Best episode so far. I pride myself on seeing most things coming in a series, but this episode blew my mind. I had no idea Bernard was one of them untill he said 'What door' near the end of the episode.
I'm not sure what to say. I don't know how I expected this show to end. On one hand, I'm okay with this ending, and I think it was a good way to conclude the show. On the other, I feel completely empty inside. It's strange to think that we're not getting another episode next week.
I was sure that John would be the one to die. It made the most sense. He had a good death, fighting until the very end. Still, I cried my eyes out when it happened.
I'm glad that Shaw is alive, and that she has Bear by her side. I loved how she smiled in the last scene. She totally heard Root's voice on the phone.
Finch is finally reunited with Grace!
So The Machine was talking to a version of herself all along. I'd kind of suspected that.
This was a great episode, and the last few minutes of it were bittersweet but also hopeful. The Machine's final monologue was epic. You know how sometimes you hear something so profound and powerful, something that speaks to you so deeply that you have to fight the urge to get it tattooed on your body? That's what I felt like when I heard that monologue. Overall, I'm quite satisfied with the way they tied it all up.
Now, it's time for me to say goodbye.
I discovered Person of Interest quite late - just a few months before season 5 started. I wasn't hooked right away, but I stuck with the show because I'd read stellar reviews online. It took me almost an entire season to really get into it.
And then Root showed up, kidnapped Finch, stole my heart in about 0.2 seconds, and I was officially obsessed. It took me only 10 days to binge-watch seasons 2-4 (after all, who needs school? Who needs sleep?). This show was a wild ride, and I'm grateful that I got to experience it.
Thank you, Person of Interest.
Thank you for giving us compelling storylines, jaw-dropping plot twists and intense action scenes.
Thank you for exploring fascinating themes, such as AI and the true meaning of humanity.
Thank you for gorgeous cinematography, spectacular score and special effects that blockbuster movies could be jealous of.
Thank you for phenomenal characters, fantastic relationships, consistent characterization and incredible character development.
Thank you for starting my obsession with Amy Acker, which resulted in me binge-watching 19 episodes of Angel in one day (no, I do not possess amazing impulse control).
Thank you for making me laugh, making me cry, making me think, making me lose sleep over you.
Is there something about this show that I'm not happy with? Absolutely. I wish CBS hadn't acted like dicks and had given us a full season instead of measly 13 episodes. I wish Root hadn't died, and a part of me will always be bitter about it. I wish Shaw and Root had had more time. I wish they had paced the final season better (Root and Shaw are reunited after 10 months and over 7,000 simulations, Root dies in the following episode, and then we get a case of the week as if nothing happened? That's just bullshit right there), but I also know that the showrunners tried to do the best they could with a reduced number of episodes. And overall, they succeeded, making Person of Interest one of very few TV shows that were just as, if not more, exquisite in their last season as they were in their first.
Goodbye, Person of Interest. You will always be one of my favorite TV shows of all time. I don't think I'll ever get to watch something as engaging, thrilling, smart, thought-provoking, heartbreaking and powerful as you again.
This was a typical he he, haw haw episode until Oliver suddenly and completely dropped his talk show persona, stared directly into the camera, and sucked all the fucking oxygen out of the room. It stops being a matter of politics or national borders and becomes a matter of actual humanity (do you have a soul within you, or don't you?) when shit like that happens. I admire a comedy that is willing to totally shelf comedy to send a powerful message when it's called for.
Alexis Bledel is back! And we got to see the dreaded Colonies. I'm assuming that there was some kind of nuclear war or something that left most of the population infertile and created tons of radioactive waste. I'd really like to learn more about it, maybe they could dedicate some flashbacks to expaining what happened.
The whole scene at the airport made me want to throw up. As a non-straight girl, it's beyond horrific to imagine that all the progress that has been made in LGBT rights in the last 2 decades - not just in the US, but in other countries - could be taken away, just like that. Although a lot of what happened in this episode - like Emily being asked to hide her wife from her students - is still something that occurs in real life. We have a long way to go. I can only hope that reality won't imitate fiction, and we'll keep moving forward instead of backward.
