When my filmmaker friend told me this movie was the best thing he’d seen this year, I knew it had to be good. But wow, did it exceed my expectations. I agree - this is absolutely the best film I have seen this year.
From the top, you’re hit with the 1970s pastiche all over this movie and there’s an immediate coziness to it that never goes away. Whether we’re isolated at a New England boarding school with four characters over winter break or in the middle of Boston, there seems to be a sense of lived-in belonging that you just want to be a part of. (Perhaps part of that, for me, comes from a massive amount of nostalgia for a New England holiday season.)
All of the characters, for all of their flaws and quirks, are immediately likable - you want to know more about them, and the movie gives you that in the best, most natural way: through conversation, and sometimes, quiet moments alone. The three leads - Paul Giamatti, Dominic Sessa, and Da’Vine Joy Randolph - bring such truth and humanity to their roles that you don’t want to separate from them.
The plot moves slowly, but the atmosphere and characters are the real draw here. Don’t get me wrong - this movie is FUNNY. Dry, yes, but I laughed a lot. I also cried a lot. This movie touches on abandonment, depression, loss, and the deprivation of potential - but also the power of conviction, connection, found family, and the power in the unknown laid out before you.
