being a woman in this world creates challenges men don’t have to face, something even “Daphne” and “Josephine” are forced to acknowledge.
In the same vein, you would hardly hold up this movie as a bastion of trans representation. It feeds into problematic stereotypes about trans women having something to hide or otherwise “trick” others. But it also lands on a strangely heartening “love is love” finish. You’re uncomfortable, to say the least, when Curtis’s Josephine tries to make good and gets the girl despite his multiple, reprehensible deceptions. At the same time though, the message is one that attraction and attachment persists, and is more important than whatever presentation two partners take on in a given moment.
Beyond that, the movie features a quasi-lesbian kiss (or at least what the on-screen audience perceives as one), and depicts Lemmon’s Daphne and his moneyed suitor Osgood genuinely caring for one another, even when Daphne’s biology is revealed. Some of this is played for laughs of the “Could you even imagine?” variety, but there’s also a sort of transgressive 1950s brand of acceptance beneath it all.
While the movie’s take on gender and romance is a mixed bag sags, and although it sags in places (mostly during Joe’s millionaire seduction scheme and the latter mob interludes), the sheer raucous silliness of the thing sustains it throughout. Some Like It Hot is not a place to go in search of realism of down-to-earth observations. Instead, it’s a launchpad for uproarious snappy dialogue, rib-splitting facial expressions, and more delightful lunacy than even most cartoons can muster. The premise of this one is out there, but there’s no shortage of entertaining, energetic absurdity, expertly crafted to flip the audience’s wig.
The ending made me laugh so hard, I loved this
Marilyn goes: Goodnight, honey! :smiling_face_with_3_hearts:
My Heart goes: Boom bada boom bada boom bada boom.
This wasn't quite laugh out loud funny the whole time, except that last line, but it still is really entertaining seeing all the shenanigans they get into. Plus Marilyn Monroe is beautiful and a joy to watch.
Saw this with a sold out crowd at the LA Theater. So cool seeing it with a crowd that was super in. They played a cartoon beforehand and the Road Runner got applause. That's how in they were!! Not enough to cheer for the coyote. Poor guy.
The setup was a bit slow but the rest of the movie was a joy. Some of the jokes were surprisingly risque.
A comedy classic, and Jack Lemmon is unrivaled as Daphne.
The original White Chicks! What a silly and fun movie. Surprised the hell out of me. Sure, I didn’t fell out of my chair laughing, but I really enjoyed myself. And that Marylin Monroe… What a beautiful woman.
Two men preying on women is supposed to be romantic and funny? Some of the scenes are pretty uncomfortable to watch, but overall Marilyn makes it worth it, especially her wonderful singing voice.
I figured I would laugh a lot more, seeing as this is rated as the :pound_symbol:1 comedy by the AFI. I laughed once at the very last joke. Honestly bringing up baby should be number one
Ridiculous plot, but very enjoyable nonetheless.
'Some Like It Hot' is good, unserious fun. Tony Curtis (Joe) and Jack Lemmon (Jerry) are the stars of the show, with amusing performances from start-to-finish. Marilyn Monroe is pleasant too, this is actually the first film of Monroe's I've seen. A good'un!
The pacing isn't perfect but that doesn't hamper things at all really. It's a bonkers 122 minutes, filled with entertaining shenanigans - the ending is particularly wacky. Don't think I would've liked it as well without Curtis & Lemmon, admittedly.
Worth watching, without question.
No matter what generation you are part of, if this movie doesn't make you laugh, there is something wrong with you.
How am I only watching it now ? This is the funniest masterpiece I loved it ! Jack Lemmon just killed me omg
I heard a lot of hype for this movie but ended up disappointing me. This is listed as a Romantic Comedy type movie, but there wasn't a ton of comedy and the dramatic parts just felt weird to me in a way that's hard to describe. I kept thinking, "Why are they acting like this"? The major themes of the movie never really tied together at all, for a movie all about cross dressing they don't really discuss any related issue about it at any point and the gang storyline would have been better left as a kickoff for the rest of the movie rather than used for a cheap chase scene gag at the end that goes on for far too long. The movie was praised a lot for "breathless" pacing but I didn't feel that at all. I feel like this just didn't "click" with me as it did for many others.
Nobody's perfect is the perfect ending line, though - that got a big laugh from me.
Cinema Paco 1: image 3.25/5 and sound 3.25 / 5 Billy Wilder's masterpiece, great performances, lovely Marilyn
A classic with Marilyn Monroe.
This is kinda freaky: awesome cast and plot.
The way this movie develops its inner funny features is pretty incredible.
Evergreen.
An absolute classic. One of the funniest movies ever made, and quite possibly contains the most hilarious final line ever committed to film.
Shout by Mo3athBlockedParent2015-09-02T21:10:40Z
"Well, nobody's perfect" but this movie is.