A contemporary take on the 18th-century tradition of operatic “pasticcios” (pastiches), in which new librettos were combined with music from various compositions to create entirely new theatrical pieces. The tradition was particularly popular in London, where Handel was a prominent practitioner. The score for The Enchanted Island comprises selections from a variety of Baroque operas, cantatas, and oratorios, many of which are rarely performed in contemporary opera houses.
