From latest edition. 2017th edition will be published in October 2017.
Spanning the length of Roger Ebert's career as the leading American movie critic, this book contains all of his four-star reviews written during that time. A great guide for movie watching.
Taken from external source. 64 movies missing from original.
The 100 "Top Films" Kurosawa listed in the book "A Dream is a Genius".
Akira Kurosawa discusses his top 100 films with his daughter, Kazuo. Kurosawa limits his choices to one film per director; Check the link for his comments for each pick http://ww.criterionforum.org/forum/viewtopic.php?f=25&t=7192
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
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The list is based on the contents of the Book, sorted by chapters:
Film of the Year: The Hurt Locker
Scoring Cinema: Mulholland Drive
African-American Cinema
The American Nightmare
Chemical World
Crime
Documentary
Exploitation USA
Familial Dysfunction
Narrative Disorder
On the Road
Queer Cinema
Rural Americana
Slackers
The Suburbs
Underground USA
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.
Source: http://www.theyshootpictures.com/gf1000.htm
The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012
Taken from May 2003 issue of Entertainment Weekly
"1001 Movies You Must See Before You Die" is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics. This list holds the 1001 movies that are referenced in the only Danish edition from 2007.
My goal is to watch all 1001 before I die :) I have currently watched 367... Still quite a long way.
The list is originated from the work of sp1ti and his list here: http://trakt.tv/user/sp1ti/lists/1001-movies-you-must-see-before-you-die
In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.
104 movies missing. Imported from external source.
With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
The list is based on the contents of the Book, sorted by chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
Watchlist: Movies
by Letícia