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Source: https://film.avclub.com/the-100-best-movies-of-the-2010s-1839846306
Our new issue looks back at the past year in cinema with the help of over one hundred international critics, curators and academics – and features some surprises in our popular poll. As a taster, here’s our voters top ten films of the year, plus (further down the page) our editors’ own selections and highlights. Read more in our January 2014 issue, out now in print and digital.
Source: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/annual-round-ups/best-films-2013
Shortlist from 2013 Sundance Film Festival:
- Awarded movies (U.S. and World Cinema Competitions)
- Premieres
- Spotlight
- Next.
2013 released movies I probably want to watch.
Essential movies for lonely people out there... if you want to feel something in this big big world.…
films that are elevated or sophisticated in their themes, style, and execution, often blurring the lines between traditional genre conventions and arthouse or experimental cinema. These movies are often considered to be a combination of commercial appeal and artistic merit, combining elements of popular genres such as crime, science fiction, or horror, with more serious and thought-provoking themes, innovative cinematography, and a focus on character development. High art genre movies are often more character-driven and less reliant on conventional plot structures, and they challenge the audience's expectations while providing a unique and engaging viewing experience.
While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.
More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.
Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).
As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"
The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013
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Brace yourself for mind-altering twists, mind-warping enigmas, and an unrelenting assault on your senses. It's an audacious celebration of dark, cerebral pleasure that will leave you exhilarated, mystified, and begging for more. So grab your popcorn, dim the lights, and let the mindfuckfest begin!
Metacritic labels a movie as "Must-See" when it achieves a Metascore of 81 or higher and has been reviewed by a minimum of 15 professional critics.
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Updated at 2024-06-13 19:24:51
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Finding consensus among nine writers can be a struggle, but when a year is as strong as 2013, the abundance of riches makes it especially hard to figure out which great films to line up behind—and which great films are relegated to “any other year” status. For The Dissolve’s inaugural year-end best-of list, only one film appeared on all Top 15 ballots: Spike Jonze’s Her, a forward-thinking science-fiction/romance that takes place in the near future, but captured the tenor of the times like no other film this year. From there, the list opens up to a full spectrum of cinematic visions, from the IMAX spectacle of Gravity to the piercing intimacy of films like Destin Cretton’s Short Term 12, or The Past, Asghar Farhadi’s worthy follow-up to A Separation. And the 20 films below are just the beginning: Many others connected with one—or a few—of us, but couldn’t quite wrangle up the votes. For those, stay tuned for Monday, when we reveal our individual ballots and the orphans and also-rans that are worth tracking down."
Source: http://thedissolve.com/features/2013-in-review/330-the-best-films-of-2013/
Movies from 2010-2019 with 6.5+ IMDB, 6.5+ TMDB, 65%+ RottenTomatoes, at least 10K votes. Sorted by popularity.
All credits go to IMDb user: RDLongoria
Independent Spirit Awards 2014 nominees.
* EXCLUDING: Oscar, Golden Globe and BAFTA 2014 nominees.
Must watch!!
Features: Complex plot
Big plot twist.
Ending twist.
(Pulled from someone else's collection.)
From space-invader thrillers to interstellar-overdrive headscratchers, we’re counting down the best science fiction films since the turn of the century
By CHRISTOPHER R. WEINGARTEN & NOEL MURRAY & JENNA SCHERER & TIM GRIERSON & JAMES MONTGOMERY & DAVID FEAR & DAVID MARCHESE & KORY GROW & BRIAN TALLERICO
by IndieWire (https://www.indiewire.com/feature/best-sci-fi-movies-science-fiction-film-1201817994)
Movies which have the following elements and themes:
Surreal atmosphere
Identity surprises
Reality surprises
Existentialism
Postmodernism
Time Travel
These are not supposed to be the "best" films but the ones that entertained me the most or I got something out of.
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Updated at 2024-06-13 19:42:22
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Updated at 2024-06-13 08:52:39
Mindbending/Mystery
by Tomislav Pocedulic