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Private Notes
Behind the scenes at Selfridges, a department store on Oxford Street, London.
A typical day in Walton-on-the-Naze.
For a journalist a war is the biggest of all stories. It is exciting, dangerous and, with skill and luck, it can make his career. This film looks at some famous moments from the major wars of this century. Often the version of events given to the public at home bore only a passing relation to the truth as we now know it. The journalists involved talk of the pressures on them at the time and explain why sometimes they chose to censor themselves.
The system-built housing of the 1960s. Narrated by David Jones.
The politics of a small Italian town and its communist mayor, Dino Labriola.
The Albanian Subversion, in which the CIA and MI6 attempted to overthrow the Albanian government and to weaken the Soviet Union at the height of the Cold War in 1949, and the role of double agent Kim Philby.
The luxurious Taj Mahal Palace Hotel in Mumbai, contrasted with the poverty of the city's slums.
This episode tells how the Americans were dragged reluctantly into the First World War, of their journey across the Atlantic, their welcome in Liverpool, and their disillusion when the war was over. For President Woodrow Wilson, victory had turned sour, but America had started its journey towards world leadership.
This episode examines the economic relations between England and the United States during the 1920s and discusses how free trade and mass production techniques after World War I changed British and U.S. manufacturing and created economic rivalry between the two countries.
This episode about the 1930s discusses how America is reluctant to enter World War II on Britain's side. Charles Lindbergh encourages U.S. neutrality in the war but Roosevelt decides to aid Britain.
America and Britain ally in World War II to defeat Nazi Germany. Clear U.S. dominance develops with the creation of the atom bomb.
In a reversal of roles, Britain becomes isolationist and the United States a superpower. Britain's dependence on the US becomes clear after the Suez crisis.
Britain cooperates with the United States during the Cuban Missile Crisis but avoids involvement in Vietnam.
During the 1980s, the United States and Britain form an alliance against the Soviet Union.
Documentary about the Metro Centre in Gateshead, developed by entrepreneur John Hall. It compares Hall's plans to regenerate North East England with those of Labour politician T. Dan Smith.
How the Iranian Revolution turned from idealism to terror, drawing parallels with the French Revolution two hundred years earlier.
This episode, originally broadcast on 11 June 1992, details how the Bolshevik revolutionaries who came into power in 1917 attempted to industrialise and control the Soviet Union with rational scientific methods. The Bolsheviks wanted to turn the Soviet people into scientific beings. Aleksei Gastev used social engineering, including a social engineering machine, to make people more rational.
This episode, originally broadcast on 18 June 1992, outlines how the United States government and its departments attempted to use systems analysis and game theory to develop strategies to control the nuclear threat and nuclear arms race during the Cold War, and, more specifically, to manage the "loss of control" crises encountered during events such as the Space Race, the Cuban Missile Crisis, and the Vietnam War.
This part, originally broadcast on 22 June 1992, focuses on how both the Conservative and Labour governments of the 1960s attempted to use economists to engineer economic growth to specific targets, as well as programme post-war economic management in the United Kingdom, and attempts to prevent relative economic decline and the perception of the 1960s Wilson governments that devaluation would jeopardise against national self-esteem.
This part, originally broadcast on 2 July 1992, focuses on attitudes to nature and tells the story of the insecticide DDT, which was first seen as a saviour to humankind in the 1940s, only to be claimed as a part of the destruction of the entire ecosystem in the late 1960s. It also outlines how the sciences of entomology and ecology were transformed by political and economic pressures.
The penultimate episode, originally broadcast on 9 July 1992, looks at how Kwame Nkrumah, the leader of the Gold Coast (which became Ghana on independence from the United Kingdom in 1957) from 1952 to 1966, set Africa ablaze with his vision of a new industrial and scientific age. At the heart of his dream was to be the huge Volta River dam, generating enough power to transform West Africa into an industrialised utopia and focal point of post-colonial Pan-Africanism.
This final episode, originally broadcast on 16 July 1992,[10] is named after a 1953 General Electric promotional film called A Is for Atom. The episode gives an insight into the history of nuclear power. In the 1950s, scientists and politicians thought they could create a different world with a limitless source of nuclear energy. But things started to go wrong. Scientists in America and the Soviet Union were duped into building dozens of potentially dangerous nuclear power plants. For business reasons, General Electric and Westinghouse decided that the types sold would be versions based on the reactors used in nuclear submarines, but sold with dubious claims made about their cost effectiveness and safety.
