Upstream Color 2013

List of movies that for one reason or another, fall out of conventionality.

Movies that I already have

I want to see

Finding consensus among nine writers can be a struggle, but when a year is as strong as 2013, the abundance of riches makes it especially hard to figure out which great films to line up behind—and which great films are relegated to “any other year” status. For The Dissolve’s inaugural year-end best-of list, only one film appeared on all Top 15 ballots: Spike Jonze’s Her, a forward-thinking science-fiction/romance that takes place in the near future, but captured the tenor of the times like no other film this year. From there, the list opens up to a full spectrum of cinematic visions, from the IMAX spectacle of Gravity to the piercing intimacy of films like Destin Cretton’s Short Term 12, or The Past, Asghar Farhadi’s worthy follow-up to A Separation. And the 20 films below are just the beginning: Many others connected with one—or a few—of us, but couldn’t quite wrangle up the votes. For those, stay tuned for Monday, when we reveal our individual ballots and the orphans and also-rans that are worth tracking down."

Source: http://thedissolve.com/features/2013-in-review/330-the-best-films-of-2013/

While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.

More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.

Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).

As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"

The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013

Our new issue looks back at the past year in cinema with the help of over one hundred international critics, curators and academics – and features some surprises in our popular poll. As a taster, here’s our voters top ten films of the year, plus (further down the page) our editors’ own selections and highlights. Read more in our January 2014 issue, out now in print and digital.

Source: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/annual-round-ups/best-films-2013

2013 released movies I probably want to watch.

Below is our updated running tally of the films most frequently mentioned by individual critics on their year-end Top Ten lists. Note that if a critic ranks more than the standard 10 films, we will not include films ranked 11th or worse. In case of a tie for first or second, each film will receive the full points for that position.
https://www.metacritic.com/feature/film-critic-top-10-lists-best-movies-of-2013

Movies, shows, seasons, and episodes I plan to watch.

Original watchlist is full. :|

Mind blowing movies...

A list of sci-fi movies collected from a mastodon discussion.

thefilmlings.com

A complete list of movies discussed on The Filmlings Podcast.

The Filmlings Podcast is an exploration of effective film rhetoric. Long-time friends Alex Geringer and Jonathan Satchell sit down each month and analyze the intersections of cinema to find out what makes great films great.

This list is organized in the order that the films were covered on the podcast. You can find links to each associated podcast episode here: https://thefilmlings.com/films/

All owned movies