The Twilight Samurai 2002

/u/StopReadinMyUsername on reddit combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies and IMDb to reveal the 1001 Greatest Movies of All Time.

source: http://redd.it/3hbiio

/u/StopReadinMyUsername on reddit created a list called "1001 'GREATEST' MOVIES OF ALL TIME" in 2015.

Since this list is still very popular, he posted an updated list on reddit in April 2020.

For this list he combined the average scores from IMDb, Letterboxd, Rotten Tomatoes & Metacritic, and tweaked the results with data from Letterboxd, iCheckMovies, TSPDT?, TMDb and IMDb.

source: https://www.reddit.com/r/movies/comments/fswg60/by_combining_the_average_scores_from_imdb/

highest rated martial arts + favorites.

Thanks to all who’ve made this a very popular list, in spite of glitches causing dozens of fans to suddenly disappear :(

A big welcome to the land of cinematic wonders!

I’ve aimed for a rounded overview to include not only personal favourites but popular hits and international award winners, animé landmarks, avant-
garde films, the New Wave, erotic “pink films” and the great classics that are still the glory of world cinema.

Much of silent cinema before the 1930s has been lost, its Benshi narrators displaced but good finally to have the landmark film Souls on the Road on Mubi. In the 20s directors were able to learn their trade through prolific practice, aware of and encorporating developments in both the Soviet Union and the West… and then, what a wealth of wonders! Older masters: the unequalled aesthetic refinement of Mizoguchi, the charm of Shimizu, the quiet observational wisdom of Ozu, the tragically curtailed promise of Yamanaka, the balanced restraint of Naruse, the muscular humanism of Kurosawa… Then, a new generation from the late 50s, in full swing in the sexually freer 60s: the idealism of Kobayashi, the political bite of Oshima, the earthy subversion of Imamura, the cool of Suzuki and Masumura. the avant-garde Terayama.. So many to explore: Yoshida, Ichikawa Kon, Teshigahara, Shinoda, Wakamatsu, Kumai, the documentaries of Ogawa and Hara, the stop motion master Kawamoto, the blood soaked Fukasaku.. the rise of animé, with the international success of Studio Ghibli and Miyazaki’s beautiful flights of fancy, the spiky Tsukamoto, the popular appeal of Kitano, the prolific shocker Miike.. up to the present with Koreeda, Naomi Kawase, Sono, Kurosawa Kiyoshi… oh and i almost went without mentioning Samurai and Godzilla.

Source: http://mubi.com/lists/kenjis-japanese-canon

Missing on TMDB as of now:
ID: tt0242845, Title: Narita: The Peasants of the Second Fortress, Year: -

From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.

This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.

The list is based on the contents of the Book, sorted by chapters:

• Film of the Year
• Alternative Japan
• Anime / Animation
• Chambara / Samurai Cinema
• Contemporary Blockbusters
• Jidaigeki & Gendaigeki / Period & Contemporary
• J-Horror / Japanese Horror
• Kaiju Eiga / Monster Movies
• Nuberu Bagu / The Japanese New Wave
• Pinku Eiga / Pink Films
• Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 2nd edition: http://trakt.tv/users/sp1ti/lists/directory-of-world-cinema-japan-2

A mix of all genres

All the movies with "Must-See" badge on Metacritic. Movie gets the badge when it has a score of 81 or higher and has been reviewed by at least 15 pro critics.

From https://letterboxd.com/reelstats/list/the-500-greatest-movies-of-all-time-according/

Hey everyone, great to be back again. Some of you might remember a similar title from a list I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.

I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.

I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).

As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.

Any feedback is appreciated, especially other sites I may not have sourced. If you found this list interesting, I would really appreciate it if you can give my newish Youtube channel a subscribe. It really helps a lot. Thanks guys.

Some stats:

Decades:
1900s - 1 film
1910s - 1
1920s - 22
1930s - 22
1940s - 40
1950s - 65
1960s - 75
1970s - 58
1980s - 54
1990s - 64
2000s - 55
2010s - 43