"After everything we've done for you."
And what exactly is it that you've done for her, Serena? Taken away her basic rights? Reduced her to breeding stock? Raped her in a fucked-up monthly ritual? Because you've certainly done all of that, but not much in terms of treating her like a human being.
Watching this show was hard and some scenes gave me major anxiety, but the story was very good and I really bonded with some of the characters. I'm glad that Moira reunited with Luke and I'm kind of curious to see what Rita will do with the letters. And, of course, I want to know what will happen to June. I'm looking forward to season 2.
Oh, you have to fuck somebody, you don't want to? Poor thing. - June
Last week's episode fucked me up so hard. This one did too, although in a slightly different way.
First of all, a little piece of advice to Serena and Aunt Lydia: if you care about this pregnancy so badly and want June to carry to term, then maybe it's not the greatest idea to try to strangle her or show her the body of the guy who helped her and force her to admit that it's her fault. Just a thought.
There is a weird amount of sexual energy between Serena and June. Every time Serena confronts June, it's like she's 2 seconds away from hate fucking her against a wall. I don't know. Maybe I'm reading too much into it, but that's genuinely the vibe that she gives off.
Speaking of Serena, this is a character that I literally think about all the time. I read an interview with Yvonne Strahovski once where she really nailed this on the head: Serena is an incredibly intelligent, presumably well-educated woman who had a successful career before Gilead. And now she's trapped in a world - a world she helped create - where she can't work, can't read, can't be in charge of anything and her opinion on most things doesn't matter. She's like a caged animal with nothing stimulating to do all day. To her, this baby will be an escape from her terribly boring reality. I'm sure she wants to be a mother, but I think a part of her also craves something to occupy her mind and that's what motherhood will provide her with.
(Sidenote: all the horrible religious bullshit and ritualistic raping aside, I'd rather drown myself than live in a world where your only entertainment is sitting around all day and knitting. I would die so fucking fast in Gilead, you have no idea.)
And no, that ending didn't give me anxiety at all, why do you ask?
Very disappointing ending to the season. There were only maybe one or two good episodes this season. The rest were a mess.
So, is Westworld the official Prequel to Altered Carbon now?
Philip is awesome. His character arc has led him to such a decent place that I'm convinced that he's gonna end up dying. I can only hope that I'm wrong.
It's been a really long time since I've cried while watching this show. So many tears were shed for so many reasons (good and bad) making the wait for the Christmas special even more excruciating than usual.
Amazing performances by all especially Capaldi and Mackie.
Honestly though, did Emmit really deserve to die?
When he took out the loan he had absolutely no idea Varga was a criminal mastermind. By the time he figured out he was in way, way over his head and really couldn't do anything about it. What was he supposed to do at that point? Anything he did, he would've got himself killed trying to do it.
The death of his brother was a complete accident.
He was a spineless wuss, but is that deserving of death?
Hurr Hurr girls talking about geeky things. How weird. Oh they talked about rom coms, it's back to 'normal' now.
Really not sure why I'm still watching this show. It's just insulting, the jokes stopped being funny long ago and the only likable characters are usually the butt of the jokes. I'll be surprised if I finish the season coz I'm done with this show.
Tremendous episode, one of series' best. But it has me a bit terrified of what is in store for the final stretch of the season. The three Jennings seem to be in their own downward spirals (Elizabeth's is increasingly horrifying, Philip's hard-to-watch, Paige's forboding) and growing apart while they're at it.
Hey, it's a nice and nerdy and cool girl for Raj in the TBBT universe! I never thought I would live to see this... oh, and she's gone.
So, basically Sheldon stole an unknown amount of money from his friends and they let it slide?
Yeah, no. That's not funny and definitely by far not the best episode in years.
It once again shows how far Sheldon is willing to go to get his way while everyone around him suffers the consequences.
Especially the Stuart part was simply stupidity driven. If I find a flashdrive, I wouldn't blindly erase it and if I had a store I definitely would put it in a Lost & Found box. That's the least bit of responsibility you could expect even from Stuart.
