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Private Notes
George Gershwin's Rhapsody in Blue (1924) is a landmark in 20th-century music. Gershwin drew upon the jazz music enveloping New York City in the 1920s to create the 'American Sound', which would inspire generations of composers in years to come.
Josie D'Arby presents the BBC Scottish Symphony Orchestra with pianist Marc Andre Hamelin, conducted by Thomas Dausgaard, performing the piece in full from Glasgow's City Halls.
Through conversations with the Dausgaard, Hamelin and members of the orchestra, and interviews with jazz pianist and composer Julian Joseph and broadcaster, critic and biographer David Benedict, the programme delves deep into Gershwin's swinging salute to the city that never sleeps, exploring the composer's desire to be taken seriously beyond Broadway, and the improvisational approach which drew together so many different musical influences to create this iconic and and much-loved piece of music.
Benjamin Britten’s The Young Person’s Guide to the Orchestra (1945) is one of the most frequently performed works of any British composer. It has introduced and enlivened the interest of whole generations of children in the instruments of the orchestra, in thrilling style. It is, however, much more than an instruction manual for youngsters. Now a classic of the concert hall, it is frequently performed to children and adults alike.
Katie Derham presents a detailed analysis of the composition, and the story behind its creation, before it is performed in full by the BBC National Orchestra of Wales with guest conductor Moritz Gnann in Cardiff’s Hoddinott Hall.
Orchestra members explain to Katie how Britten drew on the past for themes and techniques, and reapplied them in a twentieth-century context to show off each instrument in captivating fashion. Through interviews and archive Katie learns how the piece was commissioned for a Ministry of Education film during a post-war Britain filled with the optimism and promise of building a new world that would provide high culture for all - a central tenet of Britten’s own approach; to write music that is ‘useful, and to the living’.
The film demonstrates how Britten takes the orchestra apart, allowing each instrument its own variation on Henry Purcell’s theme of 250 years earlier. Through the performance we see how the 13 variations get to the essence of each instrument’s characteristics, showing each section of the orchestra at its individual best.
Sir Malcolm Arnold was a prolific composer of music in many genres. Over five decades his output included concertos, ballet music, dance suites, overtures, and nine symphonies. He was also at home composing for the film studio, his sweeping score for David Lean’s 1957 feature film, The Bridge on the River Kwai, is perhaps his best-known film soundtrack. It won him an Oscar. Here Katie Derham presents the BBC Concert Orchestra performing The Bridge on the River Kwai in full from the Watford Colosseum with conductor Christopher Seaman. Before the performance, Katie speaks to Christopher and to several members of the orchestra to learn more about the composer and the symphonic qualities he brought to the score. Understanding the instruments of the orchestra, as well as Arnold, did make his music immensely satisfying to play.
Tom Service presents a detailed analysis of Finnish composer Kaija Saariaho's 1994 violin concerto Graal Théâtre, followed by a performance of the work by the BBC Philharmonic Orchestra conducted by Ludovic Morlot. Tom talks to members of the orchestra and soloist Peter Herresthal about the challenges of playing this demanding piece of music.