Directors with multiple films:
12 films - Akira Kurosawa
10 - Alfred Hitchcock, Ingmar Bergman
8 - Charlie Chaplin, Stanley Kubrick
7 - Andrei Tarkovsky, Billy Wilder, Hayao Miyazaki, Steven Spielberg
6 - Federico Fellini, Luis Buñuel
5 - Christopher Nolan, Buster Keaton, Fritz Lang, Howard Hawks, Krzysztof Kieślowski, Martin Scorsese, Woody Allen
4 - David Lynch, Ernst Lubitsch, F. W. Murnau, Francis Ford Coppola, John Ford, Lee Unkrich, Quentin Tarantino, Roman Polanski, Sergio Leone, Werner Herzog, William Wyler, Yasujirō Ozu
3 - Brad Bird, Carl Theodor Dreyer, Clint Eastwood, Coen Brothers, David Fincher, David Lean, François Truffaut, Frank Capra, Hirokazu Koreeda, James Cameron, Jean-Luc Godard, Jean-Pierre Melville, John Huston, Masaki Kobayashi, Michael Powell, Emeric Pressburger, Michelangelo Antonioni, Pete Docter, Peter Jackson, Richard Linklater, Ridley Scott, Robert Bresson, Satyajit Ray, Sidney Lumet, Vittorio De Sica, Wim Wenders
2 - Abbas Kiarostami, Alain Resnais, Andrew Stanton, Arthur Penn, Béla Tarr, Bong Joon-ho, Brian De Palma, Chris Marker, Edward Yang, Elia Kazan, Emir Kusturica, Frank Darabont, George Cukor, George Roy Hill, Henri-Georges Clouzot, Hiroshi Teshigahara, Isao Takahata, Jacques Tati, Jean Cocteau, Jean Renoir, Jim Sheridan, John Cassavetes, John Lasseter, Joseph L. Mankiewicz, Kenji Mizoguchi, Leo McCarey, Louis Malle, Luchino Visconti, Max Ophüls, Mike Leigh, Mike Nichols, Mikhail Kalatozov, Miloš Forman, Orson Welles, Otto Preminger, Park Chan-wook, Pedro Almodóvar, Peter Bogdanovich, Peter Weir, Raoul Walsh, Robert Zemeckis, Sam Mendes, Stanley Donen, Terrence Malick, Terry Gilliam, Thomas Vinterberg, Victor Fleming, Wong Kar-wai, Zhang Yimou

Top movies of all time on IMDB. Sorted by IMDB popularity. Movies that do not have a physical/digital release have been excluded.
This list is maintained by mdblist.com
Create your own: https://mdblist.com/lists/omar-comin/top-1000-on-imdb
Updated at 2024-06-12 09:34:18

Asian Cinema: A Field Guide (2007) by Tom Vick is a book about the history of cinema in various regions throughout Asia. This is a list of films mentioned in the book.

Part One: The Old Guard
China: Tradition and Resistance (#1-76)
Japan: Cinema of Extremes (77-266)
India: All That and then Some (267-355)

Part Two: Postwar Booms
Hong Kong: The Fine Art of Popular Cinema (356-459)
Korea: Rising from the Ashes of History (460-573)

Part Three: Recent Arrivals
Iran: A Continuing Conversation (574-632)
Taiwan: The Little Island that Could (633-675)

Part Four: New Players
South and Southeast Asia: Coming Into Focus
Bangladesh (676 & 677), Bhutan (678 & 679), Cambodia (680-682), Indonesia (683-689), Malaysia and Singapore (690-704), Nepal (705 & 706), Pakistan (707), The Philippines (708-732), Sri Lanka (733-737), Thailand (738-766), Tibet (767-772), Vietnam (773-784)
Central Asia and the Middle East: Global Intersections
The Former Soviet Republics, Afghanistan, and Mongolia (785-800), The Middle East (801–832), Turkey (833-843)

Part Five: Where to Go from Here
(List of websites and books)

Source: https://www.amazon.com/Asian-Cinema-A-Field-Guide/dp/0061145858/

Spanning the length of Roger Ebert's career as the leading American movie critic, this book contains all of his four-star reviews written during that time. A great guide for movie watching.

Taken from external source. 64 movies missing from original.

Hey everyone, great to be back again. Some of you might remember a similar title from a list I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.

I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.

I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).

As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.

Any feedback is appreciated, especially other sites I may not have sourced. If you found this list interesting, I would really appreciate it if you can give my newish Youtube channel a subscribe. It really helps a lot. Thanks guys.

