based on a book
My desert-island movies.
Movies in 4k HDR
"Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences.
Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spı¨nal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings.
Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music).
100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch."
Source: http://www.palgrave.com/products/title.aspx?pid=470133
Note: Cafe Flesh (1982) is missing from this list.
The They Shoot Pictures, Don't They? 1,000 greatest films list is primarily compiled by using over 6000 individual critics' and filmmakers' best-films-of-all-time lists/ballots. The resulting list is very diverse and spans virtually all movie-producing decades and countries.
Source: http://www.theyshootpictures.com/gf1000.htm
Movies with great visuals.
Movies I might watch with my boys (5, 8, 10, 11).
"ALL-TIME" 100 Movies is a compilation by Time magazine featuring 100 of the best films released between March 3, 1923 (when the first issue of Time was published) and early 2005 (when the list was compiled). The list was compiled by critics Richard Schickel and Richard Corliss and generated significant attention, receiving 7.8 million hits in its first week alone.
Source: http://entertainment.time.com/2005/02/12/all-time-100-movies/slide/all/
In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).
Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.
No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.
The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire the first winner.[1] The following year Avatar was the first nominee and winner to be shot entirely on digital video.[2]
In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last Academy Award category to never nominate a woman.[3][4]
https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography#Winners_and_nominees
This list contains all movies that have been nominated for Best Picture in the Academy Awards.
Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Picture#Winners_and_nominees
https://de.wikipedia.org/wiki/Prime_Video
Nando Pelis
by Nandroid74