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Private Notes
Midge Ure, lead singer of Ultravox and one of the men behind Band Aid, and Kim Appleby, who had a string of hits with her sister Mel in the Stock, Aitken & Waterman-produced band Mel and Kim, revisit the 1980s to determine why certain cities produced their own diverse tunes. In the first episode, they explore London's New Romantic movement, travel to Coventry to investigate the rise of Ska and speak to some of Sheffield's electronic music pioneers.
Midge Ure and Kim Appleby explore the sounds that came from Scotland, Ireland and Wales. They start in Glasgow with the American influences that shaped a substantial part of Scottish music, look at the punk and folk backdrop to Irish music and, finally, delve into the Welsh merger of folk and punk. The programme features evocative archive, music and interviews with significant figures of the era including Bob Geldof, Clare Grogan from Altered Images, Pat Kane from Hue and Cry, Moya Brennan of Clannad and Mike Peters from legendary Welsh band the Alarm.
In this third and final episode, Midge and Kim visit London and Manchester, the two cities that did battle with each other for musical pre-eminence as 80s music turned towards the new sounds of dance. Star interviewees include Denise Pearson from Five Star, Soul II Soul's Jazzie B, Mark Moore of S'Express, Shaun Ryder from The Happy Mondays and Peter Hook of New Order. It's a tale of how studio technology changed music, with British bands putting their own unique spin on dance to produce contrasting northern and southern sounds.
