All credits go to IMDb user: RDLongoria
All credits go to IMDb user: RDLongoria
Standalone movies I want to watch...
warner movies
Not for those with heart conditions. You might get dirty looks if you mention these films. Welcome aboard fellow traveller. Remember it's only a movie...
Movies
This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made" (St. Martin's Griffin, $24.95), edited by Peter M. Nichols and published in 2004. For additional information about the list, read Peter M. Nichols's preface, or A. O. Scott's introduction.
All credits go to IMDb user: jakilcz
This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made", published in 2004. It contains a selection of 1000 reviews that have been printed in The New York Times in a time period of over seven decades. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.
I see you've come unprepared...
NC17 | 18+ | R | A | MA [in English] + Independent Movies
D: Suggestive Dialog
E: Erotica
FV: Fantasy Violence (used only for the TV-Y7 level)
L: Coarse or crude Language
MA: Mature Audience
S: Sexual Situations
V: Violence
not complete list
A list of films John Waters has referenced in his interviews, books, commentaries, and other work as influential to his career or that he is a fan of otherwise.
Includes all of the films ranked in his yearly 'Artforum: Best Of' year-end lists. (https://joeclark.org/dossiers/johnwaters.html)
This list is a work in progress, by no means a complete reference.
Cross referenced at
https://www.imdb.com/list/ls044203105/ (with JW quotes pertaining to each title)
Psychological Thrillers
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
The list is based on the contents of the Book, sorted by chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
-
The list is based on the contents of the Book, sorted by chapters:
Film of the Year: The Hurt Locker
Scoring Cinema: Mulholland Drive
African-American Cinema
The American Nightmare
Chemical World
Crime
Documentary
Exploitation USA
Familial Dysfunction
Narrative Disorder
On the Road
Queer Cinema
Rural Americana
Slackers
The Suburbs
Underground USA
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
All U.S. Released Movies (1972-2016)
by xilfnepsVIP 5