The meanest thing I could say about this movie is ‘Has extreme Don’t Worry Darling energy’.
I have never seen a movie more desperate to justify itself. It’s trapped in this endless neurosis over what it is- a blockbuster Barbie movie in 2023 by an acclaimed art house director that is fun but also deep but also earnest but also self aware but also but also but also. Every point it raises it brings up a counterpoint to before the audience can, every frame is trying to prove it’s not just product but art. It’s never just Barbie. It’s never confident or even comfortable in its skin. You cannot for a second be immersed in Barbie because it’s not a story so much as a visual dissertation without a central thesis, it’s a student film riffing on the big dogs hoping it’s underdog audacity will carry it but given a budget in the millions. It so desperately wants you to like it, to know it’s in on the joke too.
Everythng is an ouroboros here: an endless loop of argument and counterarguement feeding itself. Isn’t it shitty how the Mattel boardroom is full of men? Ah, but isn’t it cool how Mattel’s acknowledged it with this niche? And it’ll mythologize Barbie’s creator but uh don’t worry she did tax evasion we know that, now let her impart into Barbie the experience of all women. Barbie helps women, Barbie hurts women, Barbie is told to be everything so isn’t she just like women, but it is better to be a creator than the idea, and in the end, hasn’t Barbie helped all these women? Oh uh why is this blonde white Barbie the centerpiece of it all and helping not only her diverse Barbie friends but a Hispanic woman and her daughter? Don’t worry we’ll have the daughter call her a white savior! But don’t worry we’ll have the mom say she’s not! It’s fascinating to watch, honestly. It’s a film that wants to prove to you so so bad that it works but it doesn’t and it knows it doesn’t and it knows you knows. It’s Gerta Gerwig wrestling with taking this job for an hour and a half.
The cast is more than game and able. Margot Robbie is doing her damndest to find the heart and soul in this role, and there’s one scene with an old lady near the end of the first act/beginning of the second that actually works, for just a moment, more than any of the big third act soliloquies or montages with emotional ballads. And as someone who’s seen Blade Runner 2049 and Drive, this is the best Ryan Gosling performance I’ve seen. The man commits and delivers a surprisingly compelling and entertaining antagonist. The movie can’t quite reconcile what he’s done with his ending, or tie it into the themes- is Ken letting go of Barbie and the need to define himself for or against her symbolizing the need for men to do the same, and if so, why play it so lightly and sympathetically?- but that’s not his fault. And the supporting cast are entertaining, but you just can’t have big laughs with a movie that feels like it’s constantly checking in the corner of its eye after every joke to see if you’re laughing, grin stuck in place. It’s not as funny or as smart as it wants to be, and the sad thing is, it feels like it knows that too.
There is some great set design, cinematography, dazzling choreography, popping colors, and some fun high points. But I can’t imagine many kids liking it. And we’ve seen how conservatives have taken this movie. And anyone’s who’s progressed beyond the politics of. Well. A feminist blockbuster Barbie movie will find it cloying or condescending or just incredibly basic. It’s aimed at a very specific crowd who will buy what it’s saying, the liberals who see corporate feminism as progress, who agree that it’s just about a little change sometimes, who are ready for something just a little more complex than a SNL sketch. I don’t regret seeing it, because I was deeply engaged the whole time seeing it struggle at war with itself, in pain for its whole existence. It’s not a boring movie by any means. It wants to say everything before the audience can say it first. It’s the endpoint of The Lego Movie and Enchanted- the corporations interrogating and justifying themselves, and the cracks in this formula are too large to ignore. It wants to be so much, and the attempt is as darkly mesmerizing as a fly thinking it can somehow and someway metamorphize into a butterfly and suffocating and struggling in its makeshift cocoon, but this is one Barbie that fundamentally just cannot break out of its box.
This was fucking horrific. This scriptwriter should be forced to find a new career. The second that Rosamund Pike was kidnapped, I thought to myself, "He's either going to propose, or they're going to go into business together." The problem was in getting to the point, where this actually happened. These Russian mobsters must've been the most incompetent buffoons on the planet to not be able to finish off two individuals, who they'd already pretty much brought to w/in an inch of their life. This was such an incredible stretch that it made this movie absolutely ridiculous.
Aside from this, the fact that the writer tried to make these two women sympathetic characters screams that there's something really off w/ this writer. On what planet are people who take advantage of, and essentially murder, some of the most vulnerable members of society sympathetic?
On one last note, I've never been a fan of Rosamund Pike. I'd seen her in two previous films, where she was not good at all: Jack Reacher and Gone Girl. In the former, she's so melodramatic, it's difficult to watch, and it's even more difficult to take her character seriously. In the latter, although she's playing a character w/ Antisocial Personality Disorder, that doesn't necessarily mean someone devoid of affect, which is exactly how she played that role. She may as well have been a talking stump in that movie. I realize that she received industry-wide recognition for the latter role, but I prescribe this to the industries' complete and utter lack of understanding of psychological disorders and their accompanying attributes.
I wasn't going to watch this film b/c of my distaste for Ms. Pike's acting ability, but the movie, on its own, won such rave reviews, I figured that I'd give it a chance. However, something about her just wasn't right. She had this odd grin in a lot of scenes, where it either didn't fit, or it seemed like it would've been inappropriate, if it had been a real-life situation. I just find her acting to be really off-putting. Luckily, both Peter Dinklage and Dianne Wiest are always top-notch performers.
