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Private Notes
After Gary shares his theory of relationships with Kim and Mike -- how every couple is five sentences away from a break-up -- his words set the gears in motion.
Kim plays matchmaker after Rob offers his services helping her build shelves, but then doesn't like the outcome.
Kim wants to grieve over her breakup with Mike, but can't bring herself to do so. Meanwhile, the guys can't bring themselves to put up with her.
Kim is friends with Marie Osmond, who pays a visit to Los Angeles to lure Kim away from Blue Justice and onto her own show. When Gary pleads for -- and wins -- the job producing Marie's new series, he quickly finds out he's in over his head.
Blue Justice is again on the brink of cancellation when the network puts it up against ER. Meanwhile, Kim gets stuck with a loser of a blind date, Ray, whom she soon discovers is a Nielsen family. When Kim gets Ray to watch Blue Justice once -- and the ratings rise a point -- she decides to suck it up and continue dating him to save her show.
Kim hires psychic Lindsay Wolf as a creative consultant, and the staff gets free readings. Kim is excited to hear that she'll be meeting a distinctive man in a place full of men with her the only woman present. Little does she know it will happen at a banquet honoring women.
Kim is upset when she learns the production company has been bought out by Jack Chenault, a man she had a steamy one-night-stand with twelve years ago -- and now doesn't remember her.
As Christmas approaches, Kim volunteers to help out in a soup kitchen for the homeless, only to be invited to Jack's prestigious Hollywood party on the same day.
When intern Denise announces how she owes her impending marriage to the advice in a book, Gary bets Kim that she can't follow said advice.
A case of mistaken identity finds Kim inviting a porn star to the Emmys.
