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The Naked City 1948

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Updated at 2022-11-07 13:51:15

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The BAFTA Award for Best Film is given annually by the British Academy of Film and Television Arts and presented at the British Academy Film Awards. It has been given since the 1st BAFTA Awards, representing the best films of 1947, but until 1969 it was called the BAFTA Award for Best Film From Any Source.

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Celebrate some of the greatest films of all time.

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The Fighting Forties was a memorably turbulent era, forever linked in the public consciousness with World War II (1937/1939-1945), the development of the first atomic weapons and subsequent Atomic Bombings of Hiroshima and Nagasaki. This also marked the start of the Cold War and the Arab–Israeli Conflict.
The technological innovations of the decade included the first digital computers - notably Z3 by Konrad Zuse (1941, German), the Atanasoff–Berry Computer (1942, American), the Colossus Mark 1 and Mark 2 computers

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Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.

Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine

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The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board was established in 1988. Each year, 25 "culturally, historically, or aesthetically significant films" are preserved, to increase awareness for its preservation. To be eligible for inclusion, a film must be at least ten years old but it is not required to be feature-length, nor is it required to have been theatrically released.

Source: https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/

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A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

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Trading on its impeccable reputation, Halliwell’s now presents it’s Top 1,000 favorite films. Starting at number 1,000, each entry includes a plot summary, cast and crew, awards, key critical comments, DVD and soundtrack availability, and a wealth of other interesting details. To supplement the countdown, there is commentary from film stars, show business personalities, well-known critics, and the movers and shakers in the film industry, each naming their favorite films or weighing in on Halliwell’s selection. Illustrated throughout with classic and modern film stills and posters, this is a book that every cinema fan will want to own. John Walker is one of Britain’s leading film critics.

The list has 42 extra films, because trilogies, or series, are counted as one entry (The Godfather, The Apu Trilogy, The Lord of the Rings, Antoine Doinel, Laurel and Hardy shorts, etc...)

Source: https://www.amazon.com/Halliwells-Top-1000-Ultimate-Countdown/dp/0007181655

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Todo el mejor cine de la historia

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List of Nominees and Winners

  • ACTOR

LAURENCE OLIVIER "Hamlet" - WINNER
LEW AYRES "Johnny Belinda"
MONTGOMERY CLIFT "The Search"
DAN DAILEY "When My Baby Smiles at Me"
CLIFTON WEBB "Sitting Pretty"

  • ACTOR IN A SUPPORTING ROLE

WALTER HUSTON "The Treasure of the Sierra Madre" - WINNER
CHARLES BICKFORD "Johnny Belinda"
JOSÉ FERRER "Joan of Arc"
OSCAR HOMOLKA "I Remember Mama"
CECIL KELLAWAY "The Luck of the Irish"

  • ACTRESS

JANE WYMAN "Johnny Belinda" - WINNER
INGRID BERGMAN "Joan of Arc"
OLIVIA DE HAVILLAND "The Snake Pit"
IRENE DUNNE "I Remember Mama"
BARBARA STANWYCK "Sorry, Wrong Number"

  • ACTRESS IN A SUPPORTING ROLE

CLAIRE TREVOR "Key Largo" - WINNER
BARBARA BEL GEDDES "I Remember Mama"
ELLEN CORBY "I Remember Mama"
AGNES MOOREHEAD "Johnny Belinda"
JEAN SIMMONS "Hamlet"

  • ART DIRECTION (BLACK-AND-WHITE)

"HAMLET" Art Direction: Roger K. Furse; Set Decoration: Carmen Dillon - WINNER
"JOHNNY BELINDA" Art Direction: Robert Haas; Set Decoration: William Wallace

  • ART DIRECTION (COLOR)

"THE RED SHOES" Art Direction: Hein Heckroth; Set Decoration: Arthur Lawson - WINNER
"JOAN OF ARC" Art Direction: Richard Day; Set Decoration: Edwin Casey Roberts, Joseph Kish

  • CINEMATOGRAPHY (BLACK-AND-WHITE)

"THE NAKED CITY" William Daniels - WINNER
"A FOREIGN AFFAIR" Charles B. Lang, Jr.
"I REMEMBER MAMA" Nicholas Musuraca
"JOHNNY BELINDA" Ted McCord
"PORTRAIT OF JENNIE" Joseph August

  • CINEMATOGRAPHY (COLOR)

"JOAN OF ARC" Joseph Valentine, William V. Skall, Winton Hoch - WINNER
"GREEN GRASS OF WYOMING" Charles G. Clarke
"THE LOVES OF CARMEN" William Snyder
"THE THREE MUSKETEERS" Robert Planck

  • COSTUME DESIGN (BLACK-AND-WHITE)

"HAMLET" Roger K. Furse - WINNER
"B. F.'S DAUGHTER" Irene

  • COSTUME DESIGN (COLOR)

"JOAN OF ARC" Dorothy Jeakins, Karinska - WINNER
"THE EMPEROR WALTZ" Edith Head, Gile Steele

  • DIRECTING

"THE TREASURE OF THE SIERRA MADRE" John Huston - WINNER
"HAMLET" Laurence Olivier
"JOHNNY BELINDA" Jean Negulesco
"THE SEARCH" Fred Zinnemann
"THE SNAKE PIT" Anatole Litvak

  • DOCUMENTARY (FEATURE)

"THE SECRET LAND" Orville O. Dull, Producer - WINNER
"THE QUIET ONE" Janice Loeb, Producer

  • DOCUMENTARY (SHORT SUBJECT)

