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The Look of Silence 2015

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Every year is a good year for movies, provided you’re willing to wander a little off the beaten path. But in 2015, it was hard to go more than a few steps without hitting something major, something essential. More even than usual, the year’s best films took different shapes, sizes, and routes to eyeballs. Multiplexes were unusually rich with adventurous big-budget movies, as Hollywood handed the keys to the castle to real artists. At the same time, fine smaller films from all over the globe made their way from festivals to theaters and on to streaming platforms, where any viewer with a working web connection could get a taste of something different. What the 20 films below have in common, beyond the strong impression they made on our ballot-filing critics, is a general habit of saying something significant about the here and now, even when transporting audiences to a subatomic there; a fantastically reproduced then; and a lawless, post-apocalyptic later."

Source: http://www.avclub.com/article/20-best-films-2015-229810

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Documentaries to watch some day.

PT-BR: (Documentários para assistir algum dia.)

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Academy Award for Best Documentary Feature (Winners & Nominees)

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https://assortedopinions.home.blog/

This is not a comprehensive list of leftist cinema, this is a curated selection of suggestions for people who want to watch great, and potent, leftist films.

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Metacritic labels a movie as "Must-See" when it achieves a Metascore of 81 or higher and has been reviewed by a minimum of 15 professional critics.

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88th Academy Awards - The Oscars 2016 nominees.

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From latest edition. 2017th edition will be published in October 2017.

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All the Oscar nominees in the Documentary (Feature) category (1943 - to date, reverse chronological order display).
Winners list > https://trakt.tv/users/oropher_e/lists/academy-awards-best-documentary-feature-winners?sort=rank,desc

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International Documentary Association (IDA), founded in 1982, is a non-profit 501(c)(3) that promotes nonfiction filmmakers, and is dedicated to increasing public awareness for the documentary genre. Their major program areas are: Advocacy, Filmmaker Services, Education, and Public Programs and Events.

Based in Los Angeles, the IDA has approximately 2,000 members in 53 countries, providing a forum for supporters and suppliers of documentary filmmaking.

Official award list: https://www.documentary.org/ida-awards/history

This list order is "Best Feature" followed by "Best Short" for each year.

Entries from 1996 and older are exempt from this order as they sometimes awarded more than one feature or short.

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In 2014, we basked in the warm, soothing glow of genre films. While a number of them veered toward the dark and macabre, many of our absolute favorites — like The Grand Budapest Hotel and our #1 of the year, Under the Skin — were divorced from reality — fascinating and brilliant, obviously, but in the realm of the fantastic rather than in the now. 2015 was a tough year, and just a glance at its major news headlines was enough to make us shudder. Our favorite films of the year tended to reflect our increasing anxieties and disillusionment, as our knowledge of rigged systems and fraudulent institutions reached its peak, causing us to feel even more powerless at our inability to combat them.

If the cinema of 2015 was anything for us, it was the year of the social outsider. Disenchantment with reality morphed itself into empowerment via cinematic proxy, giving a voice to the voiceless and face to those normally lost in the crowd. From those thrust into society’s margins due to their race or sexual/gender identities (Field Niggas, Carol, Tangerine, Chi-Raq), drug addiction (Heaven Knows What, Stinking Heaven), or inborn disabilities (the deaf kids in The Tribe) to those forcibly cut off from the outside world (Room) or who simply reveled in giving it a giant, perpetual “fuck you” (Buzzard), characters in our favorite films of the year just flat-out struggled to navigate reality.

Even the settings and environments in this batch of films were unrelentingly vicious and challenging. From the brutal blasts of icy winds in The Hateful Eight and The Revenant and the unforgivingly dry desert landscapes of Mad Max: Fury Road and Timbuktu to land soaked in blood (Crimson Peak), mud, and feces (Hard to Be a God), Mother Earth wasn’t taking any more of our shit and felt compelled to inform us. Even the reliability of good, old-fashioned sex to come through with a little unfettered pleasure and joy came at a hefty price, leaving its characters as reticent sadists (The Duke of Burgundy), with a supernatural being or gang of dominatrices hunting them down (It Follows, R100), or defenseless in a dark, damp European corridor (Spring). Forget about it being hard to be a God; in this year’s cinema, it was hard enough to be a fucking person.

Yet despite all this doom and gloom, our favorite films never wallowed in misery and instead met the trials and tribulations of existence head-on in wildly entertaining and innovative ways, transcending struggles and leaving behind inspiring treatises that left us richer and stronger in the process. No, this was not a defeatist year at movies — quite the opposite, despite the dark shadow cast by its films. Cinema ran into the face of adversity and came away with its fair share of victories that empowered the powerless and touched us all deeply on an experiential and intellectual level. The significance of cinema was exemplified, to loosely paraphrase Godard, not only in its uncanny ability to reflect reality, but in that reflections’ reality to change us for the better. 2015 took us into some dark new territories, but the light it shed upon them may just have made the path ahead a bit clearer." –DEREK SMITH

Source: http://www.tinymixtapes.com/features/2015-favorite-30-films

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