It was good without being great.
I loved the boat that rocked and about time. I felt this film was missing the heart those films had. There were some lovely moments, some cool moments and some happy moments.... but it was missing that extra 5% for me.
I can see why others have loved it though.
An episode primarily focused on Churchill and what an episode.
We learn more of Churchills past and the kind of man he thinks he is.
This episode certainly made me think there should be a Churchill series in the same format as The Crown. Of all the characters he is certainly the most intriguing and I think has the most to tell.
This show used to be funny and it's also used to be one of my favorite TV shows (hence I initially rated this show a 10 on trakt). But starting from Season 7 the show has becoming redundant and it's going nowhere with its forgettable plots. This seems like the show is now more on the money rather on the quality.
I am so sad to say this but I won't continue watching this show.
The marketing and trailer of the film suggested a horror movie with a creepy monster. That may well be the case, but this is not a conventional horror film at all - there is far, far more to this outstanding film than that. To say more would give away the plot, but clear hints as to the identity of the “Babadook” and how it fits into the narrative ensure the reveal and resolution are unsurprising. That, though, misses the point - here the journey the audience is taken on is so compelling that the reveal and resolution to the story don’t need to surprise. Essie Davies plays a single mother still coming to terms with the death of her husband and the young Noah Wiseman is her son who is exhibiting behavioural issues. They both give outstanding natural performances and the film is rooted in such verisimilitude that the introduction of the horror element almost feels intrusive. Not that this is unsuccessful either - the “monster’ initially lurks in the shadows, creating a palpable sense of foreboding and dread and the sound design of the film helps to emphasise this, creating some wonderfully creepy moments. Fortunately, rather than worrying about horror conventions and gimmicks to scare, the filmmakers explore far more gripping issues and concerns - that of a mother’s struggle to raise a child on her own and cope with unresolved grief, loss, isolation and helplessness. If there was a minor criticism, it is that the final act occasionally focuses more on the conventions of horror and suspense that had been so carefully balanced throughout. But this is a nitpick at best and doesn’t detract from one of the finest films of the year and a strong message that true horror is as firmly rooted in reality as it is in the supernatural and fantasy.
As dated as it is--and it is dated--there are still some legitimately funny moments. The art direction and costuming are great, and the supporting performances are fantastic.
Another great performance by Forest.
