"Go learn FileMaker Pro" the Movie.
Or just use Google Sheets.
What was supposed to be a comedy ends up being an annoying movie. The ambience and colors are beautiful, the story is simple, but the development turns everything into a pretentious movie with unnecessary allegories and exaggerated performances, we have a protagonist without expression and another protagonist extremely exaggerated, the tones of voice chosen for each are annoying to hear. A difficult movie to finish.
I love movies that take chances and try to use new and creative methods to tell a story. Call it abstract, absurd, or whatever. I watch a couple of hundred movies a year, so I welcome different. The problem is that "different" is not always synonymous with "good". I love Swinton so much.... this movie just didn't work for me even though I gave it three chances (I fell asleep twice). I didn't love her character, although I think she may have done the best she could with the material.
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Fucking awful. Paul Rudd plays a stuttering stepdad like always. Queer bating but with 15 year olds? Can’t even make the queers cool.
It was everything they said it would be and then some! Supreme spectacle with otherworldly intensity. Fan first was an experience I’ll never forget. A film for the ages. Long live the fighters!
So much cringe, so VERY MUCH CRINGE. And unnecessary slow mo in every other scene.
Pretentious garbage, is what this is.
If this movie played at normal speed it would 30 mins long
The soap opera continues with episode two. My expectations were nonexistent going in but it still managed to disappoint. We're only at part 2 out of 6 and this whole franchise is already tired and stretched out. This is a bit worse that part 1 on every level. Cringe dialogue and acting, still an imitation of many franchises, the set pieces are nothing memorable and the action has no stake because the characters and story are flat as hell. Time to pull the plug on this shit show.
lol wtf is the first half of this movie? Montage after montage after montage. That princess scene as well was the stupidest shit I’ve seen in a long time.
Edit: So I saw the Snyder-chat on The Slow Mo Guys 2 (youtube) and I have to say it actually made me appreciate the "nerdiness" a little bit more. Weird how that works.
Well this was shit. Are they still planning to make 4 more of these movies? Is this some sort of money laundering scheme? It's 90% visuals and 10% story, and it kind of feels like they're trying to speed-run the emotional connections to\between characters like we're playing a Bethesda RPG game.
WOKE PROPAGANDA ! rate 0/10
Did they leave a planet to get destroyed, and then forget about it seconds later. This movie is annoying
Fccckkkk this is bad. Don’t watch!
A Marvel Phase 5 movie for the cringe fangirls wannabes, the phony science mambo jambo tryhards and the weirdo unanappealing cat ladies. A humorless parody simulacra of a MCU movie from the first three phases. It's more painful to watch than the first episode of Ms Marvel (I never managed to watch the rest). Nick Fury managed to get eviscerated even further than he was on Captain Marvel and Secret Invasion. The only good things in the movie are two good songs that feel completely out of place and act like music videos with cringe visuals. The original music videos of those songs are a better watch though. The villain is a joke cosplayer that tries harder to be cool than the tryhard from the quantum realm.
You can really feel Marvel's desperation when they put the post credits scene on the trailer for the movie. I think this was a first. And what an empty mystery box that was! This was definitely a huge nail in the MCU coffin. Let's see for how much longer they will drag that corpse.
Absolute dumpster fire. Kamala Khan has to be the cringiest, worst "hero" in the MCU.
What a trainwreck of a movie.
Boring movie, skip it. Nothing memorable. 210 minutes wasted It. Nothing about tribal native American vulture, no good drama, no detective work, no story telling, I saw better low budget films. I am glad apple lost money, DiCaprio worst role ever, at least only pay 4 usd. Jajajja
One hour in and I'm mostly planning tomorrow's dinner... :sleeping:
Took me a couple days to finish this, it's soooo slow. I love slow movies that build tension, but literally no tension is built. The on screen chemistry between Mollie and Ernest (Lily and Leonardo) is non-existent. Somehow they suddenly become married? Why? It's really baffling that a 3.5 hour long movie has nothing happening in it AND it skips the beginning, middle and ending of a story. I'm really confused as to why some people like this movie...
I'm left wondering if most of the characters in the movies was supposed to be mentally challenged in some way? Everyone seems so oblivious to what's happening right in front of them. Were people just that slow back in the day, or just these people? Especially Mollie. She definitely can't be all there, IQ-wise.
Wow.
This film does an incredible job showing life integrated with AI and robotics, and it does it emotionally and beautifully. While there’s certainly influences from many Sci-fi stories we already know, this movie depicts very real emotions caused and felt by the AI characters. The sound design was superb as well - with many of the impactful moments being completely silent instead of tormented with a soundtrack to tell you how to feel.
Seen in a movie theater.
Solid implementation of hero's journey with a reasonable plot device, you basically get a medical drama in a space industry setting. But besides main character everything else could have been done significantly better. Cinematography is good, but nothing novel. There were basically no reasons to shoot any part of this movie in space (besides bragging rights I guess).
It is almost three hours, but somehow all characters (including the main, but less so) fell underdeveloped and kinda cliché, not much depth to them. There is also no subtlety. Russian-style feminism is a bit forced, but sort of more realistic?
There are couple of 'awww' and a little bit more 'bruh' moments. It wants to be drama with elements of comedy, but could not truly turn serious.
This movie was done partly for propaganda, but what is its message? Russian female doctors can do everything, including space?
Despite all of the above, it was quite enjoyable and easy to watch. I did not notice those three hour passing by.
Overall: 6/10. Nothing novel, watch Gravity instead.
