Basically, it's a Creepshow reboot without having to pay for the rights. And it's fine.
Better than I feared, I guess.
What a beautiful show. Tense, gripping, funny, moving. It shows the addictive side of politics and it's also great in its depiction of many different stories with a very realistic touch, never pushing too much on the melodrama. Also, is there a better actor than Oscar Isaac right now?
Halfway through the third short I literally said "What the fuck am I doing?" and I turned it off.
I really don't like and I don't have much more to say.
This is really cute. Maybe too much.
The lack of shame from Marvel is amazing: they said Echo was gonna be completely autonomous and what they meant is the first episode is a long summary of two other TV shows. Meh. Ironically, the new stuff in that first episode (the action sequence and Kingpin doing what any parent wants to do at least once a week by kicking that guy’s ass) is probably the best part of the whole show. Meh. The rest is the usual Marvel fare: a good cast, some interesting themes and ideas, at least one more fun action sequence, but the constant feeling that (1) a couple of hours would have been enough and (2) it’s more interested in making you want to watch other stuff than in not making you regret watching this stuff.
This is really cute. Maybe too much.
My thoughts while watching episode 1:
- this is visually charming;
- how much did they spend for the cast?;
- mh, actually, visually, I like it less than I thought;
- oh, so it's a super super loyal adaptation of the comicbook? No, wait, someone told me there's a twist;
- jeez, keeping the dialogues exactly as they were in the comicbook is not a great idea. They are meant to be read, they feel really stiff in a visual medium;
- this is incredibly boring;
- oh, so that's the twist. I kike it. OK, you have my curiosity.
My thoughts while watching episode 2:
- this is incredibly boring;
- what? We are still at minute 15? Fuck it, I'm giving up, there's no point, I'm literally falling asleep.
Now, this clearly is a superficial judgment and I'm sure that if I insisted and watched the rest of it I wouldn't hate it but I'm at a point in my life where if I'm watching a TV show, I'm incredibly bored and I think the best case scenario is "I didn't hate it", well, I can invest my time in something else.
Michael Sheen and David Tennant are of course great and adorable as usual, every scene with them in it is lovely. And the rest of the cast is also quite good. Overall, it's an enjoyable show but I think it lacks something, I got the impression that Neil Gaiman wasn't particularly able (or interested) in really adapting it for the screen. Much of the humour feels like something that would work better on the page and it lacks the timing or the structure it would need to be great in a visual medium. It really feels very "pratchety", but again, I had the impression that it would worked best if you're reading it in a novel and you let it breath. That being said, again, it's quite enjoyable and the last two episodes are really engaging.
If you watched a few movies in the genre, there isn't a single surprise, but thanks to solid (but over the top) acting, good rhythm, some smart work in terms of exploiting the Quibi formula with pacing and composition, this is an entertaining thriller.
This kinda weirdly reminds me of the japanese robot cartoons I used to watch as a kid. It's fun.
A moderately interesting and adequately produced courtroom thriller, with good actors and a director that seems to feel the need to make it more interesting through random visual flourishes because otherwise the writing wouldn't be enough. And he may be right. The best parts of it are the clothes and Sienna Miller.
The pilot is a mess, but then it gets better. The humour doesn't always work, but some moments are hilarious. Characters are nice and fun, even though I think Drew Barrymore is too much on the nose. Timothy Olyphant is adorable, though.
The usual lovely BBC fare: impeccably made and acted, interesting, mature entertainment.
Basically it's an MCU movie but stretched on 9 episodes / two months and with the bizarre/quirky/interesting/best part they push on the marketing side positioned at the beginning instead of the second act.