This episode, broadcast on 30 May 1995, examines how the various national ideals and memories of the Second World War were effectively buried, rewritten and manipulated in the Cold War era, only to violently resurface later with events such as the protests of 1968, the emergence of the Red Army Faction, and the turmoil of the Yugoslav Wars.
In this episode, broadcast on 6 June 1995, the early history of the Central Intelligence Agency's (CIA) use of brainwashing and mind control is examined. Its thesis is that a search for control over the past, via medical intervention, had to be abandoned, and that in modern times, control over the past is more effectively exercised by the manipulation of history. It concludes that despite successful attempts to remove memories of the past, doing so often left an emotional void that was hard to refill.
In this episode, broadcast on 13 June 1995, the national aspirations of Margaret Thatcher are examined, particularly the way in which she used public sentiment in an attempt to capture the national spirit embodied in the famous speeches and writings of the wartime prime minister, Winston Churchill. Curtis argues that by harking back, or summoning the spirit of Britain's "glorious past", to fulfil short-term political or national ends, the process backfired in the long-run, trapping the invoker in the societal maladies of the present day.
25 Million Pounds details the collapse of Barings Bank in the mid 1990s primarily by a broker called Nick Leeson, who lost £827 million ($1.3 billion) by speculating on futures contracts. The film contextualises the downfall as the history of Barings Bank was one of the oldest and most prestigious merchant banks in Britain, run by the same family for decades with extensive ties to Britain’s elites. But in the late 19th century Barings almost went bankrupt after investing heavily in South American bonds, including backing the construction of a sewer system in Buenos Aires. The bank was saved by The Bank of England, but Edward Baring, the head of the bank, was financially ruined and never recovered. This film explores the culture of Barings and of the financial markets during the 1990s, and how Nick Leeson was able to cause another huge loss of money to the bank, this time bankrupting the company. He did this by claiming fictitious profits on the Singapore International Monetary Exchange and using money requested from London as margin payments on fictitious trades to finance his loss-making positions. It’s also the profile of a stereotypical corporate psychopath, as Leeson himself explains how he was able to manipulate those around him to achieve his ends and rationalise his actions.
The story, dating back to the 1950s, of the search for a cure to cancer, and the impact of Henrietta Lacks, the "woman who will never die" because her cells never stopped reproducing.
An alcoholic, emaciated father; a grossly obese, tattooed mother; a goofy, hormone-addled brother—all together in a claustrophobic council flat. Welcome to the Billinghams'.
The opening episode focuses on Colonel David Stirling and the birth of the global arms trade in the 1960s.
The rise of accountant, game theorist and asset stripper Jim Slater, who became famous for writing an investment column in The Sunday Telegraph under the nom de plume of The Capitalist.
This episode tells the story of how Sir James Goldsmith, through a series of corporate raids, became one of the world's richest men, and a victim of his own success.
By the late 1980s, the day of the buccaneering tycoon was over. Tiny Rowland, Sir James Goldsmith and Mohamed Al-Fayed were the only ones left.
The first part of the series explains the origins of Islamism and neoconservatism. It shows Egyptian civil servant Sayyid Qutb, depicted as the founder of modern Islamist thinking, visiting the U.S. to learn about its education system, then becoming disgusted at what he judged as the corruption of morals and virtues in western society through individualism.
In the second part, Islamist factions, rapidly falling under the more radical influence of Zawahiri and his rich Saudi acolyte Osama bin Laden, join the neoconservative-influenced Reagan administration to combat the Soviet Union's invasion of Afghanistan. When the Soviets eventually pull out of Afghanistan, and when the Eastern Bloc begins to collapse in 1989, both the Islamists and the neoconservatives believe they are the primary architects of the "Evil Empire's" defeat.
The final part addresses the actual rise of al-Qaeda. Curtis argues that, after their failed revolutions, bin Laden and Zawahiri had little or no popular support, let alone a serious complex organisation of terrorists, and were dependent on independent operatives to carry out their new call for jihad.
In part one, Curtis examines the rise of game theory during the Cold War and the way in which its mathematical models of human behaviour filtered into economic thought.
Part two reiterated many of the ideas of the first part, but developed the theme that drugs such as Prozac and lists of psychological symptoms which might indicate anxiety or depression were being used to normalise behaviour and make humans behave more predictably, like machines.
The final part focusses on the concepts of positive and negative liberty introduced in the 1950s by Isaiah Berlin. Curtis briefly explains how negative liberty could be defined as freedom from coercion and positive liberty as the opportunity to strive to fulfil one's potential. Tony Blair had read Berlin's essays on the topic and wrote to him in the late 1990s, arguing that positive and negative liberty could be mutually compatible. As Berlin was on his deathbed at the time, Blair never got a reply.
