"I should have learned Kung-fu instead of ethics."
This is why I love Kung Fu movies. Our hero has no chance at the beginning to even begin to fight the bad guy, proceeds with training and in the end is strong enough to beat the bad guy. It's simple, it's entertaining, it is what I enjoy.
The Shaw Brothers's 36th Chamber of Shaolin is the perfect example of these movies. It has all the best parts. Great fights, epic training montage along 35 chambers, but not the "Top Chamber". A great hero in Gordon Liu who plays San Te the Shaolin Monk. Lo Lieh plays the bad guy as General Tien Ta and has an epic mustache. We also get a lot of weapons and the best one is the three-section staff and we get a satisfying ending.
The 36th Chamber of Shaolin is a movie to recommend people who haven't seen a lot of Kung-Fu movies and want to begin somewhere. I had high expectations and it blew them away. It is up there with the best of them; Once Upon a Time in China, Enter the Dragon, Drunken Master to name a few.
So if you haven't seen this classic yet, what are you waiting for?
Review by drqshadowBlockedParent2024-05-22T12:44:30Z
Craving retribution against the murderous Manchu army, an orphaned student seeks guidance and, more importantly, martial arts training at a secluded mountaintop monastery. There, he faces the thirty-five challenges that separate novice from master, devotes himself to an intensive training ritual and learns to soothe his troubled spirit.
This one took a while to get moving. The plot-heavy first act is a real chore to push through, loaded as it is with difficult names and unnecessary political exposition. That’s all cast aside when the wayward student, San Te, escapes his pursuers and staggers, wounded, into the Shaolin temple. The ensuing training sequence, which stretches to encompass seven years of his life (and a majority of the film’s running time), is pure dynamite. We don’t see all thirty-odd stations, but the ones we do are riveting; clever puzzles and challenges of more than just the physical variety. These monks practice an excruciatingly strict regimen that demands mastery of body and mind alike. Philosophically-charged kung fu at its very best.
Showcased in the leading role, Gordon Liu carries the film. His action cred is undeniable - lightning-fast and tightly disciplined - but those skills weren’t entirely uncommon in 1970s Hong Kong. Liu’s ability to convey complicated emotions, wordlessly, with grace and subtlety, is rarer stuff. The movie’s much better off when it embraces its role as a simple, introspective action flick and forgets its aspirations to be a meandering historical epic. So is Liu. Released from the wordy tangles of the film’s initial half-hour, he blossoms as a quiet, conflicted Buddhist with a special talent for violence.
Not without its flaws, The 36th Chamber of Shaolin is magical when it finally gets cooking. Its prologue is far too long and its climax is thin and lazy, but those crazy chamber trials, like a string of meditative Double Dare challenges, should be seen by all fans of the genre.