http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films
Not my selection, but an easier way to track theirs:
https://lwlies.com/articles/the-100-best-films-of-the-decade/
Below is our updated running tally of the films most frequently mentioned by individual critics on their year-end Top Ten lists. Note that if a critic ranks more than the standard 10 films, we will not include films ranked 11th or worse. In case of a tie for first or second, each film will receive the full points for that position.
https://www.metacritic.com/feature/film-critic-top-10-lists-best-movies-of-2013
Finding consensus among nine writers can be a struggle, but when a year is as strong as 2013, the abundance of riches makes it especially hard to figure out which great films to line up behind—and which great films are relegated to “any other year” status. For The Dissolve’s inaugural year-end best-of list, only one film appeared on all Top 15 ballots: Spike Jonze’s Her, a forward-thinking science-fiction/romance that takes place in the near future, but captured the tenor of the times like no other film this year. From there, the list opens up to a full spectrum of cinematic visions, from the IMAX spectacle of Gravity to the piercing intimacy of films like Destin Cretton’s Short Term 12, or The Past, Asghar Farhadi’s worthy follow-up to A Separation. And the 20 films below are just the beginning: Many others connected with one—or a few—of us, but couldn’t quite wrangle up the votes. For those, stay tuned for Monday, when we reveal our individual ballots and the orphans and also-rans that are worth tracking down."
Source: http://thedissolve.com/features/2013-in-review/330-the-best-films-of-2013/
The best that cinema has had to offer since 2000, as picked by 177 film critics from around the world.
Credit supplement list to Andrew Phillips, https://trakt.tv/users/abstractals/lists/bbc-culture-s-100-greatest-films-of-the-21st-century
The 21st Century’s Most Acclaimed Films (including films from 2000!)
9th edition (March 2016)
List curated by Bill Georgaris on They Shoot Pictures, Don't They?
Source: https://www.theyshootpictures.com/21stcentury.htm
Rotten Tomatoes - Best of year
"It seems to me that the natural world is the greatest source of excitement; the greatest source of visual beauty; the greatest source of intellectual interest. It is the greatest source of so much in life that makes life worth living." - David Attenborough
TCM's monumental three-month-long festival, Women Make Film, celebrating female filmmakers with groundbreaking, 14-part documentary from Mark Cousins, Women Make Film: A New Road Movie Through Cinema (2020), and three dozen movies by women directors. Cousins' extensive documentary is a TCM premiere, as are 23 of the 36 films in this installment of the festival. By the time it is completed TCM will have paid tribute to 100 films and 100 filmmakers spanning six continents, 44 countries and 12 decades! // CITATION: TCM. "WOMEN MAKE FILM - TUESDAYS IN SEPTEMBER." Accessd September 13, 2020. http://www.tcm.com/
TCM PREMIERE DATES ††
01—08 SEP 01 2020 — Openings; Tone
09—15 SEP 08 2020 — Believability; Introducing Character; Meet Cute
16—22 SEP 15 2020 — Conversation; Framing; Tracking
23—29 SEP 22 2020 — Staging; Journey; Discovery
30—37 SEP 29 2020 — Adult/Child; Economy; Editing
38—44 OCT 06 2020 — POV; Close-Up; Dream
45—51 OCT 13 2020 — Bodies; Sex
52—58 OCT 20 2020 — Home; Religion; Work
59—65 OCT 27 2020 — Politics; Gear Change; Comedy
66—73 NOV 03 2020 — Melodrama; Sci Fi; Horror and Hell
74—80 NOV 10 2020 — Tension; Status; Leave Out
81—87 NOV 17 2020 — Reveal; Memory; Time
88—94 NOV 24 2020 — Life Inside; Meaning of Life; Love
95—101 DEC 01 2020 — Death; Endings; Song and Dance
† NOTE: This is first of two lists based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. This list (with TCM premier dates) is narrower in scope and is a complete showcase of TCM's 2020 Women Make Film Film Festival through DEC 1, 2020. My second list (similar but broader), Women Make Film II, is a compendium of all the films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. https://trakt.tv/users/lezelmaz/lists/women-make-film-ii
†† NOTE: As I developed my broader Women Make Film II list, I noticed that while most films curated by TCM for their Women Make Film Film festival are culled from Cousins' documentary, several films (along with those female directors) did not originate from his doc, and are not included in that other Women Make Film II list.
Source: https://www.theguardian.com/film/2019/sep/13/100-best-films-movies-of-the-21st-century
The Film Fatales, a collective of women indie directors, put together a list of must-see movies made by women.
Founded in 2013 by "I Believe in Unicorns" director Leah Meyerhoff, Film Fatales is a bicoastal collective of women filmmakers who mentor and collaborate in an indie space that's far removed from the sexist world of Hollywood—and therefore all the more likely to make impact.
“At a time when audiences are hungry for a diversity of stories on screen, we’ve compiled a list of recent films directed by women that everyone should see, as well as a selection of older titles which continue to inspire us,” said Film Fatales founder Leah Meyerhoff, who shared the following list with Bitch Media.
Film Fatales in NY and LA include Meyerhoff, Eliza Hittman, Ry Russo Young, Stewart Thorndike, Marielle Heller, Leslye Headland, Sasha Gordon, Jess Weixler and Josephine Decker. Here are their picks for the best films made by women, including "Appropriate Behavior," "Diary of a Teenage Girl," "A Girl Walks Home Alone at Night," "Pariah," "Selma," and classics from Agnes Varda, Claire Denis, Kathryn Bigelow and Lynne Ramsay.
List order:
- Recent Women-Directed Films That Everyone Should See (A-Z)
- Women-Directed Films That Inspired the Work of Film Fatales (A-Z)
Source: https://bitchmedia.org/post/female-film-directors-put-together-a-list-of-must-see-movies-made-by-women
While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.
More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.
Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).
As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"
The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013
Source:
http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films
Maybe someday, who knows...
Capturing truth, life, and reality — one movie at a time. The best documentaries allow us to see the world with a fresh set of eyes, from social experiments (Super Size Me) to quirky competitions (The King of Kong) to political exposés (Citizenfour) to the ultimate cat video (Kedi). Now, we take the top movies of the form (each is Certified Fresh from at least 100 critics reviews) for our countdown list of the 100 best-reviewed documentaries ranked by Tomatometer.
Link: https://editorial.rottentomatoes.com/guide/100-best-documentaries/
Documentary
by Jeremy A Adkins