Some stats:

Decades:
1900s - 1 film
1910s - 1
1920s - 22
1930s - 22
1940s - 40
1950s - 65
1960s - 75
1970s - 58
1980s - 54
1990s - 64
2000s - 55
2010s - 43

Directors with multiple films:
12 films - Akira Kurosawa
10 - Alfred Hitchcock, Ingmar Bergman
8 - Charlie Chaplin, Stanley Kubrick
7 - Andrei Tarkovsky, Billy Wilder, Hayao Miyazaki, Steven Spielberg
6 - Federico Fellini, Luis Buñuel
5 - Christopher Nolan, Buster Keaton, Fritz Lang, Howard Hawks, Krzysztof Kieślowski, Martin Scorsese, Woody Allen
4 - David Lynch, Ernst Lubitsch, F. W. Murnau, Francis Ford Coppola, John Ford, Lee Unkrich, Quentin Tarantino, Roman Polanski, Sergio Leone, Werner Herzog, William Wyler, Yasujirō Ozu
3 - Brad Bird, Carl Theodor Dreyer, Clint Eastwood, Coen Brothers, David Fincher, David Lean, François Truffaut, Frank Capra, Hirokazu Koreeda, James Cameron, Jean-Luc Godard, Jean-Pierre Melville, John Huston, Masaki Kobayashi, Michael Powell, Emeric Pressburger, Michelangelo Antonioni, Pete Docter, Peter Jackson, Richard Linklater, Ridley Scott, Robert Bresson, Satyajit Ray, Sidney Lumet, Vittorio De Sica, Wim Wenders
2 - Abbas Kiarostami, Alain Resnais, Andrew Stanton, Arthur Penn, Béla Tarr, Bong Joon-ho, Brian De Palma, Chris Marker, Edward Yang, Elia Kazan, Emir Kusturica, Frank Darabont, George Cukor, George Roy Hill, Henri-Georges Clouzot, Hiroshi Teshigahara, Isao Takahata, Jacques Tati, Jean Cocteau, Jean Renoir, Jim Sheridan, John Cassavetes, John Lasseter, Joseph L. Mankiewicz, Kenji Mizoguchi, Leo McCarey, Louis Malle, Luchino Visconti, Max Ophüls, Mike Leigh, Mike Nichols, Mikhail Kalatozov, Miloš Forman, Orson Welles, Otto Preminger, Park Chan-wook, Pedro Almodóvar, Peter Bogdanovich, Peter Weir, Raoul Walsh, Robert Zemeckis, Sam Mendes, Stanley Donen, Terrence Malick, Terry Gilliam, Thomas Vinterberg, Victor Fleming, Wong Kar-wai, Zhang Yimou

Cloned from:
https://letterboxd.com/reelstats/list/the-500-greatest-movies-of-all-time-according/

List of Academy Award-winning since 1994 in:
- Best Picture - Best Director
- Best Actor/Actress - Best Supporting Actor/Actress
- Best Original Screenplay - Best Adapted Screenplay
- Best Animated Feature Film - Best Animated Short Film
- Best Documentary Feature - Best Documentary Short Subject
- Best Live Action Short Film - Best International Feature Film
- Best Original Score - Best Original Song
- Best Sound Editing - Best Sound Mixing
- Best Production Design - Best Cinematography
- Best Makeup and Hairstyling - Best Costume Design
- Best Film Editing - Best Visual Effects

The list includes also nominations in the same categories.

After doing Top 10's for many years, the Japanese magazine Kinema Junpo released a list of their Top 200 Japanese movies in 2009.

Source: http://www.kinejun.jp/special/90alltimebest/index.html

For those interested, here are many of the individual years Top 10s:
http://www.rinkworks.com/checklist/list.cgi?u=crimsong&U=crimsong&p=kinemajunpotop10s

Gracias al compañero Richard Pérez por sus recomendaciones.

Source: http://www.imdb.com/list/pVQCkiZoP9c/

35 movies missing from source.

The Midnight Eye crew and some of our regular contributors get together to bring you their choices for the best Japanese films from the first decade of the 21st century. But instead of merely looking back, we also look forward and give you our personal tip-offs and thoughts on the future of Japanese cinema.

Ten movies picked each by Tom Mes, Jasper Sharp, Nicholas Rucka, Martin Mes, Eija Niskanen, Jason Gray & Roger Macy.

Source: http://www.midnighteye.com/features/best-of-the-decade.shtml

All nominees including the winners of the Honorary Award.

Note: Un lugar en el mundo (1992) was declared ineligible and removed from the final ballot.

Source: https://en.wikipedia.org/wiki/List_of_Academy_Award_winners_and_nominees_for_Best_Foreign_Language_Film#Winners_and_nominees

Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful.