Somehow I feel like the part with the laptop is something we've seen before exactly like that. I do have Ross Geller with a glass of wine in his hand in mind but I doubt it was from Friends.
Oh, look at that. Donna and Benjamin have created an AI. Now this show will take a surprising, sharp turn and switch from legal drama to sci-fi. The Donna will take over the world and our characters will have to lead the resistance against their robot overlord.
...
I know, I know, it'll never happen. But it would be kind of hilarious, wouldn't it?
Also, am I the only one who detected weird sexual tension between Rachel and Katrina?
"less government" liberals giving me a nerve itch
One of the simultaneously funniest and most eye-opening episodes of the show in recent memory. The celebrity sex-ed montage at the end was hilarious and fun, and as always, the clips from actual sex ed videos were funnier than anything one could make up. Oliver (and his writing staff) made some excellent points about sex education in this country and the ways it could be improved. Enjoyable and informative, as the best episode of Last Week Tonight are.
Fare the well, Twelve and Mr. Capaldi! You were a very underrated Doctor but you made that role your own. Also, welcome Jodie Whittaker! Cannot wait to see Thirteen in action. However, did this show really have to end with a women are bad drivers trope? Since it was Moffat's farewell as well, I shouldn't be surprised.
Not gonna l lie: I think I'm going to miss Twelve's hair most of all.
I don't usually feel the need to comment on Last Week Tonight but this episode is worth it for the Monica Lewinsky section alone.
Someone who has truly been through the mill and came out the other side. Bravo.
This entire movie consists of nothing more than the opening and closing of doors. Pay attention, it's really comical.
I really liked this episode. Reminded me the old series...reminded me the pre-Moffat era.
Doctor Who is supposed to be light and unpretentious.
I hate when every episode has to be a mind fucking from hell.
And Bill is adorable... <3
[9.5/10] Full disclosure -- Oliver is preaching to the choir for me here, and that makes it harder for me to be critical. But I still think he gives a strong and arguably empathetic account for why it's practically indefensible to want to keep confederate monuments up. Maybe there's countervailing points that Oliver didn't really address, but he lays out a very effective case for why glorifying people is different than remembering and that monuments are much more about one and the other. While some of the facts -- like when the confederate monuments went up and the statements from confederate leaders about slavery -- were things I already knew, the way Oliver framed everything did a nice at laying out the argument point-by-point. Most of all, I liked his final retort about Robert E. Lee not even believing in Confederate monuments, and the way he connected it to his own feelings about Jimmy Saville. Plus, the replacement statues, culminating in a delightful appearance by Stephen Colbert was an outstanding and silly bit to close things with.
That said, the opening was solid, but pretty much just a drive-by of the news of the week without the unifying theme or POV the show can usually muster. And I must be 10 years old because the "and now dicks" interstitial with various newscasters inadvertently drawing penises on telestrators was quite amusing.
Overall, an outstanding episode.
Outstanding episode. I have to admit, I bristled a bit when I saw that Oliver was doing vaccines as a topic. I'm 100% pro-vaccine, but it just seemed like a case where Oliver would no doubt be preaching to the choir in terms of his audience. But instead, he didn't just hit the "vaccines good/bad" issue, which is easy point, but the sub-issues, like vaccine ingredients and vaccine sequencing. Explaining how the opposition to these things is not just anti-science, but ascientific was a worthwhile tack to take, and explaining everything in terms of rhetoric and breaking down the arguments and issues served to make the topic interesting and compelling, even for folks relatively versed in them like yours truly. In addition, his comedy inserts, like insults for fish or riffs on R. Kelly or busting on himself landed delightfully.
Beyond the main story, the "And Now This" segment on people calling in about the local news train was the perfect slice of small town quotidian weirdness. And the intro stuff did a nice job at dressing down Trump's comments about any alleged taping and the dangers of complacency or not accurately estimating the chances of the Senate health care bill passing.
Overall, a really superb outing from the show.
