i can't beLIEVE JAKE AND ROSA ARE GOING TO PR*SON shes gonna survive BUT HE'S GONNA DIE
A pretty solid first episode
Jakob’s storyline is the saddest and most heartbreaking thing ever :(
An intriguing show even if the prospect of watching each episode fills me with existential dread. Melancholia hangs heavy in the air of this small town even when having a good day.
«I just don’t understand why you’re so into punishing yourself. And it’s not just yourself because every time you get cold, Guess who has to give you his coat? (..) I just don’t know why I should suffer because you have this ideological objection to feeling good».
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«Non capisco perché hai questa tendenza a punire te stessa. E non ti limiti a te stessa, perché ogni volta che hai freddo chi ti presta il cappotto? (...) Ma non vedo perché dovrei soffrire io per la tua ideologica avversione allo stare bene».
I better see more of "The Butcher and The Baker" or someone owes me a montage of sorrys.
Jim Rash deserves all the awards for that rap
Hasn't anyone noticed that the Meow Meow Beenz app was used identically for a Black Mirror episode? It's basically the same plot but treated differently
"It's just a flying saucer, Ed. We gotta go." lol, Peggy kills me.
While watching this I was in a constant state of what the fuck am I watching and why haven't I watch this sooner?
I don't know whether to admire how clever this was (and how seamlessly the commercials were integrated in) or to boycott NBC.
Did not see the return of the milking table coming... hahaha
Really solid episode, really got me laughing with the good back and forth between Dave and Ally. Manages to tread that line between heartfelt and humourous which many shows struggle with. Was on the fence after the first two episodes, but this one seals the deal. Will definitely be watching the rest of the season.
Finally a season that fullfills all the potential and is on par with what I've been hearing about this show. The underwater episode and the abortion one are amazing but almost everything is top notch.
"Young, dumb, and orbiting the sun" is gd hysterical.
This episode reminds me how much I'd missed the family dynamics this season. Even if the writing is kinda slacker than many past family-focused episodes, seeing them bounce off each other is still a kick, and sure-fire funny.
Somehow in a show starring Matt Berry, Colin Robinson continues to be my favorite character. And this may have been his best episode yet.
Mostly a really enjoyable episode, thanks to both the presence of Robert Picardo and the meaty revelation about Bashir's dark secret. The fact that this comes so out of the blue is slightly problematic when looking back at Julian's growth over the previous seasons, but in some ways also fits in well. It certainly goes some way towards explaining his arrogance in the early days, but it also feels like it fundamentally changes the character from this point forward.
The Rom/Leeta romance doesn't quite work for me. Although I think the two of them make an adorable couple, Rom's behaviour here just isn't all that amusing, it's more frustrating and dumb. And the episode is really brought down by the quite terrible acting of Bashir's parents.
I think Julian would have made a great LMH, though!
Is that the ticket please guy?
Well, just the stub.
TOO SOON!!!!!
There's meta, and then there's this episode which feels like snake eating its own tail for two whole loops. I mean that as a positive though, as the pile-up of self-consciousness dizzyingly keeps its energy up all the way through, and is just so dense with many layered jokes. Not a personal favorite (yet, as this feels like one that rewards repeated viewing), but I borderline loved it.
O'Brien must suffer! Keiko gets possessed by an evil pah-wraith, and Rosalind Chao finally gets to stretch her acting muscles and does a damn good job. I always enjoyed this episode, partly for that above reason and partly because the whole thing is fun and really well paced. In fact everyone here gets to do some really good work, from Colm Meaney as the heavily-under-pressure Chief, to Rom and his new life as station engineer.
This is funny, exciting and unexpected. Bashir and O'Brien get some great stuff together, and even little Molly gets in on it. A lot of people seem to hate the pah-wraiths, mostly because they were a bit of a lazy concept, but I don't really have that problem and I always was a fan of the Bajoran religious system that evolved through the show.
great production values and a capable female lead makes for an engaging film that was well worth the time. looked good, fast moving plot, plenty of action, and some adequately portrayed drama. kept my interest and got my heart pumping a few times.
Frankie is a song without enough music, a poem with a shortage of words, a cluster of stars yet nary a night sky.
At least I got to watch Isabelle Huppert share scenes with Marisa Tomei, so my place wasn't wasted.
I liked it, it was really over my low expectations, Kristen Stewart it's great, the story feels good, it's short like Every action movie should be. Nothing new, not the best but it's really enjoyable.
Honestly, kinda pointless but I love Joel so this get a pass in my book.
This show just plots along at the speed of molasses in an ice storm. It's excruciatingly slow and uninteresting. Sat through the first 5 episodes to really give it a chance, but enough is enough. 2/10
I loved the dry humor, it worked perfectly for me. The story was interesting and did not go where I thought it was and I loved it even more. Jesse Eisenberg was the perfect man for the movie.
Now my 2-year-old runs around the house saying "WHAT? NO!" all day. SMH! At least we get a couple lines of Ratzenberger.
This is... weird.
And great to see that 2030 will be even worse than 2020.
Such a weird episode, but so informative.
Swallow is like wearing second hand underwear that's far too tight yet looks incredible on you. It's full of cringe and will never stop making you uncomfortable yet works in every way possible.
This neo-pre-feminist (yes, I just made that up) psychological thriller is constantly evolving as it explores the psyche of a trophy wife whose at risk of being tarnished. Director Carlo Mirabella-Davis leaves a lasting imprint of his style on this film that Haley Bennet owns like a dress tailor made for her talent.