JG Ballard: Theatre of Cruelty

I might be a nihilist except that I don’t believe in anything.
― Mitchell Heisman

:popcorn: :jp:
Updated Jan 2022
Top Japanese Movies manually curated based on:
- cinemaescapist.com
- asianmoviepulse.com
- letterbox.com
- bfi.org.uk
- kinejun.jp

Samurai, ninja, kung-fu...

Spanning the length of Roger Ebert's career as the leading American movie critic, this book contains all of his four-star reviews written during that time. A great guide for movie watching.

Taken from external source. 64 movies missing from original.

List of Nominees and Winners.

• Actor in a Leading Role

Johnny Depp in "Pirates of the Caribbean: The Curse of the Black Pearl"
Ben Kingsley in "House of Sand and Fog"
Jude Law in "Cold Mountain"
Bill Murray in "Lost in Translation"
Sean Penn in "Mystic River" - WINNER

• Actor in a Supporting Role

Alec Baldwin in "The Cooler"
Benicio Del Toro in "21 Grams"
Djimon Hounsou in "In America"
Tim Robbins in "Mystic River" - WINNER
Ken Watanabe in "The Last Samurai"

• Actress in a Leading Role

Keisha Castle-Hughes in "Whale Rider"
Diane Keaton in "Something’s Gotta Give"
Samantha Morton in "In America"
Charlize Theron in "Monster" - WINNER
Naomi Watts in "21 Grams"

• Actress in a Supporting Role

Shohreh Aghdashloo in "House of Sand and Fog"
Patricia Clarkson in "Pieces of April"
Marcia Gay Harden in "Mystic River"
Holly Hunter in "Thirteen"
Renée Zellweger in "Cold Mountain" - WINNER

• Animated Feature Film

"Brother Bear" Aaron Blaise and Robert Walker
"Finding Nemo" Andrew Stanton - WINNER
"The Triplets of Belleville" Sylvain Chomet

• Art Direction

"Girl with a Pearl Earring" Art Direction: Ben Van Os; Set Decoration: Cecile Heideman
"The Last Samurai" Art Direction: Lilly Kilvert; Set Decoration: Gretchen Rau
"The Lord of the Rings: The Return of the King" Art Direction: Grant Major; Set Decoration: Dan Hennah and Alan Lee - WINNER
"Master and Commander: The Far Side of the World" Art Direction: William Sandell; Set Decoration: Robert Gould
"Seabiscuit" Art Direction: Jeannine Oppewall; Set Decoration: Leslie Pope

• Cinematography

"City of God" Cesar Charlone
"Cold Mountain" John Seale
"Girl with a Pearl Earring" Eduardo Serra
"Master and Commander: The Far Side of the World" Russell Boyd - WINNER
"Seabiscuit" John Schwartzman

• Costume Design

"Girl with a Pearl Earring" Dien van Straalen
"The Last Samurai" Ngila Dickson
"The Lord of the Rings: The Return of the King" Ngila Dickson and Richard Taylor - WINNER
"Master and Commander: The Far Side of the World" Wendy Stites
"Seabiscuit" Judianna Makovsky

• Directing

"City of God" Fernando Meirelles
"The Lord of the Rings: The Return of the King" Peter Jackson - WINNER
"Lost in Translation" Sofia Coppola
"Master and Commander: The Far Side of the World" Peter Weir
"Mystic River" Clint Eastwood

• Documentary (Feature)

"Balseros" Carlos Bosch and Josep Maria Domenech
"Capturing the Friedmans" Andrew Jarecki and Marc Smerling
"The Fog of War" Errol Morris and Michael Williams - WINNER
"My Architect" Nathaniel Kahn and Susan R. Behr
"The Weather Underground" Sam Green and Bill Siegel

• Documentary (Short Subject)

"Asylum" Sandy McLeod and Gini Reticker
"Chernobyl Heart" Maryann DeLeo - WINNER
"Ferry Tales" Katja Esson

• Film Editing

"City of God" Daniel Rezende
"Cold Mountain" Walter Murch
"The Lord of the Rings: The Return of the King" Jamie Selkirk - WINNER
"Master and Commander: The Far Side of the World" Lee Smith
"Seabiscuit" William Goldenberg

• Foreign Language Film

"The Barbarian Invasions" Canada - WINNER
"Evil" Sweden
"The Twilight Samurai" Japan
"Twin Sisters" The Netherlands
"Zelary" Czech Republic

• Makeup

"The Lord of the Rings: The Return of the King" Richard Taylor and Peter King - WINNER
"Master and Commander: The Far Side of the World" Edouard Henriques III and Yolanda Toussieng
"Pirates of the Caribbean: The Curse of the Black Pearl" Ve Neill and Martin Samuel