Short film chronicling the transformation of mainstream media and the balance of political power in the last few decades by looking at how the role of the broadcast journalist has changed since the 1950s. From: Charlie Brooker's Newswipe, third episode of the first series.
Short film about how mainstream media simplify complex events and present them as "scattered terrible things happening everywhere, Oh Dear", leaving the public feeling powerless to do anything about them. From: Charlie Brooker's Newswipe, third episode of the first series.
It Felt Like a Kiss is an immersive theatre production, first performed between 2 and 19 July 2009 as part of the second Manchester International Festival, co-produced with the BBC. Themed on "how power really works in the world", it is a collaboration between film-maker Adam Curtis and theatre company Punchdrunk, with original music composed by Damon Albarn and performed by the Kronos Quartet.
Short film using the paranoia of Richard Nixon to explore how a similar outlook on life has been propagated on a larger social scale in the new media age and the resulting moral panics and immobilisation of politics
In the first episode, Curtis traces the effects of Ayn Rand's ideas on American financial markets, particularly via the influence on Alan Greenspan.
This episode investigates how machine ideas such as cybernetics and systems theory were applied to natural ecosystems, and how this relates to the false idea that there is a balance of nature. Cybernetics has been applied to human beings in an attempt to build societies without central control, self organising networks built of people, based on a fantasy view of nature.
This episode looks into the selfish gene theory invented by William Hamilton, which holds that humans are machines controlled by genes. Curtis also covers the source of ethnic conflict that was created by Belgian colonialism's artificial creation of a racial divide and the ensuing slaughter that occurred in the Democratic Republic of the Congo, which is a source of raw material for computers and cell phones.
The rise and fall of press baron Cecil King, and the changing relationship between the public, politics and the media. Note: This is not an officially released documentary but "a rough cut" via his personal blog.
Murdoch’s Revolution’ is a short film about you-know-who that was directed by celebrated BBC documentarian Adam Curtis. It was part of Charlie Brooker’s Screenwipe Review Of The Year, 2011 TV special.
Collaboration with Massive Attack. Based on technocrats and global corporations establishing an ultraconservative norm, with the internet providing a "fake, enchanting world, which has become a kind of prison"
Short film examining the global events of 2014 to reveal a chaotic morass, the reporting of which is increasingly difficult to comprehend in the context of the 24-hour news cycle and the internet (special feature on Russian Vladislav Surkov).
Politicians used to have the confidence to tell us stories that made sense of the chaos of world events. But now there are no big stories and politicians react randomly to every new crisis - leaving us bewildered and disorientated. Bitter Lake is an adventurous and epic film by Adam Curtis that explains why the big stories that politicians tell us have become so simplified that we can’t really see the world any longer. The narrative goes all over the world, America, Britain, Russia and Saudi Arabia - but the country at the heart of it is Afghanistan. Because Afghanistan is the place that has confronted our politicians with the terrible truth - that they cannot understand what is going on any longer. The film reveals the forces that over the past thirty years rose up and undermined the confidence of politics to understand the world. And it shows the strange, dark role that Saudi Arabia has played in this. But Bitter Lake is also experimental. Curtis has taken the unedited rushes of everything that the BBC has ever shot in Afghanistan - and used them in new and radical ways. He has tried to build a different and more emotional way of depicting what really happened in Afghanistan. A counterpoint to the thin, narrow and increasingly destructive stories told by those in power today.
Short film for VICE Media about the illusion of stability, freedom, and prosperity in the West, comparing it to life in the Soviet Union during the 1970s. Ends with a trailer for HyperNormalisation.
We live in a time of great uncertainty and confusion. Events keep happening that seem inexplicable and out of control. Donald Trump, Brexit, the War in Syria, the endless migrant crisis, random bomb attacks. And those who are supposed to be in power are paralysed - they have no idea what to do. This film is the epic story of how we got to this strange place. It explains not only why these chaotic events are happening - but also why we, and our politicians, cannot understand them. It shows that what has happened is that all of us in the West - not just the politicians and the journalists and the experts, but we ourselves - have retreated into a simplified, and often completely fake version of the world. But because it is all around us we accept it as normal. But there is another world outside. Forces that politicians tried to forget and bury forty years ago - that then festered and mutated - but which are now turning on us with a vengeful fury. Piercing though the wall of our fake world. Note: Original Overview By: anonryan Original Episode Image By: Lopek
We are living through strange days. Across Britain, Europe and America societies have become split and polarised. There is anger at the inequality and the ever growing corruption - and a widespread distrust of the elites. Into this has come the pandemic that has brutally dramatised those divisions. But despite the chaos, there is a paralysis - a sense that no one knows how to escape from this. Can’t Get You Out of My Head tells how we got to this place. And why both those in power - and we - find it so difficult to move on. At its heart is the strange story of what happened when people’s inner feelings got mixed up with power in the age of individualism. How the hopes and dreams and uncertainties inside people's minds met the decaying forces of old power in Britain, America, Russia and China. What resulted was a block not just in the society - but also inside our own heads - that stops us imagining anything else than this.
