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Private Notes
While cataloguing the collections of Barchester Cathedral library, Dr Black stumbles across an intriguing box of papers belonging to former Archdeacon Haynes. In it, he discovers a hidden history of blood guilt and macabre supernatural revenge.
Enlightened eighteenth-century nobleman Sir Richard Fell (Edward Petherbridge) inherits more than he bargained for when he comes into possession of a stately home dominated by a sinister old ash tree.
Dissatisfied with his hotel room, Professor Anderson demands to be moved to number 12 where he can work undisturbed. But, infuriated by the ghoulish noises made nightly by his neighbour, he is soon driven to investigate the diabolical secrets of the old hotel and its mysteriously vanishing room 13.
Christopher Lee reads a chilling tale by Victorian writer MR James. A horrific account, based on a true story, of the discovery of the last of the legendary East Anglian Crowns.
Enlightened eighteenth-century nobleman Sir Richard Fell (Edward Petherbridge) inherits more than he bargained for when he comes into possession of a stately home dominated by a sinister old ash tree.
Adaptation of a short story by Charles Dickens. A railway signalman tells a curious traveller how he is being troubled by a spectre that seems to predict calamity.
Adaptation of the classic ghost story by MR James in which a man visits his friend and has an unsettling experience after borrowing some binoculars and venturing up Gallows Hill.
James Parkin has just left his wife in the care of a nursing home. Pensive and emotional, he travels to their old favourite destination for rambling, an off-season British seaside town. There he encounters an apparition on a desolate beach, which begins to haunt him - with terrifying consequences.
The chilling story of Dr Rant, whose wicked streak continues from beyond the grave. Based on the festive ghost story by MR James.
Aubrey Judd, veteran radio presenter of The Dead Room, soon realises that elements of his own past are not as dead and buried as he perhaps hoped.
Mr. Williams, the curator of a university art museum, is offered a mezzotint on approval from an art dealer. The engraving shows an English manor house. Curious about the piece, he receives it and shows it to his colleagues. In turn, they each see a piece of fine art but with something grotesque in the subject matter. The mysterious mezzotint slowly reveals a disturbing story
Sweden, 1863. A country not much visited by Englishmen. An exception is the inquisitive Mr. Wraxhall, whose innocent rummaging through the archives of the noble de la Gardie family takes a sinister turn.
It's 1881, and Old College, Oxford plays host to three very different academics. But can Bellingham's experiments bring the breath of life to the horrifying bag of bones, Lot No 249?