• Music (Original Score)

"Big Fish" Danny Elfman
"Cold Mountain" Gabriel Yared
"Finding Nemo" Thomas Newman
"House of Sand and Fog" James Horner
"The Lord of the Rings: The Return of the King" Howard Shore - WINNER

• Music (Original Song)

"Belleville Rendez-vous" from "The Triplets of Belleville" Music by Benoît Charest; Lyric by Sylvain Chomet
"Into the West" from "The Lord of the Rings: The Return of the King" Music and Lyric by Fran Walsh and Howard Shore and Annie Lennox - WINNER
"A Kiss at the End of the Rainbow" from "A Mighty Wind" Music and Lyric by Michael McKean and Annette O’Toole
"Scarlet Tide" from "Cold Mountain" Music and Lyric by T Bone Burnett and Elvis Costello
"You Will Be My Ain True Love" from "Cold Mountain" Music and Lyric by Sting

• Best Picture

"The Lord of the Rings: The Return of the King" Barrie M. Osborne, Peter Jackson and Fran Walsh, Producers - WINNER
"Lost in Translation" Ross Katz and Sofia Coppola, Producers
"Master and Commander: The Far Side of the World" Samuel Goldwyn, Jr., Peter Weir and Duncan Henderson, Producers
"Mystic River" Robert Lorenz, Judie G. Hoyt and Clint Eastwood, Producers
"Seabiscuit" Kathleen Kennedy, Frank Marshall and Gary Ross, Producers

• Short Film (Animated)

"Boundin’" Bud Luckey
"Destino" Dominique Monfery and Roy Edward Disney
"Gone Nutty" Carlos Saldanha and John C. Donkin
"Harvie Krumpet" Adam Elliot - WINNER
"Nibbles" Chris Hinton

• Short Film (Live Action)

"Die Rote Jacke (The Red Jacket)" Florian Baxmeyer
"Most (The Bridge)" Bobby Garabedian and William Zabka
"Squash" Lionel Bailliu
"(A) Torzija [(A) Torsion]" Stefan Arsenijevic
"Two Soldiers" Aaron Schneider and Andrew J. Sacks - WINNER

• Sound Editing

"Finding Nemo" Gary Rydstrom and Michael Silvers
"Master and Commander: The Far Side of the World" Richard King - WINNER
"Pirates of the Caribbean: The Curse of the Black Pearl" Christopher Boyes and George Watters II

• Sound Mixing

"The Last Samurai" Andy Nelson, Anna Behlmer and Jeff Wexler
"The Lord of the Rings: The Return of the King" Christopher Boyes, Michael Semanick, Michael Hedges and Hammond Peek - WINNER
"Master and Commander: The Far Side of the World" Paul Massey, D.M. Hemphill and Arthur Rochester
"Pirates of the Caribbean: The Curse of the Black Pearl" Christopher Boyes, David Parker, David Campbell and Lee Orloff
"Seabiscuit" Andy Nelson, Anna Behlmer and Tod A. Maitland

• Visual Effects

"The Lord of the Rings: The Return of the King" Jim Rygiel, Joe Letteri, Randall William Cook and Alex Funke - WINNER
"Master and Commander: The Far Side of the World" Dan Sudick, Stefen Fangmeier, Nathan McGuinness and Robert Stromberg
"Pirates of the Caribbean: The Curse of the Black Pearl" John Knoll, Hal Hickel, Charles Gibson and Terry Frazee

• Writing (Adapted Screenplay)

"American Splendor" Written by Robert Pulcini and Shari Springer Berman
"City of God" Screenplay by Braulio Mantovani
"The Lord of the Rings: The Return of the King" Screenplay by Fran Walsh, Philippa Boyens and Peter Jackson - WINNER
"Mystic River" Screenplay by Brian Helgeland
"Seabiscuit" Written for the Screen by Gary Ross

• Writing (Original Screenplay)

"The Barbarian Invasions" Written by Denys Arcand
"Dirty Pretty Things" Written by Steven Knight
"Finding Nemo" Screenplay by Andrew Stanton, Bob Peterson and David Reynolds; Original Story by Andrew Stanton
"In America" Written by Jim Sheridan, Naomi Sheridan and Kirsten Sheridan
"Lost in Translation" Written by Sofia Coppola - WINNER

From https://letterboxd.com/reelstats/list/the-1001-greatest-movies-of-all-time-according/