Filmes indicados ao Oscar 2018 de Filme Estrangeiro por seus países.
List of submissions to the 90th Academy Awards for Best Foreign Language Film.
In French - as this is a French Festival.
La Palme d'or est la récompense suprême décernée par le jury officiel du Festival de Cannes. Elle est accordée au meilleur film de la sélection officielle, élu parmi ceux en compétition.
De 1946 à 1954, la Palme d’or n’ayant pas encore été créée, le Jury décernait le "Grand Prix du Festival International du Film".
De 1951 à 1954, le Grand Prix est remis sous la forme d'un diplôme accompagné d'une œuvre d'art signée d'un artiste en vogue.
La Palme d’or est créée en 1954 à l’initiative de Robert Favre Le Bret. Elle est décernée pour la première fois en 1955.
De 1964 à 1974 le Festival de Cannes décide de revenir à la remise d’un Grand Prix International en lieu et place de la Palme d’or.
En 1975, la Palme d’or est réhabilitée.
Elle demeure jusqu’à aujourd’hui le prix le plus prestigieux du Palmarès, considéré comme l'une des distinctions cinématographiques les plus importantes à l’international.
Winner of Palm d'Or
Denis Villeneuve has emerged as one of the most visionary directors working in the Hollywood studio system thanks to a string of critically acclaimed films such as “Prisoners,” “Sicario,” “Arrival,” and “Blade Runner 2049.” That’s saying nothing of Villeneuve’s challenging indie fare, from “Enemy” to “Incendies” and more. IndieWire counts “Arrival and “Blade Runner 2049” as two of the greatest science-fiction movies of the 21st century, with the former title landing Villeneuve his first (and so far only) Oscar nomination for Best Director. Next up for Villeneuve is “Dune” (releasing October 1, 2021 in theaters and on HBO Max), but as fans wait for the delayed tentpole they can start catching up on several of the director’s favorite films.
From “Under the Skin” to “Dogville” (two titles Villeneuve considers benchmarks of 21st century cinema), many of Villeneuve’s favorite films are as narratively daring as his own feature directorial work. In some cases, a favorite film played a part in influencing his own work (see “Dead Ringers” and “Vertigo” leading to “Enemy”). In other cases, a favorite film is the reason he took a gig in the first place (you don’t helm “Blade Runner 2049” without being a Ridley Scott superfan). Check out a collection of Villeneuve’s favorite films below.
Yatay Bakış - Geek Dünyasının Aklını Başına Devşiren Program!
https://www.youtube.com/playlist?list=PLLkT9MAdXYAAJUoDn8AwzYaldobBv15os
Letterboxd
https://letterboxd.com/fireex/list/yatay-baks/
IMDb
http://www.imdb.com/list/ls098071162/
Slowly adding nominations from older editions. In the meantime, https://en.wikipedia.org/wiki/List_of_Academy_Award_winners_and_nominees_for_Best_Foreign_Language_Film
The Palme d'Or (English: Golden Palm) is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du Film.
In 1964, it was replaced again by the Grand Prix du Festival before being reintroduced in 1974 as the Palme d'Or.
Last edit: 27/02/2019
Released=Yes
Type=Movies, Short Films, TV Movies, Documentaries, Videos
2013<=Release Year<=2017
IMDB Rating>=6.0
IMDB Votes>=25000
[THIS LIST IS AUTOMATICALLY UPDATED BY TRAKTER : https://github.com/buyukbang/Trakter]
Movies I've watched that aren't neither in english nor portuguese (my native language).
Top 5000 movies
2017 didn’t improve much on 2016. If anything, the horror and dread of last year only seemed to take root and blossom this year, as some of our worst collective fears were realized and the future seemed to grow dimmer with every bad-news bulletin and misjudged tweet. If there was a constant, at least for cinephiles, it lay with the movies. One can quibble with the cumulative quality of 12 months of cinema. But as the world burned, the films still delivered. There were so many good ones in 2017, in fact, that we surely left out some of your favorites, including The Shape Of Water, Blade Runner 2049, The Post, Faces Places, Wonder Woman, The Disaster Artist, Coco, and Mudbound. Hopefully, 2018 will improve on 2017 in almost every regard. But we really couldn’t ask for much better movies.
https://www.avclub.com/the-20-best-films-of-2017-1821431829
Awards at Cannes
Oscar 2018 - Filmes Estrangeiros
by João Marcelo S. Vaz