Watching Obi-Wan Kenobi after seeing everybody get angry about it for weeks, I kinda expected it would rob my house and harass my family. In the end, i found it less boring than The Book of Boba-Fett. Now, "less boring than The Book of Boba-Fett" is not a great compliment but, I mean, this is the usual Disney+ mediocre shit that's got a few really good ideas but lets them go to waste because it doesn't want/doesn't know how to develop them and it dilutes in six hours of TV a story that (maybe) didn't deserve more than a two hours movie. Also, I'm not sure about which creative decision I find more astonishing between (1) "let's throw away the script about Obi-Wan protecting Luke because it's too much like The Mandalorian and use a script about Obi-Wan protecting Leia instead" and (2) "finding narrative tension in a story about a protagonist and an antagonist who aren't really in danger is hard, so let's focus on putting in danger a third character who also cannot really be in danger and having a fourth character who only wants to kill one of those three characters (who cannot die)". And let's shoot ourselves in the foot, while we're at it. Then of course, even starting from that, you still can do good stuff if you can write in a way that creates narrative tension based on deep characterization, relationships, character's journey, developing those ideas that, I repeat, are there but, as usual, don't have any depth. Or maybe you can save the show with a spectacular visual approach, great action, those kinds of things. And sure, there are some good moments but mostly this is a show with amazing production values wasted on a visual and narrative approach that feels twenty years old. Which also makes me think that these shows are starting to really feel very flat and samey in terms of looks and I'm wondering if the celebrated StageCraft is the guilty party in that.
All that being said, I didn't find it particularly worse than the usual mediocre silly pop stuff that we get on Disney+. You know what didn't help? It being released while Stranger Things, Ms. Marvel and The Boys were reminding us that you can do silly pop stuff that is not even remotely perfect but has got so much more personality and/or ideas and/or interesting visual stuff.
Once again, waiting to have all the episodes was the good choice, not only because I prefer to watch stuff at my own rhythm, not only because if there’s a bad episode I didn’t wait a week for it and I don’t have to wait a week for the next one, but also because, after reading people’s hate on it for a month and a half, the expectations are so low that I end up having fun. Also, in this specific case, there’s the fact that in the meantime I watched Barbie, so every time I saw the bad guy (who, to be fair, gives a decent performance) I thought of the dumb Ken from the movie. Anyway, Secret Invasion is another case of wasted potential: there’s a great bunch of actors, the premise was solid and it could have been Marvel’s Andor. But if you wanna make Andor, you need to write and direct the shit out of it and here those duties were clearly given to a bunch of Ikea cupboards. That being said, I kind of enjoyed it, because actors manage to squeeze some fun from it (Olivia Colman is the queen of the world, Ben Mendelsohn is her vice), because seeing the Super Skrull was entertaining, because - as is par for the course with Marvel - there’s a couple of very good scenes you can hang on to tell yourself you didn’t waste five hours of your life. Which in this case are the conversation between Jackson and Mendelsohn on the train, all of Colman’s scenes and the whole conjugal Fury stuff (the best episode is centered on that).
The first three episodes are amazing. Gripping, romantic, thrilling, deep, sexy... it trojan horses a spy story inside a drama/romance/thriller thing and it does it in a wonderful way. Episode four is where it collapses by letting the uninteresting sci-fi/spy element take control. Episode five doesn't particularly get better. Still, the amazing start and the great cast deserve a view.
As always with MCU shows/movies, there's great stuff here but it's buried under the usual formula and the need to setup a hundred other things by taking time away from the core of the story. This was sold as the Marvel version of a Shane Black movie but it's basically an anesthetized version of Shane Black.
A (mostly) very good cast for a (mostly) very dull show.
Lovely writing and directing, great production values, excellent acting, this is a deep, entertaining, fascinating show.
Fun, complex, lovely acted and written, impeccably shot crime/spy/political drama. The usual very good British stuff, and it starts and finishes with a couple of bangs.
So, basically, it's Rocky IV.
Great entertainment, impeccably made, with a solid cast and excellent writing. And the final episode is amazing.
