Rookie crafters discover the ancient arts of silver jewellery-making and cross-stitch, but with a distinctly 21st-century twist. Also demonstrating how making things with your hands can give you an enormous sense of pride, origami expert Sam Tsang shows how to make an origami snack box- perfect for popcorn.
In a converted biscuit factory in the Ouse Valley, home to Newcastle's thriving artistic community, silversmith Lisa Cain welcomes six amateur crafters to her two-day workshop in silverclay jewellery. Each of the students will make two pieces of jewellery to take home or give to a loved one.
Silverclay is a new material, discovered by Mitsubishi in the 1990s, and Lisa has been teaching students how to use it for longer than anyone else in the country. She likes it because it's so accessible for first-timers. Comprising the three parts of silverclay particles, water and binder, silverclay starts off looking like putty. It's malleable to work with and takes all kinds of texture - everything from leaves to lace to latticework - very well. As the water and binder are removed, all that's left is the silverclay and this can then be polished - in a process that seems quite magical - to a fine glossy finish.
Jimmy is a patissier and a perfectionist. He wants to mould a rose similar to the kind he makes out of sugar fondant, but this is an ambitious make for even the most experienced of silverclay artists. Meanwhile, his girlfriend Sara plunges straight in to her model of their whippet, Blue. Jimmy thinks she's being hasty but Sara puts him right - 'Oh Jimmy, I'm not a photocopier' - and goes on to surprise everyone with her creation.
Hampton Court Palace is home to the Royal School of Needlework and it is here that our second workshop is held, taught by visiting lecturer and self-proclaimed 'manbroiderer' Jamie Chalmers, aka Mr X Stitch. Jamie has a huge following and is introducing cross-stitch to a new generation of embroiderers through his workshops and le