The story of what tore the revolutions in the 1960s apart. Jiang Qing in China, Michael X in London, Afeni Shakur in New York believed that millions of people’s minds were haunted by the corruption and the violence of the past. They wanted to show people how to escape those ghosts. But they hadn’t reckoned with the fact that the old structures of power still haunted their minds too. They too had been scarred by the past – and some of them wanted violent revenge. While psychologists and neuroscientists were starting to discover what they said were hidden forces inside the human brain that really controlled what they did. But the people weren’t aware.
The story of how in the 1970s those in power set out to create a world free of the dangerous big ideas of the past. They banished the grand dreams of changing the world. And replaced them with money. People would live from now on in their own heads – in their own dreams. And the banks would lend them the money to create those dreams. While China would supply a wave of cheap consumer goods on a scale never seen before in the world. But then money broke free across the world. And people started to get frightened that things were out of control. Not just money - but the world’s climate too seemed to be behaving in a strange, unpredictable way. The systems seemed to have a life of their own. Beyond the ability of anyone to shape and predict.
No one trusted politics or politicians any longer. Instead we were all one world of free individuals. And we could intervene to save other individuals around the world without bothering with old politics and power. And people became what they as individuals truly were – emotionally and sexually. But power was mutating and finding ways to work its way back into our heads. The politicians realised that they no longer had the support or the trust of the people. So they switched sides and gave up being our representatives who would challenge the powerful on our behalf. Instead they began to tell us what to do on behalf of the powerful. And they made new alliances - with the psychologists who said that human beings were irrational and needed to be managed. But we didn’t notice because we were too busy shopping.
It wasn’t just the Slave Trade. 150 years ago Britain had wrecked China by forcing opium on the country. It made Britain the richest and most powerful country in the world. But it enslaved the minds of millions of the Chinese and helped destroy the society. But then the British got frightened of what they had done and created a dream image of a Britain that had never existed. To hide from the fear. This film tells the story of how from the end of the 19th century a magical vision of Britain’s feudal past was created by artists and writers. How folk music and folk dancing was invented to create a kind of safe dream of the nation that could hide the violence and the horrors. The dream persisted under the surface of the 20th century. But as the fears and uncertainties and the chaos of the last few years rose up millions of people started to believe that dream. That it was real.
The final episode tells how the strange paralysis that grips us today was created. How all the different forces of our age - that started out as separate have come together to create what is a block against imagining another kind of future than this. How, money and debt, melancholy over the loss of empire, the strange roots of modern conspiracy theories, the history of China, opium and opioids, Artificial Intelligence - and love and power have all fed into creating the present time of anxiety and fearfulness about the future. And whether modern culture, despite its radicalism, is really also part of the rigid system - in the West and in Russia and China - where those in power have run out of all ideas. The film also lays out what are the different possible roads from here into the future, and the choices we will have to make about the very different futures we will have to choose very soon.
Perestroika. The dream of saving communism. But no-one believes in anything any longer. The managers loot the system. Soldiers return defeated in the war to liberate Afghanistan.
There are no potatoes in Moscow. Things get worse. Then they get much worse as the rational Communist plan runs out of control everywhere. But McDonald’s opens in Moscow.
The empire strikes back. Hardliners attempt a coup. Power slips through their shaking hands. Oligarchs publish a manifesto. Money will replace all ideology. Yeltsin seizes power.
Russia goes through the mirror into a chaotic dream world where nothing is stable any more. Dream visions of Russia's imperial past start to rise up. People cannot afford food.
Russian society implodes. Millions of people fall into the abyss. Many live underground or in forests. The president attacks parliament with tanks saying he is saving democracy.
Yeltsin believes a war in Chechnya will save him. The Oligarchs seize control of practically everything. In the upside down world gangsters become heroes for defending democracy.
Suddenly the western bankers leave. Oligarchs take control and search for a new president to be their puppet. They choose Putin. Russians turn against “the curse of democracy".