"TOWARD INDEPENDENCE" United States Army - WINNER
"HEART TO HEART" Herbert Morgan, Producer
"OPERATION VITTLES" United States Army Air Force

  • FILM EDITING

"THE NAKED CITY" Paul Weatherwax - WINNER
"JOAN OF ARC" Frank Sullivan
"JOHNNY BELINDA" David Weisbart
"RED RIVER" Christian Nyby
"THE RED SHOES" Reginald Mills

  • IRVING G. THALBERG MEMORIAL AWARD

Jerry Wald - WINNER

  • MUSIC (MUSIC SCORE OF A DRAMATIC OR COMEDY PICTURE)

"THE RED SHOES" Brian Easdale - WINNER
"HAMLET" William Walton
"JOAN OF ARC" Hugo Friedhofer
"JOHNNY BELINDA" Max Steiner
"THE SNAKE PIT" Alfred Newman

  • MUSIC (SCORING OF A MUSICAL PICTURE)

"EASTER PARADE" Johnny Green, Roger Edens - WINNER
"THE EMPEROR WALTZ" Victor Young
"THE PIRATE" Lennie Hayton
"ROMANCE ON THE HIGH SEAS" Ray Heindorf
"WHEN MY BABY SMILES AT ME" Alfred Newman

  • MUSIC (SONG)

"Buttons And Bows" in "The Paleface" Music and Lyrics by Jay Livingston and Ray Evans - WINNER
"For Every Man There's A Woman" in "Casbah" Music by Harold Arlen; Lyrics by Leo Robin
"It's Magic" in "Romance on the High Seas" Music by Jule Styne; Lyrics by Sammy Cahn
"This Is The Moment" in "That Lady in Ermine" Music by Frederick Hollander; Lyrics by Leo Robin
"The Woody Woodpecker Song" in "Wet Blanket Policy" Music and Lyrics by Ramey Idriss and George Tibbles

  • BEST MOTION PICTURE

"HAMLET" J. Arthur Rank-Two Cities Films - WINNER
"JOHNNY BELINDA" Warner Bros.
"THE RED SHOES" J. Arthur Rank-Archers
"THE SNAKE PIT" 20th Century-Fox
"THE TREASURE OF THE SIERRA MADRE" Warner Bros.

  • SHORT SUBJECT (CARTOON)

"THE LITTLE ORPHAN" Fred Quimby, Producer - WINNER
"MICKEY AND THE SEAL" Walt Disney, Producer
"MOUSE WRECKERS" Edward Selzer, Producer
"ROBIN HOODLUM" United Productions of America
"TEA FOR TWO HUNDRED" Walt Disney, Producer

  • SHORT SUBJECT (ONE-REEL)

"SYMPHONY OF A CITY" Edmund H. Reek, Producer - WINNER
"ANNIE WAS A WONDER" Herbert Moulton, Producer
"CINDERELLA HORSE" Gordon Hollingshead, Producer
"SO YOU WANT TO BE ON THE RADIO" Gordon Hollingshead, Producer
"YOU CAN'T WIN" Pete Smith, Producer

  • SHORT SUBJECT (TWO-REEL)

"SEAL ISLAND" Walt Disney, Producer - WINNE
"CALGARY STAMPEDE" Gordon Hollingshead, Producer
"GOING TO BLAZES" Herbert Morgan, Producer
"SAMBA-MANIA" Harry Grey, Producer
"SNOW CAPERS" Thomas Mead, Producer

  • SOUND RECORDING

"THE SNAKE PIT" 20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director - WINNER
"JOHNNY BELINDA" Warner Bros. Studio Sound Department, Col. Nathan O. Levinson, Sound Director
"MOONRISE" Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director

  • SPECIAL AWARD

"JOAN OF ARC" Special Award - WINNER
"THE SEARCH" Special Award

  • SPECIAL EFFECTS

"PORTRAIT OF JENNIE" Special Visual Effects by Paul Eagler, J. McMillan Johnson, Russell Shearman, Clarence Slifer; Special Audible Effects by Charles Freeman, James G. Stewart - WINNER
"DEEP WATERS" Special Visual Effects by Ralph Hammeras, Fred Sersen, Edward Snyder; Special Audible Effects by Roger Heman

  • SPECIAL FOREIGN LANGUAGE FILM AWARD

"MONSIEUR VINCENT" Special Award - WINNER

  • WRITING (MOTION PICTURE STORY)

"THE SEARCH" Richard Schweizer, David Wechsler - WINNER
"LOUISIANA STORY" Frances Flaherty, Robert Flaherty
"THE NAKED CITY" Malvin Wald
"RED RIVER" Borden Chase
"THE RED SHOES" Emeric Pressburger

  • WRITING (SCREENPLAY)

"THE TREASURE OF THE SIERRA MADRE" John Huston - WINNER
"A FOREIGN AFFAIR" Charles Brackett, Billy Wilder, Richard L. Breen
"JOHNNY BELINDA" Irmgard Von Cube, Allen Vincent
"THE SEARCH" Richard Schweizer, David Wechsler
"THE SNAKE PIT" Frank Partos, Millen Brand

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Movies in black in white from 1940 to 1959.

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A list of the 100 Greatest Films Noir compiled by Digital Dream Door. These Greatest 'Film Noir' Movies were chosen for their direction, acting, storyline, cinematography, box office success and popularity. These films were NOT chosen for how highly rated they are overall, but how they rate in the subject of "Film Noir Movies".

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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Film noir encompasses a range of plots: the central figure may be a private investigator (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir.

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