Interesting themes, good action and production values, some good writing, lots of ambition, mixed up with lots of misses and clunkyness (especially with the whole flag smashers plot). Overall it's a watchable show that tackles deep stuff while still being a traditional superhero action story. Which is what should be expected from an MCU production. It tries to do too much and sometimes it fails, but it's fine. It's never as good as the best moments of Wandavision but it's more cohesive and consistent, plus never as bad as the worst moments of that show.
Lovely writing, direction and acting, a smart, funny and moving story, relevant themes and the right length. Twenty years ago it would have been a movie, now we get a TV show. It's fine, I guess.
Probably unpopular opinion: I (moderately) liked Moon Knight. The first three episodes have some nice ideas but are fairly traditional MCU stuff, borderline boring. Episode 4 is when it really starts working and it's a nice Marvel version of the Indiana Jones/The Mummy genre. Episode 5 is my favorite: smart, funny, entertaining and for once quite effecting in how it tries to inject mature themes and drama in a MCU thing. Episode 6 is what you would expect from it, but I enjoyed the new dynamic between the two versions of Moon Knight, the action with the "egyptian superhero" and the whole kaiju/gods aspects. Overall, I liked how it used cuts to (not) show the different personalities, I thought the acting was frankly much better than what the show deserved and I'm all for it embracing the more surreal stuff, with anthropomorphic beastly gods fighting each other. I didn't love the show but I enjoyed and while I don't think it's as good as Loki or as the first few episodes of Wandavision, it's certainly much better than the second half of Wandavision and than Hawkeye and The Falcon and the Winter Soldier.
This may be my favourite MCU show and in my top three post Endgame things. I loved how commited it was to the bit: a teen comedy that tackles specific themes from beginning to end, even when it has to show more superhero stuff (which is perfectly integrated in the general tone). So it's not the usual "let's promise something that will be there for 20 minutes and we will then spend three hours doing crossovers with other stuff. Which also means that when the crossovers come they work better because they don't feel out of place (and even when they are kinda out of place they are not annoying, because it's just a small homage, a dialogue in the final minutes, that kind of stuff). It's not perfect but it's really good and it's really good at doing the thing it's trying to do. It's not like Hawkeye, which felt like an A.I. was desperatyely trying to write a Shane Black script. The visual style, the directing, everything works and feels contextualized. Iman Vellani is so charming and the whole cast is really lovely. Generally speaking, it maybe doesn't reach the highs of Wandavision (but it also doesn't plummet to its lows) and it's not as consistent as Loki, but I really really liked it, I had fun, it even genuinely moved me here and there.
Ahsoka reminded me that I can still fave fun with classic Star Wars and I can still enjoy a full (mini)series that wants to do that. Considering I’ve been watching recent “classic Star Wars” shows only because I felt I had to do it and I watched them while hanging clothes as a survival technique, I’d say it’s an upgrade. Apparently, I don’t need every Star Wars show to be written by Tony Gilroy. To be fair, I think I prefer Andor, but it’s good to know I still like big space adventures, crazy costumes, Jedis acting cool, well choreographed fights, good actors that manage to not be ridiculous while saying ridiculous stuff, epic and touching scenes scored with those three or four themes that I’ve been loving since I was a kid. Also, I admire how they unabashedly decided to create a direct sequel to something that a huge chunk of their current audience probably never watched, but also the smart way in which it’s full of small details that make sense and tell you an interesting, different story depending on if you watched the animated shows, the movies, The Mandalorian, this or that. It’s not perfect, it could easily have been a shorter and leaner thing, maybe even a two hour movie, but when it works it’s quite good and there’s a couple of fights that really made me excited in a way that hasn’t happened since that thing with the red dudes in The Last Jedi. So, I liked it.
I love Raylan Givens so here I immediately felt at home, even though it took a couple of episodes to really get going. It’s not the best Justified season out there by a long shot, but it’s better than season one and five, thanks to good writing, humour, tension, dialogues and actors. Also, Boyd Holbrook is a great villain, with a very Justifiedy sendoff. Sure, he’s no Boyd, Limehouse or Mags and Dickie Bennett, but who is?