All credits go to IMDb user: RDLongoria
How good was 2011 for cinema? So good that even an unusually tepid awards-season crop didn’t keep us from expanding from our Top 10 lists to a Top 15 (plus a bonus five), which still left a diversity of great films off our ballots. If there’s a common theme to the year’s best, it’s the wealth of ambitious personal visions, from Terrence Malick evoking creation to tell the story of his upbringing in The Tree Of Life to Martin Scorsese channeling his boyhood enthusiasm for spectacle in Hugo to Kenneth Lonergan finally delivering the beautiful, wounded Margaret after six years in post-production purgatory. It was a year where documentaries sought to expand the form, where the best American independent films went far out on a limb, and where old masters like Abbas Kiarostami and Pedro Almodóvar released films that felt exuberant and alive with possibility. A few titles weren’t available to see before press time—The Girl With The Dragon Tattoo, Extremely Loud And Incredibly Close, and Alvin And The Chipmunks: Chipwrecked among them—but we’ve worked hard to give a special year its due. For your consideration...
Source: http://www.avclub.com/articles/best-films-of-2011,66423/
Pulled from: https://www.rottentomatoes.com/top/bestofrt/?year=2011
This list is "an educational resource that offers guidance and encouragement as students seek to find points of orientation within the vast history of film and video." It is not a list of the best films of all time. Rather, it reflects a variety of criteria.
Source: https://ves.fas.harvard.edu/files/ves/files/fvs_suggested_viewing_2012.pdf
Source: https://film.avclub.com/the-100-best-movies-of-the-2010s-1839846306
A disturbing or extremely confusing experience, in particular one that is caused by deliberate psychological manipulation.
Imported with Trakt.tv List Importer.
BBC Culture polled film critics from around the world to determine the best American movies ever made. The results are surprising – Gone With the Wind appears at 97.
Source:
http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films
The Arts & Faith's Top 100 Films (previously known as the 100 most spiritually significant films) list has been selected by the Arts & Faith members, which is dedicated to the combination of art and faith.
2020 update added a new restriction of one film per director, but other films that would have made the list without that restriction can be seen in the subtitle for each main entry in the source.
Source: http://artsandfaith.com/index.php?/films/year/8-2020-top-100/
Movies
Essential movies for lonely people out there... if you want to feel something in this big big world.…
Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed
Years after 2018 come from NYT website.
work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.
Source: https://nofilmschool.com/2016/04/12-films-have-perfect-cinematography-according-60-critics
Films pour Madame :)
LGBTQ+ movies
Tearjerkers
I made this list to remind me before watching or rewatching so I can prepare myself. Some provoke happy tears but I still want to know ahead of time. I hate crying. It causes headaches and stuffy noses.
last uptade: jan 2024
A Pequena Prosa dos Horrores, trazido até você por:
Getro Guimarães | Assine o canal Getro
Otávio Ugá | Assine o canal Super Oito
Rodolfo Castrezana | Assine o canal Nerd Rabugento
http://komboconteudo.com/category/podcasts/a-pequena-prosa-dos-horrores/
1ª Temporada [2018]
E01 – Episódio Piloto (1)
E02 – Terror Macro, terror Micro (2 ao 28)
E03 – Franquias (29)
E04 – Spoilers e Heróis (30 ao 37)
E05 – O cinema é meu templo (38 e 39)
E06 – Dublado versus Legendado (40 ao 44)
E07 – Gosto no Armário (45 ao 54)
Guilty Pleasures (Otávio: 55 ao 62; Castrezana: 63 ao 67; Getro: 68 ao 72)
E08 – Animais Comedores de Gente (73 ao 99)
E09 – Remakes melhores que os originais (100 ao 119)
E10 – Zumbis (120 ao 151)
E11 – Netflix (152 ao 160)
E12 – O Novo Oscar (161 ao 164)
E13 – Terrir (165 ao 199)
E14 – O que vem por aí (200 ao 202)
E15 – O Que Assistimos (203 ao 209)
E16 – Diretores e Suas Técnicas (210 ao 227)
E17 – Violência Mental (211 ao 252)
E18 – Sentença de Morte HD Cam 1080p (253 ao 256)
E19 – Preguiça (257 ao 267)
E20 – Críticos não gostam de terror? (268 ao 275)
E21 – Filmes Cult (276 ao 289)
E22 – Halloween (290 ao 308)
E23 – Filmes Torturantes (309 ao 320)
E24 – Ficção Científica (321 ao 351)
E25 – Stan Lee (352)
E26 – Viagens no Tempo (353 ao 378)
E27 – Filmes de Música (379 ao 400)
E28 – Atuações Perturbadores (401 ao 431)
E29 – Do Streaming à Próstata (432 ao 440)
E30 – Natal (441 ao 465)
E31 – Retrospectiva 2018 (466 ao 492)
2ª Temporada [2019]
E01 – Expectativa parte 1 (493 ao 529)
E02 – Expectativa parte 2 (530 ao 549)
Especiais
E01 – I Grande Prêmio dos Horrores feat. Lucas Maia (Refúgio Cult) (550 ao 574) [2021]
E02 – II Grande Prêmio dos Horrores feat. Lucas Maia (Refúgio Cult) (575 ao 603) [2022]
E03 – III Grande Prêmio dos Horrores feat. Lucas Maia (Refúgio Cult) (604 ao 620) [2023]
The Palme d'Or is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the festival's organizing committee. Previously, from 1939 to 1954, the highest prize at the festival was the Grand Prix du Festival International du Film. In 1964, The Palme d'Or was replaced again by the Grand Prix, before being reintroduced in 1975.
The Palme d'Or is widely considered to be one of the most prestigious awards in the film industry.
remux_list
by First Last