This is just generic as hell. Why do they need to say every minute that they are Mexican?
It looks like a movie generated by an AI taking the typical topics of superheroes and here those of Latinos are added to make the "humor" and throwing them randomly to see what comes out, it's not a disaster but it doesn't transmit anything at all.
And YOU get an iron man suit..aaaaand YOU get an iron man suit AND YOUUU get an iron man suit ppphhhfffrrrttt
Not sure why the critics are into this one, although with all the dogshit this genre has been serving up lately, this is probably a little better by virtue of not really trying. Much like Black Adam, you can tell right away which superhero films it’s pulling from creatively and it doesn’t bother to put its own spin on it. The Latin migrant experience and gentrification angle is a little interesting, but it doesn’t make up for how generic and low effort everything else is. Just watch this one from the comfort of your own home if you’re interested, that’s how it was intended to be seen anyway.
4/10
Great animation and nice story but they are pushing hard on the lgbtq
I read the book as this release came nearer, and I thought that while good, it was clearly a ‘first big passion project that grew in scope and theme in the telling’. And that resulted in a charming work, but also one that could be refined and sharpened if given a second go around and seen by experienced eyes. Well, this movie did that and then some. It’s an affecting allegorical fairy tale for our time, one I honestly sorely needed after all that happened today.
If there’s one word to sum it up, it’s unapologetic. There’s a very big reason Disney didn’t take this on, yes, but there’s a whole lot smaller ones too. This is daring in a way their work hasn’t been allowed to be in years, if not a decade or two. A gay romance is one of its centerpieces, but it also tackles the fear of the other hurting so many today, the classism holding so many down, how it’s rooted institutionally, how you can’t just play nice and appease them. Balister did everything right, he played by the rules, he excelled, he gives them chance after chance, but that’s never going to be enough. The system and those behind it will toss you aside because you don’t belong.
Riz Ahmed plays him perfectly, making what could’ve been a stick in the mud such fun to listen to, and displaying his journey from lost and tossed aside golden boy to a man who’s found strength in the truth and most of all, his friend. In conjunction with the most effective set of puppy dog eyes I’ve ever seen, you can’t help but feel and root for him. Beck Bennett is always a gem in any ensemble and gets some big laughs. Eugene Lee Yang was a sleeper hit- I didn’t expect a Try Guy to remind me so heavily of Crispin Freeman, and that is high praise. It’s not that he sounds like a discount version of him, but that he has a similar lived in earnestness and genuine personality amidst a theatrical and dramatic performance, somehow grounded and knightly all at once. And Conroy is a risible antagonist, one who has convinced herself her paranoia and prejudices are noble and for the greater good and all the worse for it. She does not consider herself a monster by any means, but an aggrieved martyr doing what must be done, and Conroy makes her real while not sympathetic to anyone but herself.
But the most striking performance of all, of course, is Chloe Grace Mortez as Nimona. She put her heart into this role and you can feel it. She straddles the line of what could’ve been either ‘softened and smoothed so as to lose all edges’ and ‘so obnoxious and bloodthirsty so as to lose empathy’, and makes it look easy, instead conveying a character who’s found her way to survive in a world that turned its back on her first. An inner pain at the heart of her rage, one that’s always hoping that she’ll be proven wrong. Or rather, proven right with what she first saw all those years ago- that people can accept and love something different. But the film also never frames her as in the wrong for pointing that anger where it belongs- at the system that props up what was done to her. Many films would’ve agreed the director was the only problem, but this one asserts that the institute and the wall that enables and created her must also be torn down. Mortez goes hand in hand with immaculate writing and gorgeous animation to craft a character who’s hilarious, heartfelt, and devastating. Nimona in motion is such a striking vibrancy against everything else, bringing a life and beauty and color they don’t see until the end. And it makes it such a gut punch when Nimona has lost hope and that pink is replaced with black and white.
There’s a lot of ways Nimona resonates with today. The Director exclaiming Balister has a weapon is a subtle, brief one that only lasts a minute but hits like a punch to the gut. There’s Nimona defending herself being taken as self evident proof she is a monster. There’s her suicide attempt, where the rampage in the book is a path of vengeance here it’s just a last resort after once again losing everything and being rejected on a fundamental level. All that is one reason Disney wouldn’t take this on. But another is it’s sense of humor, or in acknowledging that yes kids know what blood is and many like it and they can handle it. The movie’s not a bloodbath by any means, but blood is just. There! Gay people are there! This movie, despite Disney, despite the conservative backlash against queer children’s media, is here. Saying you are seen. You are not alone. It’s something I think a lot of people, of any age, needed to hear today, and will need to hear in the future. I know I’m one of them.
RRR is completely ridiculous. The CGI is exorbitant, the writing is melodramatic, and the action is outlandish. The emphatic racism alone is enough to abandon this film in the second act.
You know how adding some elements of cheese to a popular movie or song can add human charm to the end product? Well, this goes so far into kitsch territory that it basically feels like an unintentional parody of Hollywood action filmmaking. In theory that’s fine, for example I think Riki-oh is a lot of fun. However, watching RRR is essentially like watching Eurovision for 3 hours. To some people think that sounds like fun, for me it’s absolute torture. Not only is this excessively sentimental and corny, but the plastic visuals and atrocious acting also leave a lot to be desired. Sometimes it’ll strike upon a cool moment that will satisfy your inner 12 year old, but because the overall experience is so lame, I was pretty much bored from beginning to end.
3/10
Don't waste your time, just the equivalent of a big pile of dinosaur dung.
