Beautiful and sad. Twelve very sad minutes. The 2D animation technique is very simple, it looks like watercolor at various times. Once upon a time there was a family. I've said a lot.
Very interesting documentary about a person who did everything to achieve his goal, but for financial problems ended up having to give it up. How many do not identify with that? He still had the ability to do it, many don't even try. It is a lesson that takes sixteen minutes of projection, entitled to a lot of avant-garde music from the 70s and 80s, another aspect that I appreciated very much in it, the soundtrack and the archival images. I'm already trying to download the songs!
Why I didn't to watch it before? It's C I N E M A.
To go to the end of the world in such a particular, yet universal way. I enjoyed the pictures, the train ride, the talk about grandparents.
Perhaps the closest animated film experience to the later film productions of Andrei Tarkovski.
The best version, indeed. There was the Theatrical version on Netflix in Brazil when I saw it, but my first time with Blade Runner was the Director's cut in DVD lend me for a friend. I believe that was the first time I have needed to worry about movies cuts.
Brazilian people need to watch this movie. It's a story that only could be told with the animation technics. A great history class and a (sad) realistic dystopia - an president preacher or preacher president is near to happen - in fews parts like Divino Amor by Gabriel Mascaro. Well, awesome voices actors: Selton Mello, Camila Pitanga and Rodrigo Santoro. High impact.
Interesting, but could be better.
Sérgio Ricardo proto punk at the end of the performance of "Beto Bom de 'Vaia'".
Simple plot, everything is resolved in the most convenient way possible. Everyone gets a happy(?) ending. The ending made me think a lot about a film Charlie Chaplin will make about people seeking great fortune through the gold mines in Alaska.
I don't get it
but remind me of end credits scene - in the Thai karaoke - from Only God Forgives movie. Same year I think: "You're My Dream" by P R O U D
The first five minutes, reserved for all the advertisers, excuse me, sponsors of this production, mistakenly marked on this site with ninety minutes, in fact it is forty, including the commercial space, for sure, all of them are worth remembering, from Lages, Santa Catarina, to the world.
I appreciate the comment on a competing site that I found when I was searching for "Tenshi no Tamago" there. I was afraid it was a variation of the infamous twelve episode three minute long anime called "Pupa". I was pleasantly surprised, all the scenes are disturbing, the soundtrack collaborates a lot with the reception of the images with the spectator. I almost felt like in that crowd in the last scene, staring at the woman, the animal, the sky also reflected in the river water amidst the snow-white banks.
I love the retelling of the iconic scene from The Battleship Potemkin, when João Amorim's wife is shot in the forehead:
This and 8½ are the Fellini masterpieces that I saw.
All the others comments can to talk much better than mine, but I really like Toshiro Mifune character. He's great all the scenes where he are, my favorite is "that baby is me!" on the watermill burning
Very interesting. I need to watch Age of Gold and Las Hurdes just right now. A movie tells the making of a movie, like Tim Burton's Ed Wood and The Disaster Artist but with animation and some surrealistic flashbacks.
The most passionate experience ever I had in a movie! The protagonist is perfect, the editing and the choice of scenes are awesome. I finished this crying.
I lost when saw Star Wars reference. LOL I understand why Quentin Tarantino loves this so much.
Was good to know how some things happened to Lia and Puck.
I miss Divine in this movie but I have so much fun with the portrait of people of the reign and the Peggy and her nurse relationship. Very recommend for all John Waters fans.
I gonna love much more next movie. Herzog is crazy in It. The last sequence is so touching.
I loved Kim Gordon carachter.
Things I liked: Netflix's Everything Sucks vibe; cool use of music/lyrics in somes scenes... This would be a comedy version of the miseducation of Cameron Post? No way. I believe my wife loves the same scene from Titanic.
I don't know what to say about it.
I think that this could be like the Velvet Underground & Nico LP for filmmakers. Every fascinated people needed to make movies because of it.
I really liked all the kitsch melodramatic style here, mainly the score during the chapters titles. Well, just the use of the titles and another colors in it is very interesting. The epilogue was much cliché.
I confused this film with "Memories of Murder" when I chose it. When I started watching, I already knew I was watching a production by the same director as "The Villainess", that characteristic production. It's ridiculously fun, but my mistake back then betrayed my expectations. It happens to me a lot. I will learn someday.
I doubt very much that this will be the last "historical revisionism" film of the origin of traditional Disney villains. Good music, good fashion.
Triple-decker to Will Smith.
