Personal Lists featuring...

The Last House on the Left 1972

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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http://www.top10films.co.uk/archives/18777

Prepare to be disturbed! Have you got a sofa to hide behind? Neal Damiano takes a look at a selection of unsettling independent films which have stood the test of time…

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American Gothic is a painting by Grant Wood in the collection of the Art Institute of Chicago. Wood's inspiration came from what is now known as the American Gothic House, and a decision to paint the house along with "the kind of people I fancied should live in that house." The painting shows a farmer standing beside his spinster daughter. The figures were modeled by the artist's sister and their dentist. The woman is dressed in a colonial print apron evoking 19th-century Americana, and the couple are in the traditional roles of men and women, the man's pitchfork symbolizing hard labor, and the flowers over the woman's right shoulder suggesting domesticity.

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Movies discussed in the book "Horror Movie Freak" by Don Summer.

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With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres - including African American cinema, queer cinema, documentary, familial dysfunction and exploitation - are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.
At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.

The list is based on the contents of the Book, sorted by chapters:

  • Film of the Year: The Hurt Locker
  • Scoring Cinema: Mulholland Drive
  • African-American Cinema
  • The American Nightmare
  • Chemical World
  • Crime
  • Documentary
  • Exploitation USA
  • Familial Dysfunction
  • Narrative Disorder
  • On the Road
  • Queer Cinema
  • Rural Americana
  • Slackers
  • The Suburbs
  • Underground USA

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

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A subgenre of exploitation films in which a person is raped, left for dead, recovers and then exacts a graphic, gory revenge against the rapists. It is not unusual for the main character in these films to be a successful, independent city woman, who is attacked by a man from the country.

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Movies I plan to watch.

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Prior to the establishment of UK state censorship implemented in the Video Recordings Act of 1984, censorship was in the realms of the courts and the Obscene Publications Act. This required the courts to apply the test of whether videos were likely to "deprave and corrupt" the viewer. The Director Of Public Prosecutions (DPP) maintained a list of those videos that were felt likely to be found obscene by the courts and hence worthwhile prosecuting.
Of course, the real drivers behind the moral panic were the UK press led by the ever obnoxious Daily Mail. Not to mention a few politicians who felt they could make a name for themselves.

Several versions of the video nasty list were published with videos added and removed over the period 1983-1985. 72 videos were listed at least for a while. Another couple of films can stake a claim via a shared name with listed films. 39 made it through to the end, and these became known as the DPP39s. These 39 titles became the most sought after collectibles.

Source: http://en.wikipedia.org/wiki/Video_nasty

To get you into the right mindset just watch http://www.youtube.com/watch?v=UzolFFd9NcU

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Horror movie-Slasher movies.

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Most of the films featured on Cinemassacre's Monster Madness, along withba number of related films.

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Every film on this list was publicly ridiculed or denounced in some way. Some of the movies on this list were banned and/or denounced because they were too graphic. Some of the movies on this list are made for nothing more than shock value. For whatever the reason, these are the most controversial movies of all time.

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