9.5/10. Another great episode from LWT. I especially enjoyed the opening segment on the 2016 Election because it's a great example of the show's strengths. It's not just riffing on or poking fun at the news of the day (though it does that too), but rather it covers Trump citing unscientific online polls in entertaining fashion, covers his comments about the former Miss Universe in entertaining fashion, but then digs into old interviews in connects them, threading the needle by an online poll Trump (presumably) rejected about the subject of his comments concerning Miss Universe. These are well-thought out, unified segments, not just indiscriminate jabs.
I also appreciated the main segment on police accountability. It was an interesting way to look at the current cultural debate about police shootings, and as LWT does well, zero in on a small part of the issue with wide-ranging implications. I don't know enough about the topic to say whether it was appropriately even-handed in its presentation of the info, but it certainly raised some troubling issues (like "bad apple" officers being able to resign when there's trouble and just move to a different station) that were eye-opening to me.
And the final segment, following up on the Wells Fargo business was great, if only because the reveal that the corporate PSA actor from the internal Wells Fargo fraud video they were going to bring back turned out to be already working as a writer on their show, is a wonderful coincidence.
Overall, another great episode.
[9.1/10] Very good episode. The opening story about copyright infringement of Eminem's "Lose Yourself" in New Zealand was the amusing sort of absurd, international minutia that the show does well. The follow up story on the Trumpcare bill was pretty much what you'd expect, with some fair handling of Congressman admitting they hadn't read the bill only to rake them over the coals for not knowing major details. There's a lot of the same jokes others have made at this point, but turning his call to contact your representatives into a callback to the Eminem "you've only got one shot" story was a nice touch. And the "Now This" segment with scenes of the newly engaged Morning Joe news anchors having tiffs with one another was a funny bit of editing as well.
And the main story, a sadly-needed encore about net neutrality, was well done as well. It's another case of Oliver giving good context to an issue and finding ways to cut through bureaucratic difficulties to get to the point. Word is the comments have already come in fast and furious, so hopefully they'll do some good. The way the segment talks about how we got to this point, and explains the current FCC chair's knowledge of it, was well done, with enough comic asides from the likes of Tay Zonday and Pizza Rat to keep things lively.
Overall, an episode that well well-produced, informative, and funny.
Pretty damn great episode. Oliver & Co.'s commentary on the issues surrounding Syrian refugees and historical and statistical context of America's refusal to accept them was right on point, and all without losing the comedy in what could easily be a little too sad and serious to work for humor.
The "Dismal Prop Comedy of the U.S. Congress" had me in stitches. ("Dangerously Incompetent" and the guy with a poster board of his own speech especially.) The random clips from WCBS's news promos were a hilarious interstitial bit as well.
Plus the "main story", getting rid of the penny, was simple, straightforward, and lent itself to all kinds of silly jokes, all of which makes it a perfectly suited topic to serve as the grace note for Last Week Tonight's second season. The greatest hits parade at the end of the episode was a treat as well. Overall, the laughs just kept coming this week, and the commentary was on right on as well. That's a win for LWT.
6.9/10. Another solid episode. Frankly, I'll be happy when we as a culture can hopefully move on from Trump, but Oliver still manages to juice some humor out of that orange in a hairpiece. While the Emmy bet was what grabbed headlines, my favorite part of the opening segment was the oddly fitting comparison between Trump and the Catholic Church. On top of that, the ridiculousness of the "And Now This" segment on Chris Matthews's favorite movie being Love Actually was the kind of amusing quirk that LWT exposes well.
The main segment on opioids was good not great. It was informative, and there were some nice moments, but it felt like one of those issues that's just a little too expansive for Oliver to be able to cover well in fifteen minutes, and it hewed a little too close to the usual Last Week Tonight formula in some ways, with the old promotional video, the human interest story gone bad, etc. Even Oliver's character asides (like the Oprah-phobia bit) seemed a little more forced than usual. It's an interesting issue, and the show had some notable things to say about it, but it didn't feel as incisive as the show can get at its best.
The final "How Did This Guy Get Elected?" segment was funny (especially the gags about his bizarre pronunciation of the word "racism," but frankly I was expecting the guy to have said a lot worse. Maybe it's just living in the era of Trump that does it.
Overall, not the show's finest hour, but